Racing – The ExhaustNotes Blog

Jameson’s Classic Motorcycle Museum

By Joe Berk

Time has a way of creeping up on you. In looking over my list of Motorcycle Classics “Destinations” articles, I was surprised to see I’ve been pitching and publishing stories for the magazine for 20 years. It all started when a nice young fellow named Landon Hall, MC‘s Associate Editor at the time, saw a few photos I had posted online and asked if I’d be interested in doing a piece for the magazine. Hell, yeah, I would (and I did). I wrote a lot of stories on a lot of fun destinations. I’m not bragging here, folks. I’m just getting old.

A new editorial staff recently came on board at Motorcycle Classics, and my new editor asked if I could focus more on motorcycle museums. As a freelancer, I learned a long time ago that you don’t argue with people who buy ink by the barrel, so I set about finding moto museums. This led me to discover Jameson’s Classic Motorcycle Museum in Pacific Grove, California. I’d never heard of the Jameson before. Come to think of it, I’d never heard of Pacific Grove, either. Both turned out to be pure slices of heaven, as did the ride there and our return home.

Neil Jameson, the man who created Jameson’s Classic Motorcycle Museum.

The story behind the Jameson is a fascinating one, and I heard it firsthand from Staci Jameson Hayes. Neil Jameson was the man who created the Museum (Staci is his daughter). Neil is no longer with us, but while he graced our world, he was one hell of a man. He grew up in Hollister, California, and I found myself wondering if his interest in motorcycles came about as a result of that town’s moto history. Jameson started as a goat farmer, became a firefighter, and along the way, he became a world class businessman, investor, and wheeler dealer (Staci told me he was a horse trader extraordinaire). Neil’s time with us ended in 2021, and during his 82 years on this planet, he was a motorcycle enthusiast, an adventure rider, and a motorcycle collector.

Jameson’s Classic Motorcycle Museum is at 305 Forest Avenue in Pacific Grove, California, directly across the street from the police station and city hall. Neil Jameson bought the building to showcase his collection in 2010; it formerly housed the local newspaper.

The Jameson’s Classic Motorcycle Museum collection is eclectic. Many of the bikes were owned and ridden by Neil (including the ’72 R75 BMW that he rode to the Arctic Circle and back). Some have been restored to original condition; others are in their as-ridden-by-Neil condition. The restorations were performed by Emma Booton, a woman Staci describes as The Restoration Goddess. I’ve been to a lot of museums; the restorations at the Jameson are stunning.

Peering into the Museum through the front door.

Another view of the collection through a wide-angle lens. I recently learned that the best photos of a motorcycle are shot at knee height; getting down and back up again to do that is not as easy as it used to be.

Jameson’s Classic Motorcycle Museum has several BMWs. Neil Jameson rode the one in the center of this photo to the Arctic Circle.

As mentioned above, the Jameson collection is eclectic. For the most part, the bikes are “everyman” motorcycles, the kind you or I might have owned and ridden. Several of the machines really spoke to me, including a 1982 T140E Triumph Electro. By the early 1980s, the original Triumph motorcycle company was in a death spiral. The Electro, an electric start motorcycle, was an attempt by Triumph to counter Japan’s moto success. It was too little and too late, but it was a valiant and magnificent effort. The Jameson’s Electro is the first I have ever seen.

A Triumph Bonneville Electro, a gorgeous motorcycle.

The Electro’s colors are magnificent. Note the timing/cam cover casting, enlarged to accept an electric starter.

Japanese street bikes of the 1970s and 1980s are well represented, including several that showcase the engineering accomplishments and marketing experiments of the era.

The Jameson has stunning Kawasaki two-stroke triples, in both 500cc and 750cc flavors.

Let the good times roll: Fiercely fast with acceleration measured on the Richter scale, and handling that could only be described as scary.

Before venturing into big-bore four strokes, Suzuki tried a couple of interesting and unconventional concepts. One was their rotary-engined street bike.

Kawasaki had air-cooled big bore two-stroke street bikes; Suzuki chose water cooling for their 750cc two-stroke triple. This bike was affectionately known as the Water Buffalo.

Trust me on this: The Suzuki water-cooled two-stroke triple is a mechanical engineering work of art.

Think CHiPs: Back in the day, the California Highway Patrol and many local law enforcement agencies used the Kawasaki KZ1000P police motorcycle. West of the Mississippi River, Kawasaki owned the police motorcycle market (Harley police motors dominated the police market east of the Mississippi). Jameson’s Classic Motorcycle Museum displays a Kawasaki KZ1000P, and the motorcycle didn’t have to travel very far to get into the collection.

