Sticker Shock

We’re trying to enlarge the subscriber base for the ExhaustNotes.us website. Our marketing efforts so far have been focused on sharing links on Facebook and posting links on various chat sites. It’s a hit and miss method that works okay and you can boost sponsored posts from Facebook but an email subscriber list may work even better. A subscriber email list would be by definition readers who are interested in our content.

In their heyday motorcycle magazines used to give away all sorts of cool gear plastered with logos. It built loyalty in an era when motorcyclists had many magazines to choose from. Today, with the zillions of websites to choose from will that kind of marketing work again?

I guess we’ll find out. The first rough draft of the exhaustnotes.us sticker was a simple design using the popular, exhaust-pipe-streaming-off-a-letter style. This is not a new innovation but then neither is a motorcycle blog. The design needed to work with T-shirts and other future swag projects. We wanted it hand-drawn because Berk and I are old school and we are not wasting your time trying to appear otherwise.

Next we applied a little color to the design, not too much to keep costs down later on in the life of the logo. The chrome reflections and sky blue harken back to the Cycletoons/Cartoons magazines we read as whelps.

After we agreed on the layout the design was tightened up. The “E” fitted to the pipe better and the pipe was fatter and curved down more. We eliminated quotation marks on the motto and straightened out the lettering a bit.

Now the real work began: Inking the outlines and making every bold line pop out. We needed to make the design strong enough to survive shrinking in size or enlarging. A cheerful children’s watercolor set brightened things up without being hard to duplicate on clothing, stuff bags or tramp stamps.

The final design was sent to www.JimmyMacDesigns.com for more refining, clean up and changing the whole jpeg mess into a vector file to prevent loss of data when resizing. Jimmy is a true artist. Go to his website to check out his fantastic metal and wood creations. You won’t be able to tell from these low-res blog photos but Jimmy got rid of all the tooling marks, made the letter edges sharp and resorted them to be more even without losing the hand-drawn look. He also made it fit into a standard oval sticker and added a ragged outside line on the oval.

Here’s the deal: Sign up for ExhaustNotes.us email alerts and using a well-regulated yet self-funded government letter carrier we’ll send a brand new sticker suitable for framing to you for your effort. Just like in the old days except you don’t have to cut out box tops or coupons and crap. We only have a limited number of these to give away so you’ll need to get on the list before January 1st, 2054. You can email your snail mail address to Berk or me at info@ExhaustNotes.us after signing up. Sure, it’s a clunky process that will take a few weeks, but this is ExhaustNotes.us.  If you want smooth and professional you should subscribe to the real magazines.

Fort Stanton

East of Ruidoso, I steered the Husqvarna off of Highway 70 onto Devils Canyon Road and followed the twisting, smoothly-graded dirt until it dead-ended at Highway 220. Back on asphalt I turned right, rode past the airport and pulled into Fort Stanton, New Mexico.

Fort Stanton dates back to the 1850’s and has been used for everything from subduing Native Americans to a tuberculosis hospital and a German prisoner of war camp. The fort changed hands in the Civil War from Union to Confederate and back to Union where it has remained ever since. It stands today in fairly good shape. The parade grounds are well kept a few buildings are showing signs of neglect. Repairs are ongoing and purchasing a gee-gaw at the gift shop/museum helps with the effort.

The Officers Quarters played host to Lieutenant John Pershing, who made good later on in life as General Black Jack Pershing. The OQ is divided into two story apartments with thick stone walls between. One section of the wall was damaged showing the rubble-filled core of the finished walls. This type of construction took a lot of manpower to build.

New Mexico’s clean dry air was the ideal spot to treat tuberculosis and in the 1930’s a modern hospital was built to care for easterners suffering from the unsanitary conditions prevailing at that time. The hospital sported New Mexico’s very first elevator along with dental facilities and entertainment. The patients however had to sleep outside in a tent city as it was believed plenty of fresh air and good food was the cure. It worked pretty well too.

It’s ok to ride your motorcycle on the paved roads in the fort. On a back street there are more recent buildings and a nice stone church. I’m not into religion but I love to check out the buildings religious people have constructed. The little church at Fort Stanton is a jewel. It was open the day I was there and the place was clean and neat. For all I know believers may still worship here. You’re not allowed to tramp through the brush but behind the church a couple hundred yards are the remains of a swimming pool German prisoners of war built to stave off boredom and have a place to cool off in the summertime.

