I’ve joked around a bit about my 1940 Tula Mosin-Nagant’s bore by writing that it looks like a sewer pipe. It turns out my description was closer than I realized. I recently purchased a Teslong borescope (watch for an upcoming review here on ExNotes), and I took a look at what things looked like inside the Mosin. Wow, was I ever shocked. That photo above is my Mosin, from the inside.
I shoot only jacketed bullets in the Mosin described above, and even with that funky bore it shoots them well. This rifle is surprisingly accurate. That’s amazing, particularly in light of the fact that the bore (while clean) is extremely pitted, and in some places, I couldn’t even see the rifling. Still, it cuts a relatively tight group at 100 yards, especially considering that I shoot it only with its native iron sights. On a good day, it will put five shots into a little over an inch before the barrel heats up, and then when it does heat up, it walks them up a line no wider than an inch due to the stock deflecting the barrel upwards.
I have another Mosin (a hex receiver 1935 Izhevsk) I use for cast bullets, and I thought it had a pristine barrel. I was wrong about that, too. The Teslong reveals all. It’s way better than the Tula’s bore, but it also bears more than a passing resemblance to a lunar landscape. But it, too, can cut a decent group at 100 yards. What makes that amazing (at least to me) is that it does so with the same old prehistoric iron sights and cast bullets.
When these rifles were new back in the 1930s and 1940s, primers were corrosive, and corrode the bore they did. And obviously the soldiers who carried them did little to clean them adequately. I’m not faulting them; those troops had other things on their minds and I’m just making an observation. I’ve been driving myself nuts using the new borescope when I clean my modern rifles trying to get every speck of copper and carbon out of the bore, and I’ve been living in anguish every time I see a machining defect or scratch in these firearms. As the Mosins show, I’ve been worrying for nothing. A bore that is in pretty rough condition can still be accurate.
The question I found confusing when navigating my way to Twin Falls, Idaho, was this: Is Shoshone Falls the “twin falls” referred to in Twin Falls, or is there another set of falls somewhere along the Snake River? I never really had a satisfactory, definitive answer to that question (and I asked several people in Twin Falls). It’s further complicated by the fact that upstream of Shoshone Falls (at the eastern edge of the town of Twin Falls), there’s another park called Twin Falls Park. I think the answer is this: There are other falls along the Snake River in the area of Twin Falls, but the Shoshone Falls are the two falls that give the city its name. If you know different, please let me know.
I plugged Shoshone Falls into Waze, and the nav program took us east out of town through a bit of farm country and past a few housing developments. The ride down to Shoshone Falls Park was an interesting one. When we approached the entrance where you pay $5 to enter the park and I asked about handicapped parking (I had a bad motorcycle accident 15 years ago and my handicapped parking tag was that cloud’s silver lining). The nice lady in the ticket booth told me my handicapped parking tag meant free admission. The month I spent in the hospital had a return on investment.
The ride down to Shoshone Falls from the entrance demands attention. It winds down a narrow lane alongside the mountain with a steep dropoff on one side (and there was no guardrail). I realized it would be best to save the sightseeing until I got down there.
Once we arrived at the Shoshone Falls viewing area, we could see there are indeed two separate falls. It’s very scenic.
I’ve read online that Shoshone Falls is the Niagara Falls of the West, and Shoshone Falls has more of a drop than does Niagara. Shoshone Falls is a beautiful thing to see, but trust me on this, it’s not Niagara Falls. I’ve been to Niagara Falls. Shoshone Falls is nice, but there’s no comparing it to Niagara Falls.
I looked down the Snake River. It was nice. It was scenic. I was glad we made the trip to Idaho. We were covering a lot of ground. I was getting great photos. Sue and I were on a content safari and Idaho was a target-rich environment.
While studying the map to get to Twin Falls’ Shoshone Falls, I noticed that a bit downstream of Shoshone Falls along the Snake River the map showed the Evel Knievel Snake River Canyon jump site. There was no mention of it anywhere else. I wondered: Was it still there?
As mentioned in our introductory Idaho blog, I had briefly visited the Craters of the Moon National Monument on the 5,000-mile Western America Adventure Ride with the Chinese and other folks who owned RX3 motorcycles. Good buddy Baja John did all the navigating and planning on that ride; I just rode at the front of the pack and took all the credit.