The Kawasaki police bikes are beautiful. Their performance was considerably better than Harley’s, with better acceleration, better braking, higher top speed, and run-flat tires.

Jameson’s Classic Motorcycle Museum’s police Kawasaki came from the Pacific Grove Police Department, which is directly across the street from the Museum.

There’s a Bonneville Salt Flats bike, too. It’s a 1965 Honda CB-160 streamliner. My father’s first motorcycle was a 1965 Honda CB-160. I’m pretty sure this one is faster than my Dad’s bike.

As mentioned above, Jameson’s Classic Motorcycle Museum has a great collection of British motorcycles. BSAs, Bonnevilles, and Nortons were the hot ticket in the 1960s, and all three are well represented in the Museum.

A BSA Firebird Scrambler. BSA had this hot rod; Triumph had the Bonneville. The 1960s were a glorious time for British motorcycles.

My two favorite motorcycles of the many beautiful machines on display in the Jameson are the Triumph Electro described above, and an absolutely stunning Ariel Square Four. Ariel based the Square Four’s engine design on two 500cc twins in series, and the result was a visually-arresting motorcycle dominated by its engine. Finished in a deep maroon livery, the Museum’s Square Four is an amazing specimen.

An Ariel Square Four, a massive and impressive motorcycle.

A tighter shot of the Ariel Square Four engine. This is a beautiful machine.

Pacific Grove, California, is a nice little town bordered by the Pacific Ocean, the Del Monte Forest, and the City of Monterey. We rode out to the lighthouse and watched huge waves crashing into the breakers for a bit.

Looking down Forest Avenue, standing in front of Jameson’s Classic Motorcycle Museum. That’s the Pacific Ocean out there.

We fell in love with Pacific Grove, the coastal community in which Jameson’s Classic Motorcycle Museum is located. Everything about the place and everyone we met made us feel like we belonged there, including Staci and her husband, Russ. The town just feels comfortable and it’s a place we’d like to visit again. We enjoyed a fantastic lunch at Toasties, which was surprisingly reasonably priced (especially considering the area). I’m told that Pepper’s Mexicali Café’s burritos are world class. Both restaurants are within a mile of the Museum (Pepper’s is only a block away). Our ride into Pacific Grove took us past the Naval Postgraduate School and the Defense Language Institute; the ride back home took us along California State Route 68, California State Route 17, and the Chualar River Road through the Salinas Valley. It was all magnificent.

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Laguna Seca AHRMA Racing 3

By Joe Gresh

I’m in no rush to leave the tent this morning. The wind blew all night long and is still blowing hard. It’s cold and damp. Canvas pops and snaps, the tent inflates and deflates as if it is a breathing thing. I’ll have a second cup of coffee.

The vintage motocross races at Laguna Seca are situated over the hill, towards the north. It’s a natural terrain course just like the tracks these vintage motorcycles ran on way back when. No manufactured hazards like triples or whoops. Any whoops on this track are made by churning knobbies. So of course I love it.

Laguna has more CZs in one place than I’ve ever seen. A bunch of Honda Elsinores and BSA 4-strokes populate the area. Less popular are Yamahas, Kawasakis and Suzukis.

The BSAs were out in force. One of the few 4-strokes that could compete with the 2-strokers…if you had Banks riding it.

Four Elsinore 125s put on a hell of a show. They were swapping the lead back and forth, passing three bikes in a corner only to be re-passed the next corner. It was good, handlebar banging action. I’m going back for more today.

The motocross crowd is a bit looser than the road racers. There is a yellow rope denoting the track that you are not supposed to cross. Nobody pays attention and spectators walk rigs up to the edge of the course to yell encouragement at their buddies.

Just a few of the motocross classes. Something for experts to beginners.

One guy had a train horn attached to a battery powered compressor and when the bikes were stuffed into the corner he would blast the horn inches from the rider’s ears. You don’t get that sort of fun on the pavement over the hill.

Unlike some of the road race bikes, the motocross bikes are historically accurate. These are the bikes that actually raced back then and except for razor sharp fresh knobbies they are in a slightly beat condition.

There are a few 100-point restorations racing but those guys take it easy around the track. The Sunday riders got the same encouragement and horn as the top racers.

Tidy Penton, these were the original KTMs and beautiful bikes. The cylinders were huge square things.