Right next door to the Officer’s Quarters is the Nurse’s quarters. I don’t know if the two uses ran concurrently but if they did this little corner of Fort Stanton must have been a happening spot. The Nurse’s quarters were in sad shape except for the main entrance, which had beautiful beams holding up the roof.

Fort Stanton isn’t overrun with tourists. Even though it was part of a war machine, wandering around inside the buildings gives you a sense of peace. Sit on one of the benches in the bright New Mexico sun and you can imagine the soldiers marching the grounds in formation; the gentle coughing of the slowly recovering patients and the laughter and splashing of lucky Germans who were spared death in World War 2.

Obsolete Product Review: VX-6

I had a 1954, small-window Dodge truck back in the 1970’s. It’s funny how a 20 year-old truck seemed so much older when I was younger. My 1990 Suburban is the same age now as the old Dodge was then but the Suburban seems modern to me. I can remember new Suburban’s rolling off the dealer lots that looked exactly like mine. I wasn’t even alive when the ’54 dodge was built.

The Dodge had a flathead 6-cylinder engine that sucked gas at an alarming rate. 10 miles per gallon was as good as it got. The truck had a three on the tree and was geared very low. Top speed was 70 miles per hour. On top of the cylinder head was a ball valve tapped into one of the cylinders. The valve had a quick-release air chuck fitting. The idea was to supply compressed air (with a bit of gasoline mixed in) for tire filling or bomb making. I never used that feature.

Besides the clutch, brake and throttle the Dodge had a floor switch for high beams and a fourth pedal that engaged the starter motor when it was depressed. The starter had no solenoid; the floor pedal did it all. You could turn the key off and the starter would still spin the engine. I thought that was a great idea. In 1954 Dodge gave you a horn and brake lights but no turn indicators. I used arm signals like on a motorcycle. It’s a hard habit to break so I still signal the old way in a panic situation.

Underneath the driver’s side floor was a battery compartment. The electrical system on the Dodge was 6-volt but a standard modification back then was to install an 8-volt battery. You didn’t have to tweak the voltage regulator and the lights were much brighter. Starting was a breeze with the extra couple volts. The 8-volt battery in my Dodge was shot. It was weak, even after a night on the charger the engine would slowly crank.

The obvious solution would be to buy a new battery but I didn’t have a lot of money to blow as I was trying to get out to California. A battery was expensive. We lived behind a gas station so I went over there looking for a used battery. The service guy handed me a couple packages of VX-6 battery additive stuff and said, “Try this first, it works good.”

What the heck, Lee Petty endorsed VX-6, he said he’d rather run without tires than his VX-6. That was good enough for me. Lee Petty does not bullshit. So I dumped the stuff in the nearly dead 8-volt battery and let it sit overnight. The next morning I tried the starter and the engine started like it had a new battery.

I was stunned. I mean, that hocus-pocus additive junk has never worked for me. Not only that but the battery worked perfectly from then on. I drove the truck to California and all over San Diego for years. The VX-6 battery was still in the truck when I traded it for a Yamaha 125 Enduro.

Recently I looked around for VX-6 and can only find old stock on Amazon and Ebay. It figures, the Battery Illuminati must have gotten to VX-6’s manufacturers. Maybe they threatened VX-6 employees or their families. Battery sales were suffering. Their stuff was too good. It’s no coincidence that you can’t even access the cells on most new batteries.

What Do You Have In Your Project Bank?

There are more ways to measure wealth than money. Sure, traditionalists rely on a strict net worth approach, adding up the figures on electronic statements in a system where the winner is whoever has the highest number. You can count all sorts of things, though. You can count friends, you can count grandchildren, you can count experiences: These are forms of wealth that won’t show up on that balance email from the bank.

When it comes to future projects I am a very wealthy man. I’ve got them lined up out the door and around the corner. And my account keeps growing; with compound interest my Project Bank doubles every seven years. Most of these projects will never see the light of day but they remain secure in my thoughts, if not in my actions.

