Cool Stuff Near Death Valley

By Joe Berk

I recently posted a couple of blogs about Death Valley, including a recap of my several visits over the last decade.  This blog is a little bit different.  it’s about some of the cool stuff near Death Valley.  I didn’t have any hard rules about how close “near” means.  I’m including the places I’ve visited and thought were worth a mention.  If you think there should be more, leave a comment and tell us about it.  We love hearing from you and we love when you click on the popup ads, so don’t forget to do so (and when you see that donate button at the bottom of this blog…well, you know what to do).

I shot most of the photos in this blog with my Nikon D810 and the 24-120 Nikon lens.  A few were with the Nikon N70 film camera I recently wrote about, and where that is the case, I’ll say so in the photo caption.

Baker

When visiting Death Valley from the south (as in southern Calilfornia), it’s likely you’ll pick up Highway 127 in Baker, just off Interstate 15.  There used to be a hotel in Baker, but it’s gone.  There are a couple of gas stations a couple of tacky fast food franchises, but don’t waste your time eating in a fast food franchise.  What you want is the Mad Greek.

The Mad Greek restaurant in Baker, California.

I didn’t eat at the Mad Greek on this trip (either coming to or leaving Death Valley).  Sue decided several trips ago she didn’t like the place, so I deferred to her wishes.  I never know when I might want to buy more reloading components, another gun, another watch, or another motorcycle, so we took a pass on the Mad Greek (Sue is of Greek ancestry; maybe that has something to do with it).  When I ever pass through Baker on my own, though, the Mad Greek is a sure thing.

The Baker thermometer. If you are going to visit Death Valley, the winter months are very comfortable (it was 68 degrees when I took this photo). It gets warmer in the summer.

The other thing Baker is famous for is its thermometer.  It’s 134 feet tall, in honor of reaching that record temperature in 1913 (I guess we had global warming back then, too).  If you go through Baker, you have to get a photo of the Baker thermometer.  It’s a rite of passage.

Highway 127

The signs are new; the Old Spanish Trail is not.

The ride north through the California desert from Baker to Death Valley is both beautiful and historic.  It follows the Old Spanish Trail, something I had never of until I saw the signs and did a little research.  Established in 1829, the Spanish Trail is a 700-mile long road that runs from Santa Fe to southern California.  It traverses New Mexico, Colorado, Utah, Arizona, Nevada, and California.  John C. Fremont and Kit Carson used it.  Serapes and other woven goods went to California from New Mexico; California’s horses and mules went to Santa Fe.  Indian slaves, contraband, and more used this same route.

Looking north on California Highway 127 after leaving Baker. You probably think I cranked up the saturation on this photo, but I didn’t. The CalTrans folks had recently repainted the yellow and white lines.  The dark blue skies are due to the polarizing filter I had on my 24-120 lens.

Shoshone

The first time I ever visited Shoshone was on the Destinations Deal ride.   I remember well the terror I felt on that stretch of road, leading a group of other riders after a long day through Death Valley.   We were heading south on Badwater Basin Road and I was relying on my cell phone and Waze to guide me.  I was worried about running out of gas, keeping one eye on the gas gage and the other on the road.  I should be okay, I kept thinking, but I’d never been this way before and I didn’t know.  Then my Waze program quit.  It had been running on stored info because I had no cell phone reception for the last 60 or 70 miles.  The gas gage was nudging closer to the “no more” line and I was sweating bullets.  It sure was remote out there.

Finally, Highway 178 ran into Highway 127 and a sign pointed to Shoshone.  I felt better, and then I realized I didn’t have the Shoshone Inn’s address where we would spend the night.  “How will I find it?” I wondered.  It wouldn’t be easy leading other riders while looking for the place (I’ve had to do this on other rides).  Then I was suddenly in Shoshone and I started to laugh.  You can’t miss the Shoshone Inn.  It’s one of only three or four buildings.  I’d say Shoshone was a wide spot in the road, but California 127 was no wider there than it was anywhere else.