We planned those early CSC trips as if it was just Baja John and me riding, and I figured on way too many miles each day. John and I can do 600-mile days easily. When we planned the larger Western America Adventure Ride, even 400-mile days were a huge challenge. A good rule of thumb on such larger group rides is to stick to a maximum of 200 to 250 miles each day. I didn’t know that then.
Anyway, on that first Craters of the Moon stop, we were on a big mileage day and we didn’t have too much time to spare. We pulled into the Craters entrance, grabbed a few photos, and continued our trek to Twin Falls. I recently wanted to do a Destinations piece on Craters for Motorcycle Classics magazine, and when I looked through my files, I found I only had a couple of Craters photos. That dearth of useable photos became part of the reason Susie and I visited Craters again.
The ride from Boise (where Susie and I started that morning) to Craters takes you east on I-84 and then east on US Highway 20. As an aside, Highway 20 runs across the entire United States, from Newport, Oregon to Boston, Massachusetts. Part of Highway 20 in Idaho was designated as the Medal of Honor Highway by Governor Brad Little in 2019, and Susie and I took it to Craters.
After Highway 20, it’s a left turn onto Highway 26 to get to Craters of the Moon. It’s more scenic riding, including the towns of Carey and Picabo. Carey is where we had a comical encounter on the Western America Adventure Tour when riding with our Chinese compañeros across Idaho. On that day 10 years ago, it happened to be Pioneer Day. We didn’t know that, nor did we know that there was a parade in Carey. I was in my usual spot (in front of the pack), Gresh was riding alongside me, and our group of a dozen RX3 riders were right behind us. As we approached Carey, local residents lined the streets. Many were holding American flags. They waved and cheered us as we rode into town. We had no idea what was going on. Gresh flipped his faceshield up and said, “Wow, a lot of people are following the blog” (I had been blogging our trip across the western US every day). We didn’t know it at the time, but we were only a few minutes ahead of the parade Carey was expecting, and those good Idahoans thought we were the advance guard. It was fun and it made for a great story (which I have told about a thousand times by now).
The good folks in Carey were not waiting for Susie and me on this trip, but we had a good time anyway. When we rolled into Picabo a little further down the road, we had an even better time when we topped off the Jeep and had lunch (which was excellent). I told you a bit about that (and the Ernest Hemingway connection) yesterday.
The National Park Service describes the landscape in and around Craters of the Moon National Monument and Preserve as “weird and scenic” and that’s an apt description. The landscape is almost lunar-like. Its alien features consist of mostly dark brown solidified lava surrounded and sometimes punctuated by patches of green vegetation. It makes for a dramatic landscape and awesome photo ops.
You can ride a designated, one-way, circular tarmac road through the Preserve, with paved offshoots for specific sights. One of the first stops is a pahoehoe lava field. The name is a particular type of lava, and it comes from the lava volcanoes and their flows in Hawaii. Pahoehoe lava is characterized by a rough and darkened surface. What made it even more interesting is the walkway above the lava. You can walk a loop of about a quarter of a mile and see what the hardened lava looks like. The walkway is a good thing; I don’t think it would be possible to navigate this terrain on foot.
Another lava structure is called cinder cone. Sometimes these structures break apart and leave monolithic forms like those in the photograph above. One of the more dramatic areas in Craters of the Moon is the Inferno Cone. There’s a place to park near the base and you can climb to the peak.
There are several lava tubes (caves formed by lava flow) in Craters of the Moon, and if you wish, you can hike into them. We didn’t do that. There are also longer hikes throughout the Preserve if you want to explore more.
There’s much to see and do at Craters of the Moon. How long you stay and how much you see is up to you. We were there for about three hours and we had a great visit.
The next stop on our Idaho expedition would be Twin Falls. That’s coming up, so stay tuned.
If you would like to read about the Western America Adventure Ride and how CSC rewrote the motorcycle adventure touring book, the story is here:
1500: Keep that number in mind. I’ll tell you what it means at the end of this post.
As I mentioned in the introductory blog on our ExNotes Idaho expedition, I was surprised to learn of the apparently well-known strong connection between Idaho and Ernest Hemingway. My previous ignorance of this connection made me feel kind of illiterate when I read about it at the Basque Museum, and then again in Picabo while we were driving to Craters of the Moon National Monument. I wouldn’t want any of our readers to feel my pain, so I thought I would offer a brief Hemingway biography and explain how the Idaho/Hemingway connection developed.
