My Vintage Bike Wish List

By Joe Berk

Like most of you, I spend a lot of time thinking about what I’d park in my garage if I had the money and the space for a motorcycle collection.  At various times in my life I’ve owned several motorcycles at the same time and I’ve sort of realized the dream I describe here (at least in terms of how many motorcycles I owned), but this blog describes something different.  The bikes I owned in the past came about as the result of having the time and the money when something cool caught my fancy.  This time, I’d start from scratch and define what would go into my ideal collection.  Gresh and I have theorized and fantasized and written about this in the past (see our Dream Bikes page).   Here, I’m starting from scratch and I’m limiting myself to six motorcycles (just because I think that should be the right number of bikes).  You might be surprised at some of my choices.

1965 Triumph Bonneville

When I was a kid in high school, one of the seniors (a fellow named Walt Skok) bought a new Triumph Bonneville.  I thought it was the most beautiful thing I’d ever seen, and I wanted one.  Later in life, I bought, rode, and sold several Triumph Bonnevilles, but I never scratched that itch for a ’65 model.  Someday…

To me, everything about the 1965 Triumph Bonneville was perfect:  The colors, the exhaust system, the exhaust notes, the tank parcel grid, the design symmetry, the little decal recognizing Triumph’s world speed record, and more.  I always wanted one and I still do.

1965 Harley-Davidson Electra-Glide

I’ve owned a couple of Harley full dressers, but the one I always wanted was the 1965 Electra-Glide.  That year was the first year Harley offered electric starting and it was the last year of the panhead engine (which I think is the best-looking big twin engine Harley ever made).

The ’65 Electra-Glide is another bike that, in my opinion, was styled perfectly.  I like the tank contours, the 1965 paint design, the panhead engine’s look, the fishtail mufflers, the saddlebag contours, the potato-potato-potato exhaust note, and more.  Apparently, my thoughts about this motorcycle’s intrinsic beauty are also shared by the U.S. Post Office (see the above postage stamp).  The ’65 Electra-Glide is the bike I used to think about as a teenager when I rode around on my Schwinn bicycle, imagining that my Schwin was a Harley.

Cycle Garden 1974 Moto Guzzi El Dorado

Ah, a Cycle Garden Guzzi.  This is one I tumbled to only recently.  I’ve been writing a series of articles for Motorcycle Classics magazine, and one of the shops that’s been helping me is Moe Moore’s Cycle Garden in Indio, California.  I always thought the mid-1970s Moto Guzzi were stunning in their stock and restored configurations.  Then, during one Cycle Garden visit, I saw a custom bike that Moe and his crew had assembled for a client.

The bike was a 1974 police motorcycle, but it painted in a breathtaking battleship gray and metallic blue paint theme.  I could see myself riding it, rumbling through the open roads and magnificent landscapes of Baja.  It is a motorcycle that is firmly on my list.

1983 Harley XR-1000

I wrote a Dream Bike piece about this during the first year of  the ExhaustNotes.us blog’s existence, and the thing that struck me about it was that Joe Gresh told me I’d beat him to it…he was thinking about doing a Dream Bike piece on the same motorcycle.

I’ve never owned or ridden an XR-1000.  Come to think of it, I never heard one run.  I could have bought an XR-1000 new for around $8K when they were new, but I didn’t have a spare $8K laying around in those days.  It’s another one of those motorcycles bikes for which I think the visual and visceral appeal is perfect.  Maybe someday I’ll get to scratch that itch.

2006 Kawasaki KLR 650

To me, this is an interesting choice with which some might take issue.  I don’t care.   I loved my KLR 650.   Lifelong good buddy Baja John had one, too.  That’s Baja John and yours truly somewhere in Baja in the photo below.

The KLR 650 is one of my all time favorite motorcycles.  Mine was a first-gen KLR, and I think those are more desirable than the second gen bikes.  My KLR was perfect for exploring Baja, and I did a lot of that on it.  It had just the right amount of power, it was simple (except for the shim-and-bucket valve adjustments), it was a very comfortable motorcycle (the ergos were perfect), and it was inexpensive.  I bought it new in 2006.  It was one of the best motor vehicles (of any kind) I ever owned.   If you’re wondering why I sold it, so am I.

2015 CSC RX3

The CSC RX3 motorcycle is another bike that I thought was just perfect for me.   I covered a lot of miles in Baja and elsewhere in the world on it.