Shoshone was founded by Ralph Fairbanks in 1910; initially, it was primarily a mining town (old Ralph was a Death Valley prospector and entrepreneur).  Charles Brown (yep, Charlie Brown) married Fairbanks’ daughter.  Charlie and Stella moved away, but they returned in 1920 and further developed the town.  Charlie became a California state senator and he turned ownership of Shoshone over to his son (who was also named Charles Brown).  I guess you might say Shoshone is a Charlie Brown kind of place.  I been there a few times, always looking for a girl named Lucy, but so far, I’ve had no luck.

The sign lies.

As I mentioned in an earlier blog, the Population 31 sign lied.  It’s only 13 people now.  The lady who runs the hotel (Jennifer, not Lucy) commutes from Pahrump (Pahrump is about 45 minutes east on the other side of the Nevada state line).  She told us about the sign lying.  The rest of the people either died or moved away.  None of them were named Lucy.

Shoshone is the last town before the southern entrance to Death Valley National Park.   One woman, a Mrs. Sorrells, inherited the town.  There’s a school that handles kids from K through 12th grade, some of whom commute from up to 120 miles away.  There’s a general store (including a gas station), a museum, a restaurant (the Crowbar Cafe and Saloon), a nature trail, an RV park, and an unmanned airstrip.  I guess if you are flying to Shoshone, you have to make a pass or two over the runway to make sure it’s clear.

The Shoshone Inn

A film photo taken with the Nikon N70 and tweaked in Photoshop.

The Shoshone Inn is surprisingly nice, although it’s probably time for it to be refurbished.  There’s a gas-fired fire pit outside in the unpaved parking lot; when I rode into Shoshone with the Destinations Deal crew we spent a nice evening drinking Joe Gresh’s beer, which he bought from Shoshone’s next-door Charles Brown general store.

I got up early the next morning to take pictures with my film camera (the N70 my sister gave to me) and I saw that the fire pit was still going; I think the Shoshone Inn desk clerk may have forgotten to turn it off (they will be surprised when they get their gas bill).

The Charlie Brown Rocks

A view of the Charlie Brown rocks.

When I Googled what else was around Shoshone, the Charlie Brown rocks appeared.  Highway 178 east intersects with Highway 127 right at the southern edge of Shoshone.  When I saw the Charlie Brown rocks on Google, I wasn’t sure how far east on 178 I’d have to go, but when I approached Shoshone, I saw it was not far at all.  The rocks are what appear to be sandstone formations and they are kind of in your face as you approach Shoshone.   I could see the cave openings I’d read about, but there were signs to ward off trespassers and I didn’t want to wander in.  A few photos were good enough.

A shot from Highway 178.

The Crowbar Cafe and Saloon

An N70 photo of the Crowbar Cafe and Saloon. It’s diagonally across the street from the Shoshone Inn.

Sue and I had two meals in the Crowbar.  As I had experienced on previous visits (especially if you get there later in the day) it’s good to have three or four meal choices ready when the waitress takes your order.  Hamburgers?  No hamburgers, we had a busload of Chinese tourists come through and they ate all the hamburgers.   Trout?  No trout.  Tacos?  Yep, the Crowbar had tacos and they were surprisingly good.

The same restaurant, but with the D810 Nikon. Digital is superior to film. Duh.

When we left after lunch that first day, we spotted a small airplane on the runway at the town’s southern edge (the runway is tucked into the southeastern corner of the Highway 127/178 intersection).  There’s no tower or buildings or anything else there, and you only see that it’s a paved runway when you look (you wouldn’t notice it otherwise).  We think the four young guys who were sitting one table over from us at lunch flew in from somewhere to eat at the Crowbar.

We sat at the bar the next night and the one-man-band lady who handled everything (waitressing, barmaiding, dishwashing, etc.) asked if I wanted a beer.   You bet, I answered.  There were four taps, all unmarked.  She didn’t know which tap had which beer, so she poured me a small sample of each and I opted for a craft-brewed dark beer.  The bartender/waiter/dishwasher told me was made in nearby Tecopa. It was good, as were the chicken fajitas Sue and I shared for dinner.

The Shoshone Museum

An N70 photo of the Museum. Not too bad for an old film camera.