I previously wrote about the Basque Museum a blog or two back. Our next adventure was Craters of the Moon, and on our way there as we passed through the small town of Picabo I thought I would top off the Jeep and grab a cup of coffee. The gas station had a small general store and a restaurant, so Susie and I grabbed lunch. The place had an interesting corner devoted to Ernest Hemingway and his Idaho adventures.
Hemingway loved hunting and fishing in the Silver Creek area near Picabo with Bud Purdy, a local rancher and Idaho legend. Purdy was an interesting man, too. You can read about him here.
Ernest Miller Hemingway was born in Oak Park, Illinois (a small town near Chicago) on July 21, 1899. He was wounded in World War I, he went on to become one of the world’s great novelists, he married four times, and he died at age 61 in Ketchum, Idaho. But there’s a lot more to the Hemingway story than just those two short sentences.
As a young man growing up in what was then a predominately rural area, Hemingway’s father introduced him to hunting and fishing. He graduated from the Oak Park public school system in 1917 and went to work as a reporter at the Kansas City Star. It’s been said that’s where he developed his writing style, based on the newspaper’s guidelines emphasizing short sentences and paragraphs, writing in the active style, shortness, and clarity. Hemingway carried the style to his fiction, later explaining “Those were the best rules I ever learned for the business of writing. I’ve never forgotten them.”
When World War I started, Hemingway wanted to serve but poor eyesight prevented his enlisting. He instead volunteered to be a Red Cross ambulance driver in Italy. Hemingway was wounded only a month into this adventure by a mortar round, and then wounded again immediately after that by machine gun fire. All this occurred while carrying a wounded soldier to safety. The Italian government awarded Hemingway their Silver Medal for Valor.
Hemingway returned home and went to work for the Toronto Star Weekly, where he married his first of four wives in 1921. The Hemingways moved to Paris, where he met several of the great authors of the era while still working as a reporter covering such things as the Geneva Conference, bullfighting, and fishing. It was while Hemingway was in Paris that his first works of fiction were published, including Indian Camp and Cross Country Snow.
From 1925 to 1929, Hemingway wrote some of the world’s great literary masterpieces, including Our Time in 1925. It contained The Big Two-Hearted River, The Sun Also Rises, and Men Without Women. A Farewell to Arms followed in 1929, which was quickly recognized as a defining World War I masterpiece and earned Hemingway a reputation as a literary giant. Hemingway became a world traveler, visiting Key West for fishing, Africa for hunting, and Spain for bullfighting. He continued writing, creating For Whom the Bell Tolls, Death in the Afternoon, and The Green Hills of Africa.
For a time in the pre-Castro days, Hemingway lived in Cuba. Hemingway lost his home when Fidel Castro confiscated private property in 1958. He and his fourth wife bought a home in Ketchum, Idaho, where he would live out the rest of his life.
Hemingway had spent time in Idaho prior to purchasing his Ketchum home. Averill Harriman (an American entrepreneur who owned the Union Pacific Railroad and other businesses) was promoting a new resort in Sun Valley, Idaho. In 1939 Harriman invited Hemingway to visit the Sun Valley Lodge and that set the hook. Hemingway hunted and fished Idaho, and he fell in love with the area. Hemingway wrote For Whom the Bell Tolls in Room 206 of the Sun Valley Lodge (known today as the Hemingway Suite). While a guest at the Sun Valley Lodge, Hemingway also wrote Islands in the Stream, The Garden of Eden, and A Moveable Feast.
Later in life, Hemingway struggled with poor health and depression. Some say he was an alcoholic. He had experienced numerous concussions, a couple of car accidents, and two airplane crashes. Hemingway committed suicide by shooting himself in his Ketchum home in July of 1961 at the age of 61.
Ernest Hemingway was an outdoorsman, a shooter, and a hunter. In other words, he was my kind of guy, so it’s surprising that the only Hemingway novel I ever read was The Old Man and the Sea. That’s a character defect I aim to correct in the near future.
It’s probably appropriate that this post is about Ernest Hemingway, as this is our 1500th literary endeavor on the ExhaustNotes blog. Yep, 1500 posts! We appreciate you reading our blog, we appreciate your comments, and we especially appreciate you clicking on those pesky popup ads!