I think a 250 is the perfect size for a motorcycle (you can read why here).  I traveled through a lot of the world on one:  Through the American West, Mexico, the Andes Mountains in Colombia, and China (with Joe Gresh; Joe and I are in the photo above auditioning for a Chinese gladiator movie).  All those trips and all those miles were awesome, and the RX3 didn’t miss a beat on any of them.  I almost cried when I learned Zongshen discontinued the RX3, and if they were to bring it back (which they should), I would no doubt be riding the world and blogging the RX3’s virtues again.


There you have it.  It was fun thinking about this, writing this blog, imagining the above six motorcycles parked in my garage, and riding them in different parts of the world.  A quick mental tally tells me I could make the above wish list a reality for something around $120K in today’s dollars.  Hmmmm…I don’t have a spare $120K laying around, but maybe if a few of you hit that donate below…


What about you?  What would be the ideal collection you’d like to see in your garage?  Let us know in the comments below.


You know you want it.   Go ahead.


Buell Fever Part 7: Lean On Me

By Joe Gresh

Tidying up where we left off in Part 6, the new front brake pads arrived and everything wheel-wise went together. Bleeding the front caliper was uneventful and the brake stopped the wheel which is all you can ask in today’s crazy world.

Stoppage by PM.

It was time to tackle the Buell’s kickstand issue. If you’re keeping count, that’s three motorcycles I have had to modify the kickstand on.

Kickstand things are precarious and resulted in a crash.

The Buell’s kick stand was an odd duck. It had the typical Harley locking style but where Harley used heavy, hard-wearing steel the Buell used soft, easy to consume aluminum.

The material change is important because with only 13,000 miles my Buell kickstand locking groove was completely worn out. The notch the kickstand flopped into was gone and with the poor angles involved the bike was ready to fall over any minute. And it did.

The notch area, eaten away in the pursuit of light weight.

I was going to take a stab at welding a notch in place but I couldn’t get the TIG torch in the narrow kickstand mounting boss. This was a job better left to the pros at Roy’s Welding. I took the aluminum side plate down to Roy’s and dropped it off.

Access is limited, so I gave up and took the kickstand plate to a welder.

A few days later I called Roy’s to see how things were going and I guess they couldn’t get their torch in between the kickstand mount either. Back I went to retrieve the still-boogered kickstand mount. I searched online for a few days but a left-side mounting plate was not available when I needed it.

Left with no option I tried some of Harbor Freight’s ersatz aluminum welding rod. This material is kind of an aluminum solder. To weld with it you use an Oxy-acetylene torch and it kind of works.

A nice flood of ersatz aluminum filled the void.

You’ll need to clean the aluminum well and then using the torch to heat the work you sort of rub the rod into the metal. Take care not to overheat the work. It’s an easy process that you can stop anytime by removing the heat source.

I welded (if you can call it that) the original pivot holes closed then filled the worn spot inside the kickstand mount. It worked ok and I managed to get the filler pretty level inside the mount.

The original pivot holes stopped the stand at a 90-degree angle. This was fine and dandy when the stand had a notch to fall into. My new plan was to make the kickstand more like every other kickstand in the world instead of Harley style.

The relocated pivot hole allowed more stand arc.

I re-redrilled the holes and a position that allowed the stand to swing forward and over center the return spring. This set up is pretty normal even in later Buells. I ground the stand a bit thinner to make room for a steel washer in the hope of protecting the soft aluminum filler material.

It looks much worse than it is

To allow movement for the old stand design the hole in the kickstand was oval shaped. This made for quite a bit of lean when deployed. My new design didn’t need the oval hole so I drilled it out and fitted a steel bushing. Now things were snug.

Steel bushing to fill the wongo-wongo, pivoting angle.

With the relocated pivot holes the end of the kickstand hit the swing arm in the up position. I used a piece of Starboard (plastic used in boat building) to make a new stop for the stand.

New stops keep the kickstand from hitting the swing arm.

It all worked. The Buell stand is still in an odd, dirt-bike like location but it operates normally and the bike doesn’t fall over. So that’s a good thing.

No more rolling off the stand and hitting the ground for me.

More Gresh Buellishness!

Buell 1:  More Cowbell
Buell 2:  The Reckoning
Buell 3:  An Own Goal
Buell 4:  Striking Oil
Buell 5:  Carb Blues
Buell 6:  Oingo-Boingo


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Phavorite Photos: The CSC Sarge

By Joe Berk

Back in the day when Steve Seidner and CSC Motorcycles were running full tilt on building replica Mustangs, the custom bikes were rolling off the production line fast and furious.  Most buyers were in love with the little repliStangs, and most accessorized their bikes heavily.  The bike’s list price was something like $3,995 or $4,995 (I forget which), but it wasn’t unusual for buyers to run the price up to $10,000 with accessories, extra chrome, and more.  The typical buyer was 70- or 80-year-old person who had wanted a Mustang as a teenager back in the ’50s but Dad said no.   It was time to get even with Dad, and get even they did.