On of my largest assets is the 4-speed Suburban project. When I bought the ’90 ‘Burb it came with a malfunctioning automatic transmission. I hate automatics and malfunctioning ones even more so. The 700R4 works in Drive and Reverse but not in 1-2-3. The truck runs fine and it will tote a 3000-pound load without complaint but that boring automatic has got to go. It’s a rare Suburban that came with a 4-speed from the factory and even rarer to see a ½-ton version. I’ve only seen one 4-speed ‘Burb and it was ¾-on. This project keeps earning interest and I’ve been training a weather eye on Internet sale sites for a cheap, manual transmission, 4X4 GM truck to steal the guts from. I found a late model, 4X4-IFS 1/2-ton truck with a 5-speed and a nice FI engine that ran well but the transfer case and transmission housing were broken and besides everything was on the wrong side for the old straight axle suburban.

The chalky blue, 1974 MG GT came with Tinfiny Ranch and was listed as an out building on the deed. This car was on the chopping block until I started reading about MG’s with Buick 215 cubic-inch aluminum engine swaps. I really have to stay off the internet. The Buick engine triples the horsepower, doesn’t weigh much more than the iron 4-banger it replaces and sounds cool as hell revved up to 6000 RPM. This is one asset I kind of wish was not in my Project Bank as I’ve never been that interested in cars. Still, it’s there waiting on me.

Tinfiny Ranch itself is a huge source of endless work, but beyond the physical plant The Ranch continues to deposit surprises into my Project Bank. This Merry Tiller project revealed itself as I was hauling away two, multi-panel garage doors. The doors sections were stacked with spacers in the popular rat-paradise fashion and I gave chase to a couple fat rats but they got away from me in the thick brush down by the ravine. The Merry Tiller looks like it will come in handy for the raised-bed vegetable garden (yet another deposit in The Project Bank) I’m planning for the back yard. The engine on the tiller is not stuck and being a Briggs & Stratton I’m sure it will run so I’m leaving it in The Bank for safe keeping.

I will never be bored or lonely. My Project Bank is overflowing with cool things that need time and attention. After I level the back yard I’m going to build a shear wall for the shed, then I need to get back on the Zed. After that I’d like to pop a 6-cylinder + AX15 transmission into Brumby the Jeep. The Suburban needs new paint; I’m going to change it from black to white so it will be cooler inside. Better yet I’ll fix the air-conditioner, it’s all there except for the compressor. I really need a second rain barrel, too, as I’m leaving water on the table with only 2500 gallons of storage.

The projects pile one atop the other and the magnitude of the undertaking gives me a great sense of importance. When I die I want to be buried like a Viking in his ship except my grave will be filled with all the unfinished projects that kept me company while I was alive. You really can take it with you, mainly because no one else wants your junk.

Bonnier Kills Motorcyclist Magazine

The distance from being read in the crapper and actually being in the crapper is a short one. According to Dealer News, Motorcyclist magazine crossed that span this week. I’m not happy about it. In fact, I’m well pissed-off. Over 100 years of print publication down the tubes. I was a part of that glorious history for 10 years. MC mag was always my favorite. They had Burns, they had Boehm, they had Frank and they had that crazy kid that kept crashing GSXR’s. MC mag was way cooler and funnier than stodgy old corporate-Cycle World. When I first decided to submit motorcycle stories for publication MC mag was the only place I submitted to.

Bonnier bought most of the USA’s larger motorcycle magazines a few years back and instead of finding a way they have shuttered magazine after magazine. They’ve managed to turn the largest motorcycle enthusiast’s print group into a damn Internet blog. What a stunning waste of money. Bonnier is supposed to be the experts. The much-touted single-source vertical integration has become a major horizontal screw-up. Thanks guys. Thanks for screwing up nearly everything I liked about your books.

Not that there’s anything wrong with a blog (you’re reading this one), but a hard copy is forever and we motorcyclists need a permanent record of our existence. Besides, Motorcycle.com does the Internet better than anyone and they have Burns to boot. Vendor sites like Revzilla and Twisted Throttle are doing a great job reviewing what they sell and in-house sites like Indian, Hog and BMW keep us up to date on the latest models. I’m saying we’re covered: The world does not need a rump-Motorcyclist magazine spewing cheesy sponsored content on the Internet. The world needs the real thing.