Notice anything flaky about the bullets above? At first, I didn’t. But it’s there. Read on, my friends.
I confirmed a couple of good loads for the .30 06 Weatherby this morning and several months of trying different bullet weights, powders, powder charges, seating depths, and more. In the past, one of my favorite bullets for both the .30 06 and .300 H&H cartridges has been the Winchester 150-grain jacketed softpoint so I wanted to try these again, but they have been unavailable for a long time.
When the Winchester bullets finally came back on the market again a few months ago, I bought 1000. Sometimes they grouped well in my Weatherby, at other times they did not. I got to where I worked up a load with 51.0 grains of IMR 4064 (a max load for this bullet) and that had shown promise, but I’d get a good group and then a bad one. I was pretty sure it wasn’t me being flaky behind the gun; things looked good through the scope when I pulled the trigger.
I found that how I positioned the rifle in the Caldwell rest made a difference. If I had the rifle positioned so that the rest was just forward of the rifle’s floorplate, it grouped well; if I had the rifle positioned further back, it did not group as well. Even while taking care to appropriately position the rifle, though, the Winchester bullets grouped erratically. I’d get good groups and then I’d get bad groups.
Then one day after another frustratingly inconsistent range session, I returned home, cleaned the rifle, resized the brass, threw the brass in the tumbler, and was reloading it with the above load when I noticed that the bullet cannelures were not at consistent heights above the case mouth after seating the bullets. Hmmmm.
So I lined up some bullets on the bench, and son of a gun, the cannelures were all over the place on the bullets (with regard to height above the bullet base). I bitched to Winchester about this through their website and they agreed to refund what I had paid for the bullets. They even had a UPS guy stop by and give me a prepaid shipper to return them. I didn’t want to, though, because the bullets had done well in the past, and I still wasn’t certain that the cannelure location issue was affecting accuracy.
So I reloaded another 12 rounds and before I did so, I sorted the Winchester bullets by cannelure height. I loaded 6 cartridges with bullets that had cannelures at what appeared to be approximately the same location, and I took the bullets I had screened with what were obvious cannelure location differences and loaded 6 more rounds. The next morning I got out early to beat the heat and set up a 100 yard target at the West End Gun Club. I proved my hypothesis: The cannelure height variability was degrading accuracy significantly.
The group sizes for bullets with the same cannelure locations returned minute-of-angle groups; the group sizes for bullets with random cannelure height locations were more than twice the size of the consistent-cannelure-location bullets. Duh. I proved (at least to myself) that this cannelure height location issue is making a difference. I can hypothesize that cannelure location can affect the bullet’s center of gravity, center of pressure, drag, and perhaps other aerodynamic and mass properties characteristics. The bottom line to me is that cannelure location variability plays a big role. Winchester screwed the pooch when they made these bullets, which is a shame. I should also mention that these bullets were not sold as seconds. They were supposed to be good bullets. An old line company with a name like Winchester ought to be making a quality product, but they clearly are not. That notwithstanding, I think I’ll keep the bullets and sort them. I’ll use what I cull out for open sight rifles, or maybe I’ll sell them to a gas station and they can melt them down for wheel weights.
Yeah, I could just send the bullets back. To Winchester’s credit, they were willing to refund what I had paid for the bullets. But they disappointed me, and I have to tell you, I spent a lot of time and money in wasted components trying to shoot good groups with lousy bullets. What I’d really like is a note from Winchester telling me they’ve fixed the problem, and then I’d buy another thousand bullets.
You might wonder: Why not just use Hornady’s comparable 150-grain jacketed soft point bullet? It’s a logical question. I tried that with the same load, and it wasn’t as accurate as the screened Winchester bullets (even though the cannelure location was consistent on the Hornady bullets).
I did find a Hornady bullet and a load that worked well in this rifle, though, and that’s the 130-grain Hornady jacketed soft point bullet with 53.0 grains of IMR 4320 (a max load, so work up to it). It shoots slightly high and to the right compared to the load above. IMR 4320 is no longer in production, but I have a stash and I’ll continue to use it. This load is also extremely accurate in my Ruger No. 1A.