We also did a few custom bikes on spec and it was great for me.  I wrote the CSC blog back in the days, and with the constant stream of customs there was always plenty to photograph and blog about.  One of my favorites, and one of my favorite photos, is a bike Steve built for himself.  He christened it “The Sarge” for obvious reasons.

The Sarge had a lot of custom touches, including .50-cal ammo cans as saddlebags, a near complete dechroming, lovely OD green paint, brown leather seat, and more.  It was a stunning motorcycle.  My El Cheapo Bell helmet and its Army Air Corps livery completed the package.  I found a stone wall somewhere in the hills above the CSC plant when the plant was at the La Verne airport, and that made for a nice backdrop.  The Sarge photo at the top of this blog has always been one of my favorites.


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Rolling Art: A Magnificent Guzzi!

By Joe Berk

The saying is “if I was any happier there would be two of me.”  The photo above kind of captures the feeling.  It’s how I feel every time I visit with the Cycle Garden team in Indio, California.

When I first heard that one of Moe Moore’s custom Moto Guzzi motorcycles went for $40,000 to $50,000, I was shocked.  Then I realized a new Harley full dresser inhabited the same realm.  Per Google’s AI:

A new top-of-the-line Harley-Davidson (CVO™ model) generally costs between $45,000 and over $50,000 for the 2025/2026 model years, with models like the CVO™ Street Glide® and CVO™ Road Glide® starting around $44,999 to $51,999.

Then the question became:  Which one would I prefer owning?  That’s a no-brainer.  It’s the Guzzi.  The one featured in this blog is a case in point.  It’s not a stock motorcycle by any stretch of the imagination.  But wow, would I ever love to own it!  More than a Buell, even.

Before I get into that, though, I need to tell you a little bit about Cycle Garden and what they do, and what I’ve been doing with them.

Moe Moore, head honcho at Cycle Garden. He’s a nice guy. All the folks at Cycle Garden are nice people.

I am in the process of writing a series of How To articles for Motorcycle Classics magazine (and I’m loving every minute of it).  I did the first on how to lace a wheel (with help from good friend Kenny Buchanan of Buchanan Spoke and Rim).  The next was on drum brake servicing, and it will appear in the March/April issue of Motorcycle Classics (due out any day now).  And I have three more that are written and awaiting publication (things have a long lead time in the print publication world).  I’m really enjoying the plant visits, the interactions, the photographing, the writing, and the ego-stroking that accompanies seeing each of these pieces in print.  I’m especially loving being around the vintage motorcycles.  You’ve seen the blogs on Emma Booton’s Triumph. Don’t tell this to the magazine, but seeing the vintage Guzzis at Cycle Garden is so cool I’d almost write those How To pieces for free.  I’m especially enjoying hanging around and learning about Guzzi maintenance from Moe, Steve, and Lindsay.

This resto-mod 1974 Guzzi police motorcycle is beyond stunning.  I’ll let Moe tell the story on it.  There’s a YouTube at the end of this blog in which he does that, but first, a few photos…

Yessir buddy…that is a beautiful motorcycle. The bike is 52 years old this year.
The colors are magnificent. Lindsey did the painting. Steve did the engine work.
Awesome. Just awesome.

Here’s the promised YouTube.  There’s more Moe Moore coming up on the ExNotes blog and in Motorcycle Classics magazine, so as the saying goes…stay tuned!


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ExNotes Auction House Review Part 1: Buying From Iconic Motorbikes

By Joe Gresh

I have an interest in old or unusual motorcycles, to put it mildly. So it was strange that I never heard of Iconic Motorbikes out of Panorama City, California. My recent Buell Fever led me from online search to online search to Iconic’s website.

Rare, updated Norton still using the old bottom end. Norton has gone through some owners.
An un-wrecked, oil-air cooled slabby GSXR.
Yamaha Daytona 400. The last of the air-cooled RDs.
Super condition Norton. The real deal before the owner shuffle began.
MV grocery getters!
A cannibalized CBX. Probably with a fortune as is.

It’s a good thing I didn’t find their site earlier or I’d be homeless, living in the streets surrounded by my collection of fantastic motorcycles. Iconic has a lot of cool bikes.