Bonnier’s press release tries to spin the magazine’s closure in the best possible light citing MC’s huge social media reach. Most of those puffy numbers are a direct result of Brian Hatano’s work years ago and Ari/Zack’s well done YouTube channel. Anyway, as Berk and I have learned, Facebook friends do not equal views. When a page with a million-plus followers puts up an interesting post and gets two comments, I’m telling you the reach is just not there. I get more response from a post about adobe blocks.

Yeah, I’m angry at Bonnier. Not only for firing Jack Lewis and me (in their defense, we weren’t exactly killing it) but also for doggedly sticking with a failed process. Chris Cantle and the new crew were doing a good job with the magazine’s content but the masthead was bloated with salaries and middlemen making it a struggle to pay off the ossified blob smothering their best efforts. You could have given Cantle three guys, an art director and one ad salesman and they would have done just as well, and maybe even turned a profit.

Mixing Cycle World and Motorcyclist diluted both brands and the titles became a slurry of interchangeable writers. Competition between the two formal rivals became cooperation: It didn’t seem to matter who wrote what. The magazines lost their personality and sense of humor. They wrote like they knew they were doomed.

Instead of charging what it costs to produce the magazine like American Iron and other smaller operations, Bonnier stuck with trying to pay for the magazine with advertising and giving the book away free to create a large subscriber base. This stupid-ass method changes the customer base from the reader to the advertiser. And the readers knew it. Charge $29 a year for 12 issues and write to me, damnit!

I don’t know. Maybe nothing would have worked. To me it seems like Bonnier gave up. Instead of raising rates they gave up. Instead of publishing 12 times a year no matter what they gave up. Instead of building reader loyalty with old school give-away items like stuff bags, key fobs and T-shirts they gave up. Readers, just like writers, love to see their stuff in print. That positive interaction was killed when they got rid of the letters to the editor page. If Bonnier group doesn’t care what we think, why should we care what they think?

Nimble, focused magazines that charge what they cost to produce seem to be doing ok for the moment. Their subscriber numbers might be lower but the numbers are real and they make money. It might be as simple as charging more for the product. The hated Cycle World is still publishing today, barely, and what they are doing is not working. Unlike Motorcyclist, it’s not too late for Cycle World. The question is whether Bonnier Corp has the will power to attempt something different and well proven, or give up like they have done so many times in the past.

Adobe Construction: Dirt Cheap!

It takes 60 shovelfuls to fill the adobe mixer. Originally designed for mortar, the outside drum of our mixer looks like an inverted lunar landscape. Dimples as large as a quarter, back when a quarter was worth 25 cents, protrude far enough to run afoul of the mixer’s I-beam chassis. It’s the rocks, see? Mixing adobe eats up the rubber wiper blades on the paddles and as the gap between the blade and the drum grows larger things start going south. When the gap grows large enough the mixer paddles wedge into the rocks and a sharp pop, like someone hit the machine with a 16-pound sledgehammer, is followed by a lurch of the heavy machine. Another dimple has been created. If the conditions are just right the mixer blades will lock up solid and it takes a quick hand on the clutch lever to prevent a smoking V-belt.

I’m telling you this now because when the machine is running it’s so loud conversation is impossible. Big Pappy and I are mixing mud and filling wheel buggies with adobe for blocks. Pappy’s arms are as big around as my legs. Those protruding dimples rubbing the chassis make rotating the hopper to dump mud a two-man operation. We push so hard we nearly tip the machine on its side. Big Pappy nods, which I take to mean push harder. It doesn’t. The handle slams Pappy upside the head and he gives me a murderous look. “What the hell are you doing? I told you to stop.” I’ve only been on the job an hour and I’m already injuring my coworkers.

With adobe mixing the show must go on so Pappy and I work in silence. Not total silence though, because we have to keep count of how many shovels we are throwing into the hopper. “I’m at 13,” I tell Pappy. “15” for me, Pappy replies. The mixer locks up, I grab the clutch. We move loaded buggies to the block-making area then we shovel more dirt into the hopper. Soon the injury is forgotten. “Is that good?” “More water.” Pappy says. “4 more shovelfuls.” “Ok, that’s good. Let’s let it mix” Pappy feels bad about yelling at me, I feel bad for hurting Pappy. We are a team again. I’ve got to be more careful working around others.