We didn’t go into the Shoshone museum because it was closed the two times we visited the Crowbar (it’s right next door).  It didn’t look as if there was much there; it was all housed in a very small building.  I took a picture of an old Chevy, an old fuel pump, and a bit of junk in front of the museum.  I’m guessing the museum used to be a gas station.  I’ll bet Charlie Brown owned it.

Tecopa Springs

Tecopa Springs is short drive east of Shoshone on Highway 178.   We went there twice.  We saw quite a few RVs but we only saw a few people in front of Tecopa’s two restaurants.  A young fellow we spoke to at the Crowbar the previous night told us he lived in Tecopa for six months each year and worked remotely (he was a digital nomad like Mike Huber).  I imagine he spent winters in Tecopa and found someplace cooler in the summer.  He said he came into Shoshone once a week for dinner because he wanted fried food and he couldn’t make fried food in his RV.

The two restaurants in Tecopa are a barbeque place and a combined bar and pizza place.   The digital nomad we spoke with in the Crowbar said Wednesday (the day we rolled into Tecopa for dinner) was the best night at the barbeque place, but that restaurant was closed when we rode by.  We rode on to the beer and pizza palace. When we entered, I asked the guy at the bar about the dark beer I’d had the night before in Shoshone (which was made in Tecopa), but they didn’t serve that brew there.  He gave me a small sample of their dark beer (also brewed in Tecopa).  It had kind of a peanut flavor to it and I thought it was okay, but the beer the previous night was better.  The bar only had two seats; there were other people drinking and smoking at tables outside the restaurant.

What can I say? Folks in Tecopa don’t have a lot to do, I guess.   This is an N70 photo.

When I asked about their dark beer, the one guy who was seated at the bar told me,”it’s this one…the dick.”  I wasn’t sure I heard him correctly until I looked at the tap (which I hadn’t noticed).  It was, indeed, a dick.  I had to grab a photo.

Tecopa pizza, via the N70. There’s a whole lotta PhotoShop tweakin’ goin’ on in this photo.

We ordered a pizza that seemed to take forever.  When the guy finally brought it out, it was cold.  It had probably sat for a while. Trust me on this: You wouldn’t want to make the trip to Tecopa for the pizza.  Maybe the photo ops, but not the pizza.

There’s also a date farm somewhere beyond Tecopa.  Sue and I rode out there after dinner, but it closed at 5:00 p.m. and we were too late.  They had date shakes and I was looking forward to one, but that will have to wait until my next visit.

The Amargosa Opera House

After poking around a bit more on the Internet, I read about the Amargosa Opera House in Death Valley Junction.   It was 50 miles north of Shoshone.  The pictures on the Internet looked like the Opera House theatre’s interior would make for an interesting photo stop, so I called a couple of days before.  I mentioned that I was doing this for the ExhaustNotes website and possibly, a travel article for Motorcycle Classics magazine.

My free photo. Saved $500 on that one, I did.

A young lady answered the phone and told me I needed to email their Director of Operations.  She promised he would get back to me that day.  That sounded like a plan and the Director of Operations did indeed get back to me with this message:  I could take their daily tour (at a cost of $15 per person) or I could pay $500 for one hour to photograph the theatre.  Gulp.  I can’t remember ever paying anyone anything for something like this.

Sue and I rode to Death Valley Junction anyway, and I grabbed a few photos from the outside.  When we first saw the place, it looked run down.  It’s hard to believe anyone would stay their hotel, but I guess people do.  A few photos and a $500 savings later, we were back on the road.

Pahrump

After spending another half day in Death Valley National Park, we decided to head over to Red Rock Canyon National Conservation Area.  That’s near Las Vegas.  On the way over, we crossed into Nevada and entered Pahrump.  Pahrump is a much bigger town than anything around Death Valley.  It has been one of the fastest growing towns in the entire U.S., with 15% year-over-year population growth for each of the last several years.  We thought Pahrump would be a good place to have lunch, and we were right.

Mom’s: A great restaurant in Pahrump.

Sue found a place called Mom’s on her cell phone, it had great reviews, and we had to wait a few minutes to get in (which is always a good sign).  Trust me on this:  If you ever find yourself in Pahrump, Mom’s is where you want to eat.

I had a corn beef hash omelet for lunch at Mom’s. It was magnificent.

