Feel Good Stuff – The ExhaustNotes Blog

ExNotes Review: Shooting Iron

By Joe Berk

Mike Venturino was one of the greatest gun writers who ever lived. Whenever I’d see his byline in a gun magazine, I would carefully read every word in the accompanying article. He was a guy who wrote about things that exactly matched my interests: Handguns, rifles, military surplus weaponry, reloading, reloading for accuracy, and more. His style was relaxed and friendly, and his writing was easy to follow and understand. I felt like I knew the guy, even though we had never met. His writing style, I’m sure, influenced mine.

Mike Venturino passed away recently, and FMG Publications assembled a collection of his articles originally published in American Handgunner magazine. As soon as I heard about Shooting Iron, I ordered a couple of copies on Amazon (one for me, and one for a good friend). If you like good writing, good storytelling, and all things firearms related, I think you should pick up a copy, too. You can order Shooting Iron here.

As I read through Shooting Iron, I came across two descriptions in which Venturino described blowing up a 9mm handgun. You may recall that I did the same, and I shared that experience with you here and here. Based on what Venturino wrote and what I experienced, I am rethinking my 9mm 1911 Springfield blow up. I previously concluded that I must have had a double charge in one of the cartridges (particularly because I was using a new turret press). Now I am thinking that wasn’t it at all, but it was instead the bullet being pushed back into the case. This is based on the following:

- I was using powder coated Gardner bullets, which are very slippery. It’s would have been easy to push one of them back into the case if the crimp was not strong. I don’t know if I had a really tight crimp when I loaded the round that burst. I use a very strong crimp now. Back then, I don’t know if I did.
- I checked about 1500 cartridges after that event (ones I had previously loaded but not fired) by pulling them apart and examining the charge. None were double charged. That doesn’t prove I didn’t double charge one, but it suggests it was unlikely.
- In reading the articles in Shooting Iron, I found where Venturino describes the 9mm bullet pushback phenomenon in two places (when you buy your copy, take a look at Pages 32 and 63). On Page 32, he describes this having occurred with a 9mm round, and he shows a burst case that looks just like mine. He further describes this episode with “,,,the escaping gas spitting (he probably meant splitting) the two grip panels and stinging my hand.” That’s precisely what I experienced. On Page 63, Venturino shows a burst case that looks like my case. I don’t know if the two instances described in the book are the same event. They both sound like what I experienced.

The bottom line is I don’t know exactly what happened when I blew up my 9mm 1911 and I never will. But after reading Mike Venturino’s Shooting Iron experiences, I am more convinced it was a bullet being pushed back into the case. In either event (bullet pushback or a double charge), I’m guilty of careless reloading, but somehow messing up on the crimp makes me feel less dumb than double charging a case. And I especially feel less dumb knowing that one of my literary heroes (Mike Venturino) did the same thing.

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Too Pretty To Fight?

By Joe Berk

The Harley WLA at the National Infantry Museum was a lot prettier than any other WLA I had ever seen, but I wasn’t impressed. It was way over-restored, finished in gloss OD green (something I had never seen on a WLA before). I couldn’t find anything in my research to show that any World War II Harleys might have had such a paint treatment. I found a reference that indicated Army administrative vehicles were sometimes painted gloss OD, but nothing about motorcycles.

Fancy leather. I doubt anyone ever sat in this saddle.

I once saw General William Westmoreland’s Cadillac Sedan de Ville in Washington, DC, and it was gloss OD. But WLAs had been out of service long before that, and in any event, when I spoke with General Westmoreland he didn’t mention anything about riding motorcycles. If anyone out there knows anything about WLAs with glossy paint, please leave a comment.

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An XR1000 Barn Find!

By Joe Berk

Boy oh boy oh boy! Talk about an interesting barn find! We all have regrets filed under “I shoulda bought that when I had the chance,” and in my case, one of those items is the Harley XR1000. I did a Dream Bikes feature on it a ways back, and as soon as I did, Joe Gresh let me know that he had been planning to do the same (I beat him to it).

I always thought the Sportsters had a cool look, and to me, the XR1000 was cool raised to an exponent. It did what it was supposed to in my mind: It evoked images of Bart Markel drifting