Wondering about the chrono results for the loads described above? Here they are, as shot from my 26-inch barreled Weatherby Mark V:
150-grain Winchester Loads
150-grain Winchester jacketed soft point bullet, 51.0 grains of IMR 4064, no crimp, cartridge overall length 3.250 inches, Fiocchi large rifle primer, inconsistent bullet height cannelure
Min velocity: 2861.7 fps
Avg velocity: 2891.8 fps
Max velocity: 2909.8 fps
Extreme spread: 48.1 fps
Standard deviation: 15.9 fps
150-grain Winchester jacketed soft point bullet, 51.0 grains of IMR 4064, no crimp, cartridge overall length 3.250 inches, Fiocchi large rifle primer, screened for consistent bullet height cannelure
Min velocity: 2902.9 fps
Avg velocity: 2912.5 fps
Max velocity: 2933.1 fps
Extreme spread: 30.2 fps
Standard deviation: 10.0 fps
130-grain Hornady Load
Load: 130-grain Hornady jacketed soft point bullet, 53.0 grains of IMR 4320, no crimp, cartridge overall length 3.095 inches, Fiocchi large rifle primer
Sue and John Paul started the Warhawk Air Museum in 1989. It contains aircraft, automobiles, aircraft engines, automobiles, guns, and other things from World War II, Korea, and Vietnam. For us, it was our eighth Idaho stop and only our third day in Idaho. We were covering a lot of ground.
Aircraft
The Warhawk Museum had a bunch of aircraft both inside the hangar and parked outside on the tarmac. I love these kinds of places and I love these vintage airplanes, partly because they photograph so well but mostly because of what they represent. We were taking in military history and I was loving it.
The Warhawk has a beautiful, jet black, Vietnam-era Huey helicopter. I spent some time when I was in the Army flying around on Hueys (not in Vietnam, though). My time in the service was fun. I enjoyed the Huey rides, especially when the doors were open and the pilots flew low level. Cue in Ride of the Valkyries.
Engines
The Warhawk Museum displays an impressive collection of piston and jet engines. The old radials, in particular, were amazing. As an engineer and as a motorcycle guy, the radials spoke to me. But they were all nice to take in. Mechanical stuff is just so much more intuitive and easy to understand than electronics or software. I can look at mechanical things and comprehend how they work; I could never do that with electronics or software.
Automobiles
Who doesn’t enjoy vintage automobiles? I’ve probably done a dozen or more blogs on vintage automobiles in various museums around the country and I never get tired of seeing them. The Warhawk Museum had several vintage cars, and several more military vehicles.
Other Interesting Stuff
In between all the exhibits mentioned above (as well as many more Warhawk Museum exhibits that space precludes including), there wasn’t any wasted real estate. I’m only showing a couple of representative exhibits here on the blog, but there were many, many more.
The Warhawk Museum is located at 201 Municipal Drive in Nampa, Idaho, about 15 minutes from downtown Boise. It costs $15 to get in (and it may well be the best $15 you’ll ever spend). Vets, Seniors, and active duty military get a discount.
You can rent the indoor Museum display area for weddings and other events. My youngest daughter had her wedding at the Chino Planes of Fame Museum (a vintage aircraft museum) and it was an awesome event. These places make for cool venues; if I was a young guy getting married I’d consider it.
The Basque Museum is a small museum in downtown Boise. It covers the history of the Basque people in Idaho as well as other parts of the United States. We enjoyed our visit.
When I first moved to southern California in 1979, the Inland Empire (the area that stretches from Pomona to San Bernardino and maybe a little beyond) still had large wide open areas. You could still see shepherds with their multicolored coats, shepherd crooks, and sheep out in the fields that are now covered by cookie-cutter tract homes and shopping malls. Who are these people, I asked. Oh, those are the Basque shepherds, my coworkers at General Dynamics told me. You have to go with us to lunch at the Basque restaurant in Chino, they told me. I still had no idea or sense of who the Basque really were.
What I’ve since learned (amplified greatly by our visit to the Basque Museum in Boise) is that the Basque region includes several provinces in northern Spain and southwest France. The Basque have their own language (known as Euskera or Basque), and for a number of reasons (primarily related to economics, persecution, and politics), a large Basque diaspora created Basque communities in other parts of the world. One such community is here in southern California, another is in the Boise area. In fact, the Boise area has the largest concentration of Basque people in the United States. The Basque country in Europe has a coastline, fertile areas for farming, and good grazing lands for sheep. This led to a unique Basque food culture.