And for Buell’s, they got ’em. Plenty to choose from, and all at reasonable prices. The process works like this: you register to bid on the Iconic website and in no time you’re blowing money on cool motorcycles.

Even MV’s crates are beautiful. I wonder what swag is inside?

The site is set up for auto-bid: you put in your highest offer and Iconic bids for you as your chosen motorcycle’s price rises. This releases you from having to watch the bidding and gives you more time to pour concrete.

In my case all the Buells I bid on went over my budget. Don’t despair if you don’t get your dream bike: Iconic’s website has a section just for you called Buy It Now.

The odd rat-rod at Iconic’s Panorama City location.

Iconic’s Buy It Now section is full of bikes that didn’t make their reserve price on the auction side of the site. That’s where I found my VR1000-esque Buell. You can still make offers in Buy It Now, Iconic will contact the seller with your offer. Or, like me, you pay the asking price and the bike is yours. Most of the bikes in Buy It Now are not outrageously over-valued. There are a few kite-flyers, but you never know. Not all the motorcycles for sale are in Panorama City; some bikes are at other locations around the US.

Once the deal is made you pay Iconic for the bike and go pick it up (at Iconic or the owner’s location), and you’re done. It’s a pretty easy process. Iconic will also ship the motorcycle to wherever you want for an additional cost.

Wall to wall and two stories high. If you can’t find your dream bike in this lot you’re having a nightmare.

I liked Iconic for the huge selection and their extremely detailed reports on the condition of the motorcycles on auction. It’s like having a trusted friend go check on a bike for you like my buddy Deet did when I bought the RD350.

I wasn’t buying a piglet in a poke when I bought the Buell and I am using their list of recommended repairs as a check list while working on getting the ’95 Buell Thunderbolt back on the road.

Iconic’s huge location in a warehouse district of Panorama City, California, is a candyland of motorcycles.  There are at least 300 motorcycles stuffed cheek-by-jowl and two floors up, all of them cool. Leave your wallet at home if you visit Iconic or you’ll leave with a bike you didn’t know you wanted.

I give the buying process at Iconic high marks. It’s almost too easy to blow money on motorcycles there, so use their site wisely, my brothers.


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ExNotes Book Review – Motorcyclist Extraordinaire: Buddy Stubbs

By Joe Berk

Not too long ago, I posted a blog about the Buddy Stubbs Motorcycle Museum in Phoenix, Arizona.  Sue and I visited it for an upcoming Motorcycle Classics magazine Destinations piece.  While I was there, I saw a book about Buddy Stubbs (Motorcyclist Extraordinaire: Buddy Stubbs), and I picked up a copy.  I finished reading it last night and I thought I’d share my thoughts with you.

Written by Tyler Tayrien (who also wrote Arena, a book about Sam Arena’s motorcycle racing career), I’d give it a solid 8 out of 10 points.  The subject matter is superb; the writing and editing are good but not great.  I already wrote about Buddy Stubb’s history, his dealership, and a bit of his background in my recent blog about the Buddy Stubbs Museum, so I won’t go into that in too much detail here.

What’s great about Motorcyclist Extraordinaire: Buddy Stubbs is that the subject of this book (Mr. Stubbs) has had such an interesting life.  It would be hard for a book covering this topic to be dull.  What’s also great about the book is that Buddy Stubbs’ racing contemporaries are the guys I followed when I was a teenager and a young man:  Riders like Dick Mann, Gary Nixon, Cal Rayborn, Roger Reiman, Bart Markel, Kenny Roberts, and others.   These guys were the kings of flat track, motocross, and road racing back in the day, and reading about them from another rider’s perspective made the book even more interesting.

Motorcyclist Extraordinaire: Buddy Stubbs has a lot of photos, and maybe that’s one of its weak points, but I can’t blame the author for that.  Most of the photos (maybe all of them) were from earlier printed photos shot with film, I’m guessing many were shot in black and white, and these were scanned for inclusion in the book.  It’s hard to get a decent image using that approach, but when working with these kinds of archival prints, there’s really no other way to do it. The downside is that many of the photos are grainy and lack clarity.  That’s not intended to be a criticism; it’s just an observation.

Motorcyclist Extraordinaire: Buddy Stubbs covers Buddy Stubbs’ life, his experiences in buying and building up the dealership, his marriages, his automobile and motorcycle racing, his cars, and the motorcycle museum.  Mr. Stubbs is in his mid-80s today.  I’m sorry I didn’t get to meet him while I was in the dealership, but I did get an autographed copy of his book. That’s cool.