Buggies full of the sticky clay, sand and straw mixture that makes up an adobe block are dumped into 2-block forms and smoothed by hand. We have plenty of willing helpers because this is a New Mexico Humanities Council program created to teach the traditional ways of adobe construction (nmhumanities.org). After 2 full days of class a student will come away with a sore back and respect for the ones that came before.

We make adobe block after adobe block. Pat Taylor, our maestro of mud has more than a little Tom Sawyer in him as he makes the hard work of mixing and pouring adobe seem like fun. Several hundred blocks later we have filled up much of the parking lot. After a month of baking in the sun the blocks will be so hard that it takes a solid blow from a hammer to fracture them.

“Who wants to give it a try?” Pat asks and several would-be adobe builders jump in and start laying blocks. Instead of cement mortar, more mud is used to set the Adobe blocks. I’m cutting a bevel into the blocks to create a space for small volcanic rocks. The rocks are fitted into the bevels and held in with a white lime mortar. Once these protruding rocks are set the lime plaster will adhere to the rocks, hopefully keeping the plaster from sloughing off the wall.

Amazingly, we make a pretty decent looking wall. The lime plaster hides all manner of sin and if you can keep the rain off of your adobe wall the thing will last several centuries.

There’s another, even older method of finishing adobe walls borne from necessity: More mud. Mud plaster doesn’t last as long as lime plaster but if you don’t have lime what’s a poor boy to do? Think of mud plaster as a sacrificial coating. It erodes so that the adobe blocks underneath don’t. Mud plaster is applied by hand or trowel, and re-applied every few years as needed. As Pat’s students, we got to try all application methods with special emphasis on the difficult ones.

The mortar, the blocks, the plaster, everything except the lime was made from a mixture of clay, sand and straw. Only the ratios varied depending on what you were using it for. And they didn’t vary all that much. Adobe uses the simplest building material, dirt, and combines it with human muscle to fashion living spaces. It’s the oldest building material yet adobe techniques will likely see use in future human settlements anywhere dirt is plentiful, the land is inhospitable and a Home Depot is far, far away.

Ascot AMA Nationals

In San Diego I lived across the street from a Safeway food market. Man, I never ran out of anything. That Safeway is now a West Marine boat supply store. They got nothing to eat in the whole damn place. But back then, around 1980, it was a great food source.

In my pad I had a tiny refrigerator with one of those wine-in-a-carton things inside. My buddy Mark found it in the road, not far from the house. Nobody I knew drank wine, or at least that wine. There was a perforated cardboard section that you knocked out and inside was a hose that connected to the plastic sack of wine. It was practical as hell, like a battery acid container. The hose had a shut off thingy, you kind of rolled the shut off onto a ramp until it pinched the hose closed. The wine tasted bad. Maybe it got hot in the sun out in the street. No telling how long it was there before Mark found it. Whenever anyone would drop by I’d ask if they wanted some wine, that’s what adults do. It was still in the fridge a few years later when I moved away.

I’d leave my one bedroom, one bath rental house on Point Loma’s Locust Street around 5pm. My bike was a 1968 electric-start XLH Sportster converted to kick start. Because electric kickers are for Honda riders, man. From Point Loma I’d reel onto Interstate 5 and roll the throttle on, lane splitting for 15 miles to Gene’s house in Mira Mesa. Back then every subdivision in San Diego sounded like one of the wooden sailing ships that discovered America: The Nina, The Rancho Bernardo and The Santa Antiqua. I guess they still name California things that way. Streets are Calles or Avenidas. Townhouses are called Don Coryells, after a football coach.

Gene had a 1973 Sportster, the one with the crude looking steel bar bent into a U-shape to secure the top shock absorber mounts. The result of AMF cost cutting. My older Sporty had a beautiful cast part welded into the frame tubes performing the same function. You couldn’t see either one once the seat was installed but I knew it was there. Gene knew it too. Gene was my wing man, my BFF. We used to drink in bars and shoot pool after work. It was nothing to stay up late at night, I only needed a few hours sleep. In those years Harley-Davidson motorcycles had a terrible reputation. Their riders were no prize either. We liked the way the bikes sounded and the way they looked.