In the evening I hear live music drifting in on the soaking wind, a two stroke bike circles camp and people chatter, sounding like they are right next door. I have to remind myself not to be old. Sure, I want to got to bed at 8:00 p.m. but nobody else does.

Back to the road race side of things. AHRMA is always expanding the definition of historic and they even have classes for modern motorcycles. These classes are well stocked because the bikes are easy to get and keep running. I’d say more than half the field were riding new-ish motorcycles. Our old buddies Walt Fulton and Dave Roper put in another fine showing but I kind of lost them in the multi-class race they were in. So maybe they didn’t do fine.

I’m really enjoying how well Godzilla is running down at sea level. The bike has tons of grunt and runs so smooth with the oxygen levels. Probably the humidity helps also.

I’m off to watch some racing. It’s still windy but I can’t sit in the tent all day. The neighbors will start talking about the weird old man next door.

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ExNotes Hasty Conclusions: The 2024 AHRMA at Laguna Seca

By Joe Gresh

Rookie mistake: leaving your chair outside at night. The dew is heavy at Laguna Seca and my campsite is shaded from the early morning sun.

I love the pipes on this Turnip. Not likely to drag in corners!

I’ll walk around the pits instead. No food trucks yet and the Bear + Flag doesn’t open very early. Luckily I brought along some Cafe Bustello instant.

Tech inspection. The lines were long which is a good thing for AHRMA (America Historic Racing Motorcycle Association).

Triple tracker wandered into pavement world.

175 Bridgestone twin. The terror of the track back in the day. Hondas didn’t even try.

VP race fuel on site. Only a few bucks more that the 86/corn squeezed crap you buy on the street.

Mono framed side car. Very thin aluminum. I’m shocked it doesn’t crack.

Heavy side car contingent at this year’s races.

The crowd in the pit area seems to be as large as it was last year with even more Honda 160-175 twins. These things are like cockroaches while the actual bikes that raced in the 1960’s/1970’s are thin on the ground. I guess those Hondas survived because no one raced them.

Even if you don’t care for motorcycles Laguna Seca is a great place to camp. I have Site 110. The trees have grown a bit and I’m worried about ground squirrels breaking into my tent and stealing my food.

There are lots on fairly modern bikes, too. At least they are modern to me; they are probably 25 years old.

I made the mistake riding into Monterey. Lots of traffic. The only restaurant open was a McDonald’s. An older lady was buying a single cigarette from a guy who was out by the parking lot. I could see the bay from McDonald’s. Inside, there was no one to take your order. Electronic kiosks were set up and you entered your order then paid at the kiosk. There were about 5 people waiting, glancing down at the bits of paper the kiosk spit out. No one was getting food. McDonald’s food is not good enough to go through the hassle, so I left.

Heading back towards the track on Highway 68 the traffic came to a halt. It took me about an hour to go 4 miles. My old Yamaha 360 did not care for this kind of treatment. Forget going anywhere from 3:00 p.m. until 7:00 p.m. In the evening I sat and watched the long line of motor homes making their way to the paddock. It was fun…to me.

Today is race school and practice. Tomorrow (Saturday) the racing starts in earnest.

Sent from my iPhone

That BSA at the top of this blog was not racing. I included it for Hack.

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The Wayback Machine: Pit Noir

By Joe Gresh

It’s March in central Florida, cool and clear. I get the call from Ed in the late afternoon. A couple of his California friends are racing motorcycles in the 600cc class. He wants me to help them out. The sun is setting low over Lake Schimmerhorn, the sky a blood-orange deepening to cobalt blue high overhead. White, high-persistence contrails cross the sky in an Atlanta-Orlando direction. The scene outside the Love Shack looks like a flag from The Republic of Kodachrome. “Yeah” I say, gently pulling the wrapper of a grape Jolly Rancher. The candy rotates clockwise between my fingers. “I’ll go.”

“Cool, you met Jeff and Beaver at the retirement party held after the anniversary party,” Ed said. “Remember Torrance?” In the background I hear a machine scraping metal: another of Ed’s big-block Moto-Guzzis. The man can’t leave motorcycles alone.

“Torrance? Yeah, I remember, my wife said Jeff seemed kind of depressed. Happily married, good corporate job; didn’t he give up racing?”

“He did, then he didn’t,” said Ed. “Look for the Baby Appleseed pits. Get there early tomorrow, I told them you’re coming.”