My minor criticisms aside, I think that Motorcyclist Extraordinaire: Buddy Stubbs is an excellent read.  My advice to you is to pick up a copy. I think you will enjoy it.


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Purple!!!!

By Joe Berk

I stirred up a few comments last week with that photo of Emma Booton’s 1972  restomod Triumph Trident and its glorious purple color.  This week, I visited the Buddy Stubbs Motorcycle Museum in Phoenix, Arizona (a wonderful place, and the subject of an upcoming ExNotes blog) when I happened to spot an original ’72 Trident 750cc triple.   Its original purple paint was what Triumph called Regal Purple.

You know, Emma was right.  Roto Rooter purple, the color you see on her bike in the photo atop this blog, is much nicer.   That’s my opinion, and if you don’t agree with me, I am okay with you being wrong.

There are a lot of motorcycles in the Buddy Stubbs Museum, and each has a story. Watch for our upcoming blog on this Phoenix destination.
It presents a regal appearance, don’t you think?

The original Triumph is a nice motorcycle, and it has the advantage of being original (including the original paint geometry, with Triumph’s familiar scallops).  But given the choice, Emma’s Triumph gets the nod here.


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Where Were You In ’62: Part 5

By Joe Gresh

The Dream is perched on the new Harbor Freight lift and slowly coming apart. I’ve been busy with other projects so don’t freak out if it seems like progress is slow. It’s not me. It’s the environment I work in.

This installment involves a bit of inventory control. I need a decent front rim but all the ones online look just as bad as the rim I have. The parts bike front rim is bad too. They are sturdy and run true but lots of surface rust makes them look bad. I can get new rims on eBay, sold in pairs for around $200 delivered, but I only need one rim. Anyone want to form a syndicate and go halvies on some 305 Dream rims?

$20 kickstand. Sometimes I do it the easy way.

Both of the Dreams were missing their side stands and I debated making one from scratch. Just for kicks I went on eBay and some hero had a side stand for $20 so I bought it. It’s kind of like cheating but It would take me two days to make a stand.

Hopefully these seals will work, keeping the oil inside where it belongs.

I’ve also ordered a set of engine seals. I’ll have the engine side covers off to free up the clutch plates and clean the centrifugal oil filter can. Also I need to remove the alternator to gain access to the starter clutch as it’s hit and miss. I figure it’s a good time to replace the seals. The only one leaking at the moment is the shift-shaft seal but you know how it goes with old rubber. Twenty miles down the road another seal will start leaking. Then another.

Deez Nuts were tight as hell. It took me two days to get them loose.

Getting the Dream’s steering stem apart was an Ossa. The top lock nut was knitted to the cone nut and the thing was tight as hell. Much hammering, heat and penetrating oil was used over the course of two days. The steering stem nuts finally unwed and spun off by hand. All the bearings and races look good with no divots or flat spots to cause erratic steering. There was even soft grease still inside! Impressive for a 63-year-old motorcycle.

The Dream on the maiden lift.

I’ve got the frame off the engine now. It’s a fairly lightweight sheet metal construction. Kind of like a monocoque Norton but with a separate fuel tank. Honda copied a lot of ideas from German and British sheet metal frame manufacturers.

The Dream frame is light. Easy to lift off the engine for an old man.

The frame has a few dings to fix and the Dream is made from pretty thick metal. The dents are hard to get behind to push out. I’ll try the painless/paintless dent remover but I don’t hold out much hope as the frame is twice as thick as gas tank metal. If that doesn’t work I’ll get a stud welder and pull the dents with a slide hammer.

Kind of Kawasaki green for the new paint on the stand. Almost safety vest green. I had a can in stock.

Since I have a new, shiny lift I decided to clean up the old, rusty engine stand to match. I’ve had this stand since the late 1970’s and it’s had everything from a 4-Cylinder Volvo marine engine, many Chevy small blocks and a big, heavy, Ford 427-inch OMC inboard strapped to the thing. The big Ford was pretty bouncy. With the cast iron, water-cooled exhaust manifolds the thing probably exceeded the stand’s weight rating by 300 pounds. I used a 2×4 in the front to help stabilize the engine.

A few aluminum tabs and the Dream engine bolted right up. I’m going to do this method on the next MC engine I work on.

In all those years this will be the first motorcycle engine I’ve had on the stand. It makes everything easy with the mill at hip level. You can rotate the engine 360 degrees by spinning the T-handle. Which begs the question: why didn’t I think of this before?

I’m thinking heavy metallic with candy-copper followed by 2K clear. What are the odds it won’t bubble?