California traffic was just as bad in 1980 as is today. We lane split all the way to Oceanside where the northbound traffic would thin out for 30 miles or so then lane split to the 405 and past the “Go See Cal” auto dealership. Cal’s dog Spot was a lion. He was featured in Worthington Ford television ads. It was nerve wracking bumper to bumper riding all the way til dusk and the exit for Ascot park Raceway.

I saw my first Ducati Darmah in the parking lot at Ascot. It was the most beautiful bike I’d ever seen. The squared off crankcases were works of art. Our iron-head Harleys looked like civil war relics next to the Darmah. Like Genus Rattus, man. I didn’t envy the Ducati. I was still a hard core Harley guy. Pretty don’t mean nuttin’ to us. Fast, reliable motorcycles are for the weak. I still feel that way.

I may have this wrong but Ascot held two AMA Grand National races each year. Every race I went to was advertised as the final race because the track was closing to be sold. This went on for 12 years until the track really did sell. One National was a standard flat track race and one National was a TT, which is a standard FT track with a bump and a right hand turn. Usually by the time Gene and I got up there the heat races had already started.

Ascot wore its years well. The stands were uncomfortable and crowded. AMA Nationals are big deals. The restrooms were dungeons. We would eat bad food and drink beer and watch the best racing anywhere until 11pm at night. Being part of the hundreds of motorcycles leaving Ascot was a real thrill. The riders were fired up from the racing and we rolled it on to 405 and then 5 to the El Toro Road exit and the Bob’s Big Boy restaurant. Bob’s was a tradition for AMA Nationals. The burgers were small and nearly tasteless, the little triangle salads were frozen and the fries were thin as shim stock. Bob’s was a good place to feed your Genus Rattus.

Because we were riding so late, no matter what the time of year it was always cold on the way home from Ascot. Long, empty stretches of interstate 5 stuffed each gap in your leather jacket with a chilling, low hanging fog. The cold would quiet your mind. Focus on your breathing now, keep still, those iron engines loved the cold. I could see Gene’s Sportster chuffing away in the dark, tiny glints of chrome primary case flashed in sync with my wobbling headlight. Both our Sportsters ran straight pipes and Interstate 5 sounded like the back straight of Ascot. Except we never chopped the throttle.

South of La Jolla the air temperature would rise and dropping off 5 onto Rosecrans Street wrapped sea-warmth around my body. I loved that part of the ride. The shivering was over, I could smell ocean smells. My muscles relaxed. This early in the morning Rosecrans is deserted, I have to run the red lights because the sensors in the pavement cannot pick up motorcycles. The only sound is my 900cc Sportster slowly rowing through the gearbox, rumbling home.

Canon S100 Review

The only camera that survived our 40-day, Zongshen RX3 China tour was the one inside my cell phone. My Canon 5D, that weighs a ton, broke its battery door and the 28-135 zoom lens actually fractured and stopped zooming. It sounds like the gears inside are broken. Both were inside a padded camera bag and the bag was wrapped in extra clothing. Don’t let anyone tell you we didn’t pound on those Zongshen RX3’s.

My go-to travel camera, a little Canon S95, also could not survive the rough Chinese trails we explored. The S95 suffered a broken screen and refused to boot up due to a broken top plate. Again, this camera was in my jacket pocket and not rattling around in a bag. We ride hard, you know?

Back in the USA the 5D battery door was an easy $7 fix. The 28-135 zoom lens is still broken and the parts to fix it are nearly as much as a used lens. I may not even replace it as I’ve gotten away from hauling the big 5D on motorcycle trips. It’s a great camera that takes beautiful pictures but magazines and web sites do not require technically perfect photos, only interesting subjects.

The Little S95, by dint of its size was harder to fix. I bought a new top switch plate for $14 and using a microscope, replaced the part without damaging a lot of other parts in the process. To my surprise the little camera booted up and would take photos. The broken screen was slightly annoying but the worse problem was that the front ring did not work anymore. The S95 really needs that ring to operate correctly. I’m pretty sure I broke the ring in the process of installing the top switch. These tiny digital cameras pack a lot of components into a tiny space. Fixing them is nothing at all like concrete work. The S95 was consigned to the busted camera drawer.