It’s 38 degrees in the morning. My Italian-era Husqvarna 510 stumbles and stalls, then lights off on the fourth push of the button. I rev the engine and slip the clutch on the Husky’s tall first gear. A sloppy, brapp-brapp snarls out of the pipe and ricochets from aluminum singlewide trailers to sway-backed modular homes. I turn right onto Highway 40. Open the throttle and the Husky’s tachometer rips past 9000 rpm, front wheel climbing on the surge. Two, three, four, five, six, shift as fast as you can, man.

I’ve got to keep the front down. It’s dark. Highway 40 is damp with morning dew. The headlamp flickers intermittently between low beam and parking light, low beam and parking light. It’s a random problem and one I can’t solve. Oncoming cars dip their headlights, thinking I’m flashing them. I wish I could stop and explain Italian motorcycle electrical systems but there’s no time. It’s cold. My hands hurt.

At the very end of Pit Row the black, the white and red Baby Appleseed logo is splashed across two huge gazebo tents. I guess with Ed involved I expected one rusty Craftsman toolbox and a mid-eighties Moto-Guzzi Alfresco. I’d find Jeff and Beaver slumped over, gently sobbing. Beaver’s greasy jeans would have holes in both knees.

“What’s the problem, boys?” My confident tone would instantly buck them up. “The bike has a high rpm miss, Gresh, we’ve been trouble shooting the damn thing for days.” I’d get in there and clean the fuel filter, maybe straighten a bent metering needle and the bike would run perfect, you know, save the day.

Baby Appleseed’s pit has two mechanics, electric tire warmers and a second rider, Neils, owner of the high-end baby furniture company sponsoring the team. There’re computers to track lap times, 120 volt AC generators and air compressors.

Both Appleseed motorcycles are decked out in Baby Appleseed racing colors. Back in the dry pits there’s a motorhome with a full-body Baby Appleseed wrap parked in front of a dual-axle Baby Appleseed trailer stocked with Baby Appleseed race parts. The mechanics wear Baby Appleseed logoed race shirts. Jeff has qualified in the front row for race one. To the untrained observer it appears they’re doing ok without me.

“My wife was worried about you.” I tell Jeff, “At that party in Torrance she said you seemed unhappy, settling for security.”

Jeff looks at me, grins, “I’m down to 140 pounds, I’ve been training every day, running. You’ve got to be light to keep up with these kids.”

“She’s sort of an Empath.” I explain, “Like Deanna Troy on Star Trek. When I told her you were racing again she got a little teary-eyed.” Jeff nods, unsure of the protocol. I better close it out. “Anyway, people tell her everything, man. I mean, people she’s never met spill their life story within two minutes.”

“Um,” Jeff says, “Tell her I’m ok. Tell her I’m happy.”

We’re watching the race feed one of the pit monitors. Jeff’s dicing for the lead, the crew is wound up tight. Two laps in, the front tire pushes and Jeff wads the Baby Appleseed bike, a hundred mile per hour get-off. Mostly we see a cloud of dust as the bike tumbles through the infield. It’s hard to tell what’s going on with the monitor. There’s Jeff walking away. Collective relief: “That’s all right then, we can fix the bike.” I think that was Neils’ dad.

By the time I get to the dry pits the bodywork on Jeff’s bike is already gone. Every part that sticks out is either broken, bent, or ground off. One mechanic is removing forks, the other removes the mangled sub-frame then goes back to pit row. Neils is still racing. Jeff surveys the damaged bike, “Damn. We don’t need this extra work.” The bike has to be fixed by 7 PM, when the dry pits close. I better help sort things out.

The bike is down to the frame and motor. “Can I do anything to help?”

The mechanic stops wrenching on the triple clamps, thinks three beats. “Uh, yeah, drain the gas from the wrecked tank.” I grab the tank, “What do you want me to put it into?”

The mechanic looks up again, “What?”

I hold the tank up, “The gas. Where you want it?”

He looks around the pits, “ Um, I don’t know, see if you can find an empty can in the trailer.” He goes back to the triple clamps. Jeff is sweeping the work area, picking up small bits of motorcycle. The mechanics dodge around us to work on the bike.

The trailer is locked. I go back to the pits. “Sorry to bug you again, man, the trailer is locked. Do you have a key?” Water runs from a radiator hose into a plastic, 5 gallon bucket.

“The key? It’s locked?” Hands dripping, “Lemme see if it’s in here.” He searches the top tray of his rollaway toolbox. “Damn, it was here.” He scans the pit area, “I don’t know where it went. Listen, I got to get this radiator off.”