The Basque in Idaho also enjoyed a connection to Ernest Hemingway. Hemingway became aware of the Basque in 1923 while he was a Toronto Star reporter writing about the Festival of San Fermín in Pamplona (that’s the famed running of the bulls). In his first novel, The Sun Also Rises, Hemingway also wrote about the festival. It was one of Hemingway’s earliest writings showing an appreciation for the Basque culture, which emerged in his later writings in Cuba and Idaho.
The Basque Museum is a worthwhile stop. It’s located at 611 West Grove Street in Boise, and it’s open Tuesday through Saturday.
Caldwell makes several different models of forward rifle rests. The one that makes the most sense to me is the Caldwell Rock Deluxe Shooting Rest. It has what I want in a rifle rest and at $102 it is reasonably priced (as much as anything can be considered reasonably priced in our inflationary times). It includes the forward rifle pad and it is adjustable for height, tilt, and squeeze on the pad. The features are explained in the photos below.
About the only thing I don’t like about the Caldwell Rock Deluxe Shooting Rest is that the cushion lining will peel off with continuous use. It’s not a big deal and Caldwell sells replacement cushions. Or, you could just cover the worn area with duct tape, which is what I will probably do at some point. The amount of wear you see on mine (in the photos above) has remained relatively stable for a couple of years now, so maybe it won’t wear anymore.
If you purchase the Caldwell Rock Deluxe Shooting Rest on Amazon, be careful to make sure that you order what you see here. When writing this blog, I noticed that Amazon has an error in their ad for The Rock Junior, which is a smaller and less expensive model. In the Amazon ad, they show the Caldwell Rock Deluxe Shooting Rest, but what they describe (and what they have for the price) is actually the lower tier Rock Junior.
I’ll write about two Caldwell rear rifle rests here. The first is the Caldwell Rear Shooting Bag, which is the lower of the two rear rests I’ll describe here. I’ve mostly used this one until recently, when I bought the other model (and I’ll get to that in a second).
The problem with this version of the Caldwell Rear Shooting Bag is that it is too low. One option is to lower the Caldwell Rock Deluxe to bring the rifle back on target, but that means you have to get all scrunched up leaning down on the bench (something that adversely affects accuracy for my shooting). The other approach is to put a block under the Caldwell Rear Shooting Bag (I use an empty 100-round MTM .45 ACP ammo container). That gets the Caldwell Rear Shooting Bag to just the right height for me and it makes for a more comfortable bench rest shooting position.
The Caldwell Rear Medium High Bag gets the rifle up to a comfortable level for bench rest shooting. In fact, the height is about the same as the Caldwll with a block beneath it, as I described above. I ordered it because I saw some of my bench rest buddies using it at the West End Club and I thought it would be more stable than the Caldwell Rear Shooting Bag with an empty ammo container underneath. But the jury is still out.
So far, I found I can shoot tighter groups using the Caldwell Rear Shooting Bag with an empty ammo box than I can using the Caldwell Rear Medium High Bag. I think there’s two reasons for that. The first is that the Caldwell Rear Medium High Bag, as delivered, is (in my opinion) overstuffed with filler beads. Its bottom is not flat, and I found my rifle wants to roll either left or right, requiring me to hold it where I want it (which induces a bit of unsteadiness. I suppose I could let some of the Caldwell Rear Medium High Bag filler material out to get it sit flat on the bench, but I haven’t gotten around to doing that yet. The other thing I don’t like is that the Caldwell Rear Medium High Bag has a larger footprint than the Caldwell. When I shoot off the bench, I wrap my left arm around the base of the rear rest. I find that it’s easier to to that with the Caldwell Rear Shooting Bag and an empty ammo box than it is with the Caldwell Rear Medium High Bag. That’s just me; your mileage may vary.
If you own a Mini 14 (or any semi-automatic rifle) and you go to the range, you need a Caldwell Brass Trap. Especially with a Mini 14; they throw brass far enough and hard enough to dent cars. Don’t ask me how I know.
You’ll need to have some kind of a clamp to secure the Caldwell Brass Trap to the shooting bench. I bought the one you see here on Amazon. They were three to a pack. I’ve only ever used one.