Joe Berk and I recently went to Mexico to road test the new Royal Enfield 650 and that trip convinced me that I needed a decent point and shoot camera. The cell phone camera is great but there were times I needed zoom but didn’t feel like digging out the big camera. I wanted a pocket DSLR.

Back to the busted camera drawer and the S95 I went. The parts to fix the screen and the front ring switch cost around $50. Add to that the $14 I had already spent, and the fact that I would probably end up breaking something else while fixing the S95, and things were looking glum for my S95. The little beat up Canon is a great shooter and I’ve had two-page spreads published in magazines with it, so while I hated to give up on an old friend I began to look for a used, working S95.

Prices for used S95’s hover around $100 for a fairly straight, functioning example. The funny thing is the next generation model, the S100, was the same price as the older unit. With a wider and longer lens and a much faster processor than the S95 the only thing making me hesitate was the S100’s bad reputation for a lens error glitch. When the glitch hits the lens stays extended and the machine refuses to take photos. So it’s kind of a major glitch, you know? Here you can see the extra bit of S100 (left) vs S95 (right) wide angle.

Here you can see the extra bit of zoom. S100 on left.

I researched the camera forums and found some S100 owners never have the lens error and of those that did a ribbon wire falling out of its socket was the cause for most of the failures. So I bit on a sweet 100-dollar, S100 that looks like brand new and seems to function perfectly.

The S100 boots up noticeably faster than the S95 but I am never in that much of a hurry. It will burst a bunch of shots faster than the old model. This may come in handy for action shots. The wide-angle lens is only noticeable when comparing both cameras side by side. When it comes to photography, more is always better. I’m happy with the little S100 and can’t wait to try it out on a motorcycle trip. If I ever go on another motorcycle trip, that is.

The Wall

Here at ExhaustNotes.us we are all about the motorcycle, with a smattering of gunplay and interesting adventure destinations thrown in to keep the place hopping. But what if there were no bikes, adventures or bullets? What then? Keep reading and I’ll tell you what then, Bubba.

Concrete, my friends, and the mixing of it is the solution to a lackluster moto-life. Dusty and powder soft with an aggregate backbone, believe in it and concrete will provide. Trust in it and it will repay you a thousand times. The grey dust keeps me going because lately I haven’t been riding motorcycles or watching Emma Peel on YouTube so there’s nothing to write about except the grey dust. The grey dust keeps me hoping for some far-off, much better two-wheeled days.  Think of this as an ExhaustedNotes blog.

Situated in the steep-ish foothills of the Sacramento Mountains, Tinfiny Ranch is slowly bleeding into the arroyo, you know? You put down your cold, frosty beer and the next thing you know your Stella is halfway to White Sands National Monument. On the lee side of The Carriage House we’ve lost a good 18-inches of mother earth because while it doesn’t rain often in New Mexico when it does rain it comes down in buckets. This sudden influx of water tears through Tinfiny Ranch like freshly woken kittens and sweeps everything in its path down, down, down, into the arroyo and from there on to the wide, Tularosa Valley 7 miles and 1500 feet below. Claiming dominion over the land is not as easy as they make it sound.

So I put the motorcycles away and took a cudgel to Tinfiny. I pounded, I dug, I formed and I poured. I am building a wall and Mexico has not stepped up to the plate with the promised assistance. The thing has grown to 70 feet long and varies in elevation from a foot to 4 feet high. Repetition has honed my skills: I can do 8-feet of wall every two days and the days stretch on and on. I figure I’ll stop when I run into the Pacific Ocean.

After the wall is up the resulting divot will require filling with dirt. I have lots of dirt on Tinfiny Ranch; the conundrum is where to borrow it from without causing even more erosion. I’m hoping that leveling the back yard will provide most of the needed fill.

I’ve made the wall porous to keep water from backing up behind it and poured L braces in an attempt to keep the wall from toppling over. The beauty of the wall is that it will work in any orientation. I’m nearly ready to start the slow process of dumping dirt and compacting it 6-inch layer by 6-inch layer until the land is even with the top of the wall. At that point the floodwaters should flow over the wall spilling into the arroyo. Unless, of course, the hill becomes so saturated that the entire wall slips into the arroyo. And I become one of those questing specters drifting the canyons wailing my banshee wail, never resting, never finding peace.