As I mentioned above, we went through Pahrump on our way to the Red Rock Canyon National Conservation Area.  I was going to squeeze that in here, too, but this blog is getting a little long.  I’ll save Red Rock for another blog.

On the ride out of town on our way back to Shoshone, we stopped for gas in Pahrump.  It was $3.68 per gallon.  That’s a good two bucks cheaper than what we pay in California.  After filling up and on the way out of town, we saw a gun store creatively named Pahrump Guns and Ammo.  Sue won’t let me drive past a gun store without stopping, so we did.  It was a small place and we had a nice visit with the two guys who worked there.  I told them we were from California and we were collecting campaign contributions for Hillary Clinton.  We had a good laugh.  People in Pahrump have a sense of humor.

Barstow’s Del Taco Restaurants

You probably think I’m crazy including the Barstow Del Taco restaurants in this blog.   I’m listing it here because if you’re going to Death Valley from southern California, it’s a safe bet you’re going to pass through Barstow, and if you’re going to pass through Barstow, you need to stop at one of the three Del Tacos there.

There’s a story behind this.  About 15 years ago I had a bad motorcycle crash and I had to spend a month in the hospital.  One of the guys I shared a room with was the son of Ed Hackbarth, the entrepreneur who founded the Del Taco restaurant chain.

One of the three Barstow Del Taco restaurants.  Trust me on this: You want to stop at Del Taco in Barstow.

Ed Hackbarth is a real prince of a guy.  He started Del Taco in Barstow, the restaurant chain was riotously successful, and it spread all over the U.S.  Ed sold the Del Taco chain way back in 1976 to a group of investors and it continues to thrive.  But there’s a big difference between the rest of the Del Taco empire and the three Del Tacos in Barstow.  When Ed sold Del Taco, part of the deal was that he kept the original three Barstow Del Tacos.  Ed would continue to use the Del Taco name on those three restaurants, but he didn’t have to use the Del Taco menu and he could serve food the way he wanted.  And that’s what Ed does.  The portions are bigger (they’re huge, actually), everything is fresh (nothing is ever frozen), the restaurants are immaculate, and the staff is super friendly.  The Barstow Del Tacos have some of the best tacos and burritos I’ve ever had.  We won’t drive through Barstow without stopping at one of Ed’s three Del Tacos, and there’s been times we’ve made the 80-mile trek from my home to Barstow just for a taco.  You should try one.  You can thank me later.


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Nikon’s N70 Film Camera: Part 2

By Joe Berk

This is a follow up to the recent post on my recently reacquired Nikon N70 film camera.


In the prior blog, I mentioned the N70’s rear door gooification issue and that I had read on an Internet forum it was a common issue.  My camera’s rear door was like fly paper, with all kinds of debris stuck to it.  I used the approach the forum commenter mentioned:  A shop rag and alcohol, a little elbow grease, and the goo came off.  The plastic underneath has a nice glossy black finish that matches the camera’s other exterior surfaces.  It looks good.  Here’s a pair of before and after photos:

Good buddy Greg spotted me three rolls of ISO 400 35mm film.  He told me the film was 6 or 8 years old, but he thought it still might be good.  I loaded a roll in the N70.

I don’t like UV filters and that’s what the Tamron 28-105 lens had on it when I took it home from New Jersey.  I prefer a polarizer unless I’m shooting at night or using the flash.  At one point I probably had a 62mm polarizer, but I tossed a bunch of camera debris and detritus a few months ago and if I ever had a 62mm polarizer (which is what the Tamron takes), it went out with that batch.  No problem; I found a 62mm polarizer and a 62mm lens cap on Amazon.  I ordered both, along with three rolls of ISO 200 35mm film.  I figured if the film Greg gave didn’t work out, this film would because it was brand new.  Even if Greg’s film was good, I’d need more eventually.

You know, it’s not easy to find 35mm film in stores like it used to be.  Costco used to have a big area stocked with all kinds of 35mm from Fuji and Kodak, ranging from ISO 100 to ISO 1600 (with everything in between).  They also had a huge section for processing film and making enlargements.  The Costco film developing and printing services were inexpensive, they did a great job, and they turned it around in under an hour.  It’s all gone now.  Wiped clean from the face of the earth, as they say.  Sometimes I feel like turning around, walking out, and shouting at the clouds.  I’m an old man, so I can do it.  But I don’t.

