Tag: Shinya Kimura

Shinya Kimura at the Harley Museum

By Joe Berk

Astute readers will remember our post on Shinya Kimura, an artist who works with metal and motorcycles to create motorcycle art.  I was both pleased and surprised to see one of his creations at the Harley Museum during our recent Milwaukee content safari.

“Spike,” Mr. Kimura’s custom Knucklehead, was in a Harley museum hall that focused on custom motorcycles, and even before I saw his name, I knew whose work it was.

I believe “Spike” is the very same motorcycle featured in this video:

The Shinya Kimura shop, located in Azusa, California (not far from CSC Motorcycles) is one of the more interesting places I’ve ever visited.  I think you would enjoy it, too, although it is not open to the public.  I was there on business reasons, and I captured some great photos.  If you have a chance, check out our earlier blog.

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Shinya Kimura

When I was consulting with CSC, one day Steve Seidner (the CSC CEO) asked me to go with him to visit Shinya Kimura, a man who builds custom bikes.    Steve thought I might enjoy grabbing a few photos of Mr. Kimura’s shop and a few of his bikes.  Little did I know about what I would see.

From the outside, all I could see was a small shop, but when I entered I was stopped dead in my tracks by one of the most beautiful motorcycles I had ever seen.  It was an early CB750 Honda Shinya had customized and it was visually arresting.   I had never seen anything like it.  The lens cap came off my Nikon, I dialed the ISO up to 800, and I had started snapping away.

Steve introduced me to Shinya, who invited me to look around the shop and photograph whatever I wanted.   And I did, not really knowing who this guy was.  But the shop…wow!  It was more of a studio and a museum than a shop and it was amazing.   The place was a working shop, but the tools, custom motorcycles with a unique, retro-futuristic-formed-aluminum theme, the motorcycle accoutrements, the patina, and more somehow made me feel immediately like I was in a place where I belonged.  It’s hard to describe and I know these words are failing me, but if you’re a gearhead, I think you’ll get it.

But don’t take my word for it.  Take a look.

Later that day I Googled Shinya Kimura.  It’s good I did this later, as I might have spent more time asking him questions than taking photos, and the things I photographed were amazing.  I didn’t know anything about Mr. Kimura, but Google gave me perspective on the man I had met earlier.

That night I went through the raw files I had captured with my Nikon and processed them in Photoshop.   I think they are some of the best photos I’ve ever taken, but that’s not me bragging about my photography or my Photoshop skills.  It was what I was shooting that made the photos what they are.

 

Natty Bumppo, the NY Times, and Shinya Kimura

One of my best friends from high school is a guy named Natty Bumppo.  That’s not his real name, but it’s what he goes by when he’s out killing mockingbirds and I thought I’d use it here.   Ol’ Natty sent a link to me for a NY Times story about what motorcycling in Manhattan has become (the story is in today’s edition).  Natty has a knack for knowing what I like, and he sure hit the mark on this one.   The cover photo, in particular, hit home.   But there are a lot more photos in that article and they’re all good.  They are in black and white, and that added to the feel of the article.

Anyway, the story reminded me of a piece I did for the CSC blog a ways back about Shinya Kimura.  My photos for that piece were in color, but the nature of Kimura’s customs and the feel of his shop lent a sepia feel to the photos (even though they are in color).    There are a lot of photos in this piece, folks, so it may take a minute or two to load.

When I rolled into the CSC plant yesterday, Steve Seidner asked me to come along with him to visit a shop a short distance away to meet Shinya Kimura, a man who builds custom bikes.  Steve thought it might be fun to grab a few photos of Mr. Kimura’s shop, and I was all for that. Little did I know about what I would see.

From the outside, all I could see was a small shop (at least it appeared that way initially), but when I entered, I was immediately stopped dead in my tracks by one of the most beautiful custom motorcycles I had ever seen. It was a CB750 Honda (one of the very early ones) with an incredibly beautiful sculpted aluminum fuel tank. The overall effect was visually arresting. I had never seen anything like it. The lens cap came off my Nikon, I dialed the ISO up to 800, and I had started snapping away.

Steve introduced me to Shinya, and he invited to look around the shop and photograph whatever I wanted. And I did just that, not really knowing who this guy was. But the shop…wowee! It was more of a studio than a shop, and it was amazing.

Last night I went through the raw files I had captured with my little D3300 and I processed them in Photoshop. I think they are some of the best photos I’ve ever taken, but that’s not me bragging about my photography or my Photoshop skills. It was what I was shooting that made the photos what they are.

Enjoy, folks…

I was lost in the wonder of Shinya’s small slice of motorcycle Nirvana and I guess that was obvious. Shinya smiled at me and asked me what I thought about his place. “I’d like to live here,” I said. It was that cool.

I grabbed one last photo, and I think it was a good one…

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