I find Neils, still in his leathers. He just pulled in after a solid race, finishing 20-something out of 60 bikes. I ask him if he has a key to the trailer.

“What?” Sweat runs down his face, “Find my dad, I think he has one.” I wander past the trailer. The door is open. Beaver is inside. There’s an assortment of cans.

“Which can should I use to drain the gas from the smashed tank?” I ask.

“What?” Beaver replies, putting down two replacement wheels.

“I need to drain the gas from the old tank.”

“Oh, um…take this one.” Beaver hands me a can.

“You got a funnel?” The other mechanic is back. He’s sliding a new fork leg into new a new set of triple clamps.

“What?” He stops sliding the leg.

“A funnel, to pour the gas into this can.” I hold up the can Beaver gave me.

“Don’t use that can. Use the one under that pile of bodywork. I don’t want it mixed up.” I move a broken plastic tailpiece and there’s a can underneath. The fill opening is one inch wide.

“Man, I hate to bug you, I need a funnel.”

The mechanic stops working on the forks and gives a hunted look around the pit area, “Jeff, find this guy a funnel.”

“Look in that box on the rolling tray.” Jeff says. I find three big, red funnels. I fit the funnel and begin to pour the gas from the bent tank into the can.

“Hey! Put a sock on that funnel!” The first mechanic yells at me, putting down the handle bar he was about to install.

“A sock?” I have no idea what he is talking about. Jeff hands me a cloth filter with a sewn-in elastic edge to stretch over the wide end of the funnel. I fit the filter and pour the gas.

“Watch what you’re doing!” There’s a puddle of gas on the floor. I’m so intent on not missing the funnel mouth I don’t notice that the tank’s internal vent tube is pissing gas. It’s a like a frigging geyser, man. Tipping the tank upright increases the flow, broadcasting a liberal dose of high-octane race fuel around the pit area. Both mechanics drop their tools and run over with rags. They start mopping up the spill.

“We got to clean this up! If the AMA guys see this they’ll freak out, you can’t have pools of gas laying around in here!”

Beaver appears beside me and guides me by the elbow away from the spill. “Can you give me a hand moving the gear from pit row?” We walk out to the Baby Appleseed tents on pit row, a distance of some 300 yards. Beaver hands me two cartons of water, I walk back to the trailer. Next trip Beaver hands me three tires to carry, I take them back to the trailer, then a big stack of sprockets.

There’s one of those folding carts parked at the tents. Beaver hands me the portable generator. The damn thing is heavy. “Can I use that cart?”

“No.” Beaver says, “It’s easier to carry the stuff.” I move gear back and forth from pit row to the trailer. Late in the afternoon I glance over at the pits, Jeff’s bike is rebuilt and has passed tech inspection.

The next day Jeff’s rebuilt bike runs near the front all day long and in a photo finish misses the podium by inches. I call my wife with the results. She’s happy, she tells me Jeff is doing what he’s supposed to be doing. The sky turns blood-orange deepening into cobalt-blue high overhead. The Baby Appleseed team is upbeat, they’ve got an entire racing season ahead of them. I only hope they can do as well when I’m not around.

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The Boogie Woogie Bugle Boys of CSC

“Time’s fun when you’re having flies,” as the frogs like to say.

Susie and I were headed north in the Subie and we stopped at the In-N-Out in Gilroy. I had an Animal Style burger. We had just had a nice telephone conversation with Steve Seidner, CEO of CSC Motorcycles. The two events had me thinking about the California Scooter Steve donated to the In-N-Out foundation. I realized that had been 11 years ago. Time speeds up as we age, I think. It feels like it was yesterday.

Steve donated a custom built bike to the In-N-Out charity auction every year during the California Scooter days, each one painted with a custom theme, with all proceeds going to the In-N-Out Foundation. That year, the good folks at In-N-Out asked us to base the color theme on Melanie Troxel’s In-N-Out funny car.

The 2011 In-N-Out California Scooter was simply magnificent. Chrome Lucky 13 wheels, custom paint, a painted frame, a custom seat…ah, the list went on and on. I watched Lupe and Tony put the In-N-Out bike together and it was a hoot.

That year’s In-N-Out dinner and auction was awesome. I met one of the principals in the In-N-Out founding family who took me in tow and explained what the auction was all about, the prizes, and bit of the family’s background. She is a most charming woman…bright, attractive, and articulate. The CSC bike was the major item to be auctioned that year, she explained, and it brought a good chunk of money into the In-N-Out charitable foundation. I met and chatted with Melanie Troxel, the In-N-Out funny car driver, who is bright, articulate, and attractive (are you sensing a theme?). I asked her what it was like to pilot a funny car, and with a wink, she told me it was over before you realized it.