Anyway, to get back to the Nikon story, I shot up that first roll of expired ISO 400 film.  Just silly stuff…pictures of the house (which immediately caused my neighbor to come over and ask if we were listing the house), my office area, and a couple of motorcycles.  The roll of film provided just 24 exposures and it went quickly.  When I shoot digital, I might take a hundred shots in a single stop.  Shooting film, though, is like shooting a single-shot  rifle.  You think more.  You have to make each shot count.

A quick Google search on film developers near me showed that there weren’t too many, but there was a guy across the street from Costco.  I had used him once before to get some older negatives scanned for a magazine article, so I knew he was good.  I rolled over there and to my surprise, I had to stand in line.  What do you know?  There are other people who still shoot film.  As I patiently waited my turn, I thought that this guy probably doesn’t mind Costco exiting the film business.

When I was my turn, David (the guy behind the counter) remembered me.  He asked if I wanted the negatives and the prints.  At first I said yes, but then I remembered I have gobs of old prints and negatives stuffed away all over the house.  So I said no, I just want the scanned images.  David’s shop scans in either of two resolutions (medium or high); he didn’t know what the DPI (dots per inch) for either.  My digital Nikon shoots at 300 DPI, but I have to knock the images down to 72 DPI in PhotoShop for the ExNotes blog (everything you’ve ever seen on the blog is 72 DPI).   David told me the digital images (scanned from my negatives) would be in my Dropbox account the next day (he actually delivered them that same night).  The medium resolution images were at 256 DPI.

When I opened the scanned images, at first I thought that the expired film may have, in fact, expired.  The images were faded, and because I was shooting ISO 400 film, they were also somewhat grainy. Okay, so the film guys were serious about that use by date.  I played with one, though, to see if I could bring it to life.  Here’s what it looked like initially:

Here’s what it looked like after I worked on it a bit in PhotoShop:

The next step was to try the new ISO 200 film.  Sue and I spent a couple of days in Death Valley, and I tossed the N70 into my overnight bag for that trip.

I don’t think it’s possible to have a bad stay in Death Valley, although I understand that the folks who named the place might have thought otherwise.  I love it there.  This time, we explored the surrounding areas, including Tecopa Springs a few miles away.  Tecopa Springs sounds a lot more exotic than it really is.  There’s a bar and pizza place so I ordered one of their craft beers and a pizza.   I took a photo of it before we dug in and when I received the scan after I returned home, it was depressingly bland.  Here’s what it looked like:

The scan with this roll of new 35mm ISO 200 Fuji film, as delivered, looked about the same as the stuff I had shot with the expired film.  Maybe the developer didn’t automatically tweak it to highlight the colors.   I opened the scan in PhotoShop, cropped it, adjusted the levels and curves, cranked in a little vibrance, deleted the distractions in the upper left corner, and hit it with the shadows feature to brighten the image’s upper half.  That brought it to life a little better.

Here’s another set of before and after images in Death Valley’s Artist’s Palette area.  This is the photo on the road heading there before any PhotoShop trickery:

Here’s that image with its levels and curves adjusted:

In the photo above, the mountains and the road look exactly as I remember them.  The sky is a bit too vibrant, but that’s the polarizer earning its keep.

This is another pair of images at Artist’s Palette.  The first is the scan as I received it from the developer:

This is the image above with its curves and levels adjusted:

Again, the sky is too deep, but the rest of the image is true to how I remember it.    The guy in the image is using his iPhone, which probably returned the bright colors you see in the PhotoShop-tweaked photos without him doing anything.  That’s because the iPhone does all the mods automatically.

So what’s the bottom line?  Digital, my brothers.  Film photography is fun, but for me it’s a huge step back.  I’ll take my Nikon D3300 or D810 over film any time I’m out.  The N70 is interesting, but it’s digital all the way for me.  With two or three exceptions, and those are the other film cameras I brought back from New Jersey, including a very nice Honeywell Pentax ES (if I can find the right size battery for it).  Stay tuned.


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