There are two things I don’t like about the Caldwell Brass Trap. Sometimes the brass being ejected bounces off the heat resistant netting and gets flung forward of the firing line. This happens maybe 5 percent of the time. It’s not a big deal; I just wait for the next line break to retrieve my spent brass. The other thing I didn’t like is those clamps make it easy to store the Caldwell Brass Trap out of sight and out of mind. I clamped my first Caldwell Brass Trap to one of the 2x8s that run across the ceiling of my ammo factory (i.e., my garage). One day when I was going to the range with my Mini 14, I looked all over for the Brass Trap and couldn’t find it. Now I have two. Wouldn’t you know it? The day the second Caldwell Brass Trap arrived from Amazon, I looked up in my little ammo factory and saw the first one.
So how did I do with the GSR and the Mini 14 the day before I wrote this blog? Just so so. Some days you get the bear and some days the bear gets you. But I still had fun. Every day on the range is a good day for me, and if you’re reading this, it probably is for you, too.
Our Idaho exploration continued with a visit to the Idaho Military Museum, which near Boise’s airport. The Museum is small but intense, with a single large room containing many exhibits, and an outdoor area containing armored vehicles and aircraft. I think the best way to present this story is with captioned photos. Have fun reviewing them; I sure had fun taking them.
The Idaho Military Museum is located at 4692 West Harvard Street in Boise. Admission is free. Plan on spending an hour or two there; it’s a great stop on any Idaho excursion.
Mecum’s Monterey Auction to Feature Exceptional Classic Motorcycles
Estimated 100 Classic, Collector and Racing Motorcycles to be Offered August 15-17.
Walworth, Wis. – July 30, 2024 – Bikers, history buffs and lovers of two-wheeled machines will want to make the trip to Monterey, California, for Mecum’s annual auction in the famed peninsula region during this year’s celebrated Car Week. In addition to the high-end selection of 600 classic and collector vehicles set to cross the Mecum auction block at the Hyatt Regency Monterey Hotel and Spa on Del Monte Golf Course Aug. 15-17, Mecum will also present a wide-ranging assemblage of approximately 100 historically significant motorcycles led by a very rare and unique 1957 Triumph Model Twenty-One.
As the nation’s leading seller of vintage, antique and collectible motorcycles and the host of the world’s largest vintage and antique motorcycle auction held annually in Las Vegas each January, Mecum presents motorcycle selections at every one of its many annual auctions held at locations around the country and is proud to bring the best selection of bikes to the Monterey region during Car Week year after year. Notably for motorcycle enthusiasts and collectors, the 2024 auction will boast one of the most impressive Monterey motorcycle lineups to date.
The 1957 Triumph Model Twenty-One (Lot T45), which leads this year’s motorcycle selection, boasts status as the very first unit-construction Triumph twin ever delivered and wears serial identifier H1. It was unveiled to the public in Amsterdam at the 1957 RAI exhibition—an event that dates back to 1893 when it was started as an association for the bicycle industry—as the first motorcycle to wear the “bathtub” rear body covering, meant to protect the bike/rider from the elements and modernize its appearance. Today, the historic machine features a restoration completed by marque specialist Kevin Giles of Pearland, Texas, which was completed in 2022, and it is being offered with its original Dutch registration dated April 5, 1957.
Several motorcycles will also be offered from the personal collection of Brad Lackey, winner of the 1982 500cc World Motocross Championship and American Motorcycle Association (AMA) Hall of Fame Inductee. After retirement from the race track, Lackey excelled in the collecting and restoration of historically significant and race-winning machines, and he’ll be presenting five of his finest at the Monterey auction. The selection ranges from a trio of Bultaco singles to a 1982 Kawasaki SR250 (Lot S145) that is one of only three true factory works motorcycles hand built by Kawasaki in Japan for the U.S. factory race team, and it today boasts a restoration by factory Kawasaki mechanics.
No motorcycle auction would be complete without a Harley-Davidson in the mix, and Monterey has an exceptional one in store: Jimmy “Daredevil” Washburn’s 1932 Harley-Davidson VL Stuntbike (Lot F10.) The famed performer and Evel Knievel of his day purchased this bike new and employed its use throughout his 28-year career.
Consignments are still being accepted for the Mecum Monterey 2024 auction, and bidder registration will remain open through the duration of the event. For more information on Mecum Monterey 2024 and all other scheduled Mecum auctions, visit Mecum.com or call (262) 275-5050.
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Mecum Auctions
Communications Department
Breeann Poland
bpoland@mecum.com
More info on the cars and motorcycles up for auction is available here. It’s worth a click just to see the photos!