That was quite a night. Those were good times. And those were interesting little motorcycles. We rode them all the way to Cabo San Lucas and back. Yep, we rode to Cabo and back on 150cc motorbikes (you can read that story here). And it all happened more than a decade ago. It seems like it was yesterday. Or did I mention that already?

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Shinya Kimura

When I was consulting with CSC, one day Steve Seidner (the CSC CEO) asked me to go with him to visit Shinya Kimura, a man who builds custom bikes. Steve thought I might enjoy grabbing a few photos of Mr. Kimura’s shop and a few of his bikes. Little did I know about what I would see.

From the outside, all I could see was a small shop, but when I entered I was stopped dead in my tracks by one of the most beautiful motorcycles I had ever seen. It was an early CB750 Honda Shinya had customized and it was visually arresting. I had never seen anything like it. The lens cap came off my Nikon, I dialed the ISO up to 800, and I had started snapping away.

Steve introduced me to Shinya, who invited me to look around the shop and photograph whatever I wanted. And I did, not really knowing who this guy was. But the shop…wow! It was more of a studio and a museum than a shop and it was amazing. The place was a working shop, but the tools, custom motorcycles with a unique, retro-futuristic-formed-aluminum theme, the motorcycle accoutrements, the patina, and more somehow made me feel immediately like I was in a place where I belonged. It’s hard to describe and I know these words are failing me, but if you’re a gearhead, I think you’ll get it.

But don’t take my word for it. Take a look.

Later that day I Googled Shinya Kimura. It’s good I did this later, as I might have spent more time asking him questions than taking photos, and the things I photographed were amazing. I didn’t know anything about Mr. Kimura, but Google gave me perspective on the man I had met earlier.

That night I went through the raw files I had captured with my Nikon and processed them in Photoshop. I think they are some of the best photos I’ve ever taken, but that’s not me bragging about my photography or my Photoshop skills. It was what I was shooting that made the photos what they are.

The Springfield Mile

That photo above? It’s the Springfield mile, with riders exiting Turn 4 at over 100 mph on their way up to 140 or so. These boys are really flying. It is an incredible thing to see.

But I’m getting ahead of myself. Two blogs back I wrote about the East Windsor half-mile dirt track, which has gone the way of the dodo bird. The Springfield Mile is bigger and better and last I checked it’s still with us. A dozen years ago I made the trek out to Illinois watch the big boys (and a lady or two) mix it up and it was awesome. I don’t know if this is accurate or if it’s more biker bullshit, but the guys claim the bikes hit 140 mph in the straights and maintain a cool 100 in the turns. And “straights” is a relative term. The track is basically a big oval, with the straights being less of a curve. What’s nice about oval track racing, though, is you usually can see all the action all the time. When you go to a grand prix type event, you get to see the bikes or the cars for just an instant when they scream past wherever you are. Oval tracks are a better deal, I think.

We planned to ride to Springfield from So Cal, but just before it was wheels-in-the-wells time my good buddy Larry passed and I stayed for his funeral. We flew instead and because that gave us a little bit more of our most precious commodity (time), we bopped around Springfield a bit more. We visited Springfield’s Lincoln Museum and had a lot of fun getting there. I drove our rental car and we promptly got lost (it was in the pre-GPS era). We pulled alongside a police officer and he gave us directions. As soon as I pulled away, I asked my buds which way to go. “I don’t know,” they answered, “we weren’t listening…” Neither was I. We all had a good laugh over that one.

An interesting Norton in the fairgrounds parking lot.

The Illinois State Fairgrounds has two tracks, on a quarter-mile dirt oval and the other the big mile. The quarter-mile races were awesome. This racing, all by itself, would have been worth the trip out there. I love watching the flat trackers.

These boys are kicking up some dirt coming out of Turn 4 on the Illinois State Fairgrounds quarter-mile track.

One of the riders lost it coming our of Turn 4 and he crashed hard directly in front of us.

I didn’t think he was going to get up, but he did. The next day, this guy won a heat on the 1-mile track. The announcer said he was “tougher than a $2 steak.” I believe it.

The next day, we went to the 1-mile track on the other side of the State Fairgrounds.

The field entering Turn 2 at over 100 mph on the Springfield 1-mile track. The noise is incredible and there’s nothing like it. These guys are drifting sideways at 100 mph, just a few inches apart!