I hear you: not much progress but I’m a bit lame right now and taking it easy for a week or so. What about a 3-part metallic orange for a color? Too much? Atomic Green? Black, red or white is boring.


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The Buddy Stubbs Motorcycle Museum

By Joe Berk

The alarm rang early last week, and Sue and I were on the road at 5:00 a.m., pointed east on the 210 for the 5 1/2 hour trek to Phoenix and the Buddy Stubbs Motorcycle Museum.   It was worth the drive out there.

There are more than a few dealers who have a handful of bikes tucked into a corner of their showrooms they call a museum.  Not so with the Buddy Stubbs Motorcycle Museum in Phoenix, Arizona.  It’s the largest motorcycle museum in the American Southwest, and it’s one of the best motorcycle museums of the many I’ve visited over the last 30 or 40 years.  I don’t say that lightly.  This place is spectacular.

Many marques are well represented. This colors on this early ’60 Noron twin work for me.

Sue and I visited the Buddy Stubbs Museum recently for an upcoming issue of Motorcycle Classics magazine, and I sure was glad we did.  The Museum has 137 bikes (with 124 on display).  You might think they’d all be Harleys, but you’d be wrong.   All the cool stuff is there, and it’s all vintage.  Harleys, Triumphs, BSAs, Vincents, BMWs, Excelsiors, Indians, and a bunch more.  It seems like every motorcycle in the Museum has a story.

The 1913 Indian Buddy commuted on between dealership locations.

One of the stories is about the 1913 Indian in its original unrestored glory.  You might recall that about 25 years ago Harley made their dealers build new and modern showrooms.  Buddy Stubbs was one of those dealerships, and while the new location was under construction, Buddy rode between the old and new locations daily on that 1913 Indian.  That’s cool.

Buddy’s Cannonball Excelsior. All the spares rode in the sidecar and there was no chase vehicle.

Another bike with a story is the 1915 Excelsior, with sidecar, that Buddy rode in the 2010 cross country Cannonball Run.  Okay, you might be thinking a lot of guys did that.  Yeah, but…and the “yeah, but” in his case is that a 70-year old Buddy Stubbs made the ride with no chase vehicle.  He carried all the parts he thought he might need in the sidecar.  Wow.

Yes, it’s the actual Electra-Glide in Blue.  The real one that we all saw in the movie.

Remember the 1973 Electra-Glide in Blue movie?  Buddy taught Robert Blake how to ride a motorcycle for that movie, and the motorcycle that Blake’s felonious motor officer buddy bought with stolen money (in the movie, not in real life) currently sits in the Buddy Stubbs showroom.  Blake went on to a successful TV series (Baretta), and then he fell from grace when he murdered his wife (which he got away with in the criminal trial, although he was later found financially liable in a subsequent civil case).  It’s tough to convict a movie star here in the Golden State.

The black T-Bird (second from right) was The Wild Ones backup bike.

Speaking of motorcycle movies, the grand-daddy of them all has to be Marlon Brando’s The Wild One.  You will recall that Brando rode a Triumph Thunderbird in that movie.   The producers kept a spare Triumph Thunderbird on set during the production.  You know, just in case.  That spare T-Bird is in the Buddy Stubbs Museum.

A four-cylinder Nimbus. It might have made it into our ¿Quantos Pistones? series had I seen it sooner.

There’s a whole section here on ExNotes focused on our dream bikes.  Satisfyingly, several of those are in the Buddy Stubbs Museum, including lots of Triumph Bonnevilles, Harley Cafe Racers, and the Harley XR1000.

By any measure, Buddy Stubbs (who at age 85 is still with us) is an amazing man.  You can even buy a book about Mr. Stubbs, which I did while visiting the dealership.  I have a signed copy.

A chile relleno tamale. Muey bueno!

Hey, one more thing that I’d be remiss to not mention in this blog.   Stop for lunch at the Tamale Factory, which is just 8/10ths of a mile up North Cave Creek Road from the dealership.  I had the chile relleno tamale and Sue had the chicken version.  Both were fantastic.


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¿Quantos Pistones? (The Sixes)

By Joe Berk

As the Sixes go, there have been a few:  The Honda CBX, the Kawasaki KZ1300, the Honda Gold Wing, the Honda Valkyrie, the Benelli Sei, and the BMW  K1600.   This doesn’t include any custom engined bikes, and there have been a few.   This blog is long enough already, so I’m leaving out things like bikes with three Triumph 650 Twin engines.  All the bikes included here were factory offerings.