Silver and Red

Most all of the fun things we did as little kids were instigated by my Grandparents. Between raising four kids and working constantly to pay for the opportunity our parents were left spent, angry and not that into family-time trips. We did try it a few times but it seems like the trips always ended with someone crying, my parents arguing or a small child missing an arm. With only 16 limbs between us we had to be careful and husband our togetherness for fear of running out.

Things were very different with Gran and Gramps. We were allowed to sleep over every weekend during which we attempted to destroy their house and any of their valuable keepsakes not made from solid iron. Maybe because of our destructiveness they acted as if they liked taking us on adventures. Camping with one hundred million mosquitos at Fish Eating Creek, going to The Monkey Jungle where the people are in cages and the apes run free, and picnics at Crandon Park beach were commonplace events. We had it made.

Twice a year Gramps would take us to Daytona for the stock car races. This was back when the cars resembled production models and ran modified production engines. There was none of this Staged racing or Playoffs. We went to Daytona to see the race. It didn’t matter to us who had the most points or won the season championship because Daytona was a championship all by itself. If you asked the drivers of that era to choose between winning the Daytona 500 or winning all the other races on the schedule I bet you’d have some takers for the 500.

We always bought infield tickets. Camping at the Daytona Speedway was included with infield tickets so we immersed ourselves in the racing and never had to leave. Gramps had a late 1960’s Ford window van with a 6-cylinder, 3-on-the-tree drivetrain. The van was fitted out inside with a bed and had a table that pivoted off the forward-most side door. To give us a better view of the racing Gramps built a roof rack out of 1” tubing. The rack had a ¾” plywood floor and was accessed via a removable ladder that hung from the rack over the right rear bumper.

At each corner and in between the corners of the roof deck were short tubes that a rope railing system fitted inside. Metal uprights slid into the short tubes and were secured by ¼-20 nuts and bolts. Rope was strung through the uprights and snugged making for a passable handrail. The railing was an attempt to keep little kids from falling off the roof of the van. Once the ladder was in place and the railing installed we would bring up chairs and a cooler. A portable AM radio provided a running commentary of the race progress. We took turns listening. It was a wonderful way to watch the races.

Back then Gramps was in what we call his silver and red period, not to be confused with his red and green period. Everything he built in that era was painted either silver or red. For some reason Gramps preferred a bargain basement silver paint that dried into a soft, chalky coating that never really hardened. The whole roof deck was painted silver except for the sockets that the uprights fitted into. Those were painted red. The stark contrast made it easy to locate the sockets.

When you would climb the ladder to the upper deck your hands would pick up silver paint. If you sat on the deck your pants would turn silver. If you rubbed your nose like little kids do your nose would turn silver. It was like Gramps painted the deck with Never-Seez. After a full day of racing we looked like little wads of Reynolds Wrap.

Our camp stove was a two-burner alcohol fueled unit that, incomprehensibly, used a glass jar to contain the alcohol. Even to my 10 year-old eyes the thing looked like a ticking time bomb so I kept my distance while gramps lit matches and cussed at the stove.

The alcohol stove took forever to light, requiring just the perfect draft. The slightest breeze would extinguish the flame. Once lit it didn’t make much heat. Our eggs were always runny and cold. It took 3 hours to cook bacon. The plates Gramps passed out to our tiny silver hands were made from aluminum. Any residual background heat remaining from the Big Bang was quickly transferred from the food to plate ensuring everything was uniformly gross.

Gramps found great pleasure in our complaints about his food. He would smile and chuckle at us if we asked for our eggs hot. When we wished aloud for Granny to be there to make the food he really got a belly laugh. He prided himself on cooking poorly. I never understood why we had the stove in the first place. Peanut butter and jelly sandwiches would have been a lot easier and way more appetizing.

After the races were over it took forever to clear the infield. We took our time breaking down the upper deck, putting away the camping chairs and the stove and coating every surface we came in contact with a fine, silver dusting of color. I don’t know why I remember these things so clearly. It must be that silver paint, that chalky texture. I can close my eyes and feel the dry, talc-like residue on my hands even now.