The same shot as above, but with the two fastest riders at the Springfield Mile identified. The arrows point to Chris Carr (National No. 4 in the white and orange leathers) and Kenny Coolbeth (National No. 1 in the black leathers). Coolbeth won on Sunday and Carr won on Monday. This photo was just after the start.

One lap later: Coolbeth and Carr are riding as a closely-matched pair well ahead of the group.

I was really happy with these shots. I had my old Nikon D200 and a cheap lens (a 10-year old, mostly plastic, $139 Sigma 70-300). I zoomed out to 300 mm, set the ISO to 1000 for a very high shutter speed (even though it was a bright day), and the lens at f5.6 (the fastest the inexpensive Sigma would go at 300mm). The camera’s autofocus wouldn’t keep up with the motorcycles at this speed, so I manually focused on Turn 2 and waited (but not for long) for the motorcycles to enter the viewfinder. It was close enough for government work, freezing the 100 mph action for the photos you see above.

Kenny Coolbeth, after winning the Springfield Mile.

Nicole Cheza, a very fast rider. She won the “Dash for Cash” and the crowd loved it.

As you might expect, there were quite a few things happening off the track, too. Johnsonville Brats had a huge tractor trailer onsite equipped with grills, and they were serving free grilled brat sandwiches. It was a first for me, and it worked…I’ve been buying Johnsonville brats ever since. There were hundreds of interesting motorcycles on display and a vintage World War II bomber orbiting the area.

An old B-17 flying above the track…it made several appearances that weekend.

An old Ariel Square Four. The owner started it and it sounded like two Triumph 650s.

An old two-stroke Bridgestone, a marque that never quite made it in the US. Imagine the marketing discussions in Japan: “Let’s logo it the BS…that will work!”

So there you have it, along with a bit of advice from yours truly: If you ever have an opportunity to see the Springfield Mile, go for it. I had a great time and I would do it again in a heartbeat.

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Movie Review: The 24 Hour War

Gresh’s review of Ford versus Ferrari had my attention, and SWMBO wanted to see the movie, so off to the theatre we went. My take on it was pretty much identical to Joe’s: Grand entertainment, lots of grimaces and Hollywood liberties with the facts, but overall, an entertaining if not entirely accurate flick.

Later that evening, we were channel surfing and we flopped over to Netflix, and what do you know, a documentary titled The 24 Hour War popped up. I know Amazon, Facebook, and others use all kinds of spyware to figure out what to pitch to us next, but wow, this was amazing. That very day, and a pop up for another movie about the great Ford versus Ferrari war and Le Mans. Hey, in for a penny, in for a pound, so we watched The 24 Hour War.

Unlike Ford v. Ferrari, The 24 Hour War took no liberties with the truth, the facts, the timelines, or the vehicles themselves. It was a damn fine bit of actual, factual reporting, and I enjoyed it more than the movie we had seen earlier that day. If you get Netflix, it’s free, and if you own a microwave and a refrigerator, you won’t have to pay $15 for popcorn and a couple of Cokes (like Gresh did).

A few more good things about The 24 Hour War: It went into much more detail about Henry Ford and Enzo Ferrari (I found that interesting), and portions of the show were narrated by A.J. Baime. Mr. Baime does a series on interesting cars people still drive in The Wall Street Journal and I love his writing. I’m just finishing up a book by Baime about our industrial mobilization prior to and during World War II, and it, too, focuses heavily on the Ford family. The guy is a great writer, and I’ll have a review here on Baime’s book, The Arsenal of Democracy, in the near future.

One more thing regarding the cars themselves: To me, it’s not really a contest and I don’t much care who won Le Mans. Given the choice between owning a Ford GT or a Ferrari, to me the answer is obvious: It’s Ferrari all day long.

But I digress. Back to the review. The bottom line? Ford versus Ferrari was an entertaining movie, but the The 24 Hour War is an absolutely outstanding documentary. I think you’ll enjoy it.

Dream Bikes: Ossa Pioneer

I must have been around 15 years old the first time I saw an Ossa Pioneer. It was at Haines City motocross track. Mike Mills’ mom was divorced and her boyfriend gave us a ride way out to Chrome Avenue in his boat tail Buick Riviera . What a car! The Riviera smelled great inside not only because it was new, but because the boyfriend wore cologne. This was the first time I had been around a grown man that used cologne. All the other adult men I had known up to that point smelled like dirty socks. I smell like dirty socks right now.