Honda CBX

The year was 1979, and I was riding a Triumph 750 Bonneville I bought new in Fort Worth, Texas.  We had a Honda dealer in town that had a demo CBX, and I went over there as soon as I knew the dealer had the CBX in stock.

A 1971 Honda CBX, like the one I ruptured.

In those days, dealers of all kinds of bikes allowed unsupervised test rides.  Very few dealers, if any, do that today, and for good reason.  There are guys out there that will ride the snot out of them.  I was one of them back in 1979. I picked up the CBX (a beautiful silver one that was essentially a naked bike; this was before Honda put the big fairing and bags on the CBX in 1981), and I headed out to Loop 820.  Loop 820 (as the name implied) looped around Fort Worth.  I lived on the west side of town out near the General Dynamics plant where I was an engineer on the F-16.

Loop 820 in those days way out on the west side of Fort Worth was a traffic-devoid area, and that made it a favored spot for top speed testing.  My ’78 Bonneville would top out at an indicated 109 mph on Loop 820 (I think I’m past the statute of limitations on that moving violation, which is why I’m sharing this with you).  Naturally, it was where I took the CBX.  The bike had something like 6 miles on the odometer, but I didn’t care.   The magic number?  131 mph.  Yep.  I was a speed demon back in the day.

When I brought the bike back to the dealer, I put it on the sidestand with the engine still running.  It squirted oil arterially out the left side of the forward cam cover.  It squirted in spurts, like it had a heart pumping it out.  “How’d you like it?” the enthusiastic sales guy asked, and then he saw the oil orgasming out the top end.

“I didn’t,” I said. “I mean, look at it.  It leaks worse than my Triumph…”

So I didn’t buy that CBX, but I never abandoned the idea of owning one.

My 1982 Honda CBX. Bone stock. Impressive. Fun to ride.

Maybe 20 years later I stopped at Bert’s, a huge local Honda/Suzuki/Yamaha/Kawasaki (and maybe a few other makes I can’t remember) dealer.  He had a 1982 CBX on the floor.  It was a used bike with  just 4500 miles on the odometer, and he wanted $4,000 for it.  It was beautiful.  Completely stock, it was pearlescent white with turquoise and black accents.  I stopped twice but couldn’t quite bring myself to pull the trigger.  Then I stopped in a third time and it was gone.    Rats.   Missed it.  He who hesitates is lost, and I had hesitated.

I asked about the bike and was told some rich guy from Japan had bought, and Bert’s was putting new seals in the forks, installing a new air filter, cleaning the carbs, and doing a general servicing on it.  Lucky guy, I thought.

Then I stopped in a fourth time and the bike was back on the floor.  The sales guy on duty in Bert’s used bike department was a nice old guy who told me he won the Daytona 200 in 1956. Did he really?  Hell, I don’t know.  We didn’t have the Internet yet.  But none of that mattered.  The ’82 CBX was back on the floor and it was now $4500.  I could get my checkbook out fast enough.

Six pipes, six cylinders, six carbs, 24 valves, double overhead cams.

I had a lot of fun with the CBX, riding all over California, Nevada, and Arizona with it.  I put 20,000 miles on the bike.  I even road to the Laughlin River Run one year, where it drew more stares than any of the cookie-cutter wannabe rebel yuppie EVO-engined Harleys.

On the road near Bagdad. Bagdad, Arizona, that is.   That’s my buddy Louis and his Gold Wing.  Louis went into witness protection and has since taken to wearing a shirt.

I loved the bike, but I decided it was time to sell it a few years later.  A friend offered me $4500, which is what I had paid for it and about what they were going for in those days, and I sold it.  I wish I still had it.

The Honda Gold Wing

Somewhere in its history (actually, it was way back in 1988, which surprised me), the Honda Gold Wing became a flat six displacing 1520cc.  I think they are up to something like 1800cc or maybe a million cubic centimeters by now.  I never rode a Gold Wing Six and I never had a desire to own a Gold Wing (one short ride on Louis’ Wing, a Four, convinced me that Wings are crafted of boredominium).

A Wing Ding Six. I think there’s a bathroom with a shower somewhere in there.

None of the Wings in any denomination ever appealed to me.  I know that modern Gold Wings are impressive and fast and handle well (for a battleship) and all that.  The whole Wing thing just never appealed to me.  Never has, and never will.

The Honda Valkyrie

The Honda Valkyrie used the Gold Wing engine and it was, I think, supposed to sort of compete with Harley.   I liked the idea, and I thought I wanted one, so I went back to Bert’s and looked at one on the showroom floor.  Fortunately for me and my wallet, I rode my ’92 Harley Heritage Softail there.   The Valkyrie looked good, I thought, until I went back out to the parking lot and saw a new Valkyrie that someone had parked right next to my Softail. Both bikes had windshields and saddlebags, so it was a good side-by-side comparison.

The Honda Valkyrie. If you were wondering, a Valkyrie is a female warrior figure from Norse mythology. She worked for Odin and chose dead warriors on the battlefield, and then guided them to Valhalla

That visual comparison is what drove a silver stake through the Valkyrie’s heart for me.  I couldn’t believe how big, porky, and bloated the Valkyrie looked next to my Softail (and the Softail was not a small machine).  The Heritage Softail just looked way more svelte, nimble, and sexy.  That killed it for me.  No Valkyrie would ever live in my garage.

Like the Gold Wing, there were two iterations of the Valkyrie – a 1520cc initial offering and then later an 1832cc version.  The Valkyries were known for their atrocious fuel economy, although I can’t imagine anyone who bought one worried about that.  They were huge bikes.

The Kawasaki KZ1300

Shortly after Honda introduced the CBX, Kawasaki introduced a 1300cc, water-cooled monster they called the KZ1300 (I think that’s what they called it).    Unlike the Honda CBX (whose production run lasted only from 1979 to 1982), the KZ1300 stayed in the Kawasaki lineup for several years.  I don’t know why.

The KZ1300 fell from the ugly tree and hit every branch on the way down.

The Honda CBX (even though it was a Six displacing 1050cc) looked nimble, lean, and mean.  The Kawasaki looked like a bus or maybe a dump truck to me.  There was nothing elegant or graceful about it.  I wanted no part of it.  I’ve never ridden one.

Benelli Sei

Benelli jumped on the air-cooled inline 6 theme with their Sei models.  They were good looking bikes, but they looked (at least to me) like a copy of the Honda CBX.  As copies go, the CBX wasn’t a bad thing to use as a starting point, but to me, the CBX was a far more attractive motorcycle.

The Benelli Sei. It’s pretty, but I like the Honda CBX more.

The Sei was offered at first as a 750 and later as a 900.  The Benellis were made from 1973 to 1978.   I think I may have seen one or two Benelli Sei motorcycles, but I can’t remember where.  I never rode one and I had no desire to.  The CBX spoiled me.

My Benelli B76 pistol. The story on it is here.

As an interesting aside, Benelli is one of those interesting companies that made both guns and motorcycles.  I have a rare Benelli 9mm handgun, a pistol that didn’t make it commercially but is delightfully complex and fun to shoot.  Benelli also makes rifles and shotguns.  Motorcycles marketed under the Benelli name are today manufactured in China.

BMW K1600

The BMW K1600 series of luxo-barges are (as the name implies) 1600cc motorcycles.  They have inline (across the frame) six-cylinder engines, with the pistons at a steep forward angle.

BMW K1600. Where’s the engine?

There’s a K1600 GT and a K1600 GTL.  I think the L stands for luxury.  Or maybe it stands for loaded (which is what I’ve have to be to ever purchase one of these 750-pound land yachts).  Like most BMW products, the K1600s are outrageously priced, a situation made worse by tariffs.

These bikes, I think, are unnecessarily laden with electronics and other silly features.  A few years ago when the K1600 first hit the market, I was in a BMW dealer chatting with the marketing manager.  He was multitasking during our conversation.  The other thing he was doing?  He was trying to figure out how to use a K1600’s electronic ignition key for a bike he had just sold.  BMW North America was on the phone, and the guy on the other end was similarly perplexed.  That made four of us who couldn’t break the code on how to use the key (BMW NA, the dealer’s sales manager, the bike’s new owner, and me).  I was the only one of the four who didn’t care, as I wasn’t going to ride the bike.  Ah, the good old days…when a key was just a piece of mechanically-notched steel that you stuck in the bike’s ignition lock and turned.


So there you have it:  My take on the Sixes.   So is this it?   We’ve done singles, twins, triples, fours, Fives, and Sixes.  Surely there can’t be more.

Hey, don’t call me Shirley.  Stay tuned.  Yep, there are 7-cylinder, 8-cylinder, 9-cylinder, and more cylinders coming up.  Stay tuned.


Missed our other ¿Quantos Pistones? stories?  Here they are:

¿Quantos Pistones? (The Fives)
¿Quantos Pistones? (The Fours)
¿Quantos Pistones? (The Triples)
¿Quantos Pistones? (The Twins)
¿Quantos Pistones? (The Singles)


 

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