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“Burn the tires, c’mon!” we pleaded. It was a strange experience sitting in the plush, perfumed Riviera as the big V-8 engine effortlessly spun the tires into clouds of cotton candy. “Want to stop at the hobby store to pick up some sniffing glue, boys?” Damn we laughed and had fun with that guy. He treated us like equals, like he cared what we had to say. I wish I could remember his name. It was like going to the motocross races with Hugh Heffner.

He drove 90 miles per hour every chance he got and it wasn’t long before he was dropping us at the motocross track. He spun the Buick around and said, “I’ll be back at five.” And then lit the tires up again on Chrome Avenue. He was exactly what we wanted to be when we grew up.

Mostly Bultacos and Maicos were racing in Haines City back then but one guy had an Ossa Pioneer with the lights removed. The rider was good. He would get crossed up over the jumps and finished in the top 5 against real race bikes. I loved how the rear fender blended into the bike. That fiberglass rear section had a small storage area inside. One of the bike magazines of the era tossed a loose spark plug in the storage and went scrambling. The plug beat a hole in the rear fender and they had the nerve to bitch about it. Hell, I knew at 10 that you have to wrap stuff in rags on a motorcycle.

It rains most everyday in Florida and it started pouring. The races kept going for a while but finally had to be called because it was a deluge. You could hardly see to walk. There was no cover so we huddled in the leeward side of the ticket stand out by the entrance. It rained harder, the wind was howling. Wearing only shorts and T-shirts we were getting colder and colder. My lips were turning blue, man.

It was like Niagara Falls, a solid sheet of water that the Riviera emerged from. Man, I was so glad to see that car. “How were the races, boys?” Soaking wet and shivering we piled into the Riviera’s soft leather seats. I thought he’d get mad but boyfriend just laughed. You got the feeling he could go buy another Riviera if he wanted to.

Want to read more Dreambikes? They’re right here!

Bill Murar appointed to Board of Directors, Antique Motorcycle Foundation

A Bill Murar self-portrait at 60mph while riding the Lake Erie Loop.

In the early days at CSC, when we were casting about for ways to the publicize the new CSC Mustang replicas, we heard from a guy named Bill Murar. Bill is a retired firefighter, vintage Allstate motorcycle expert, and motorcycle endurance rider, and he wrote to ask if he could ride one of the 150cc Mustangs in the Lake Erie Loop. That’s a 650-mile endurance run around the periphery of Lake Erie for small bikes and scooters. It was a godsend for us, and it was one of the things that helped put CSC on the map.

Bill Murar, at speed, on a CSC 150 riding the Lake Erie Loop.

Bill and I became good friends, and we’ve stayed in touch over the last decade. I was pleased to get this news from Bill yesterday…

Joe,

I’m pleased to let you know I’ve been named to the Board of Directors of the Antique Motorcycle Foundation. Starting a new page in the Murar chronicles. Yikes, responsibilities! If you go to their website there’s a photo of all the members of the board along with a short bio.

I helped the VP of the AMF restore his Allstate 175, mostly with hints over the phone, me sharing my personal parts source people, as well as my own stock of Allstate stuff. That and 50+ years of Sears Allstate buying and selling and collecting helped as well. He also used his own unique collection of painters, re-chromers, cable makers, foreign parts suppliers, etc., and he finally had a product good enough to grace the cover of this Spring’s edition of the Vintage Motorbike Newsletter.

With everything I had going for me with my Allstate knowlegde, coupled with almost 15 years as the north Central WERA-Vintage regional race director, and overall general knowledge of small displacement bikes, he thought I might be a good fit to fill one of the Board of Director openings.

So, I was interviewed via a phone conference call and ended up getting voted in by the Board. We’ll have out first meet and greet with the entire board at the Wauseon, Ohio meeting of the Antique Motorcycle Association on July 19th.

My new life chapter begins.

As a side note, I rode to AMF VP Roger Smith’s home north of Pontiac, Michigan where we finally met face-to-face (everything up til then was all via email, texts and old fashioned phone calls) last Thursday. He was kind enough to arrange a tour of the studio of Biker Build Off legend, Ron Finch. What a treat that was! Ron is an unbelieveable visionary with his projects. Do yourself a favor and Google his place, I’m not sure of the name of his shop, I simply entered “Ron Finch Studio Michigan.”

Bill

Bill, congratulations to you! Thanks very much for letting us know about your new spot and sharing it with us here on the ExhaustNotes blog. Ride safe, my friend, and best of luck to you in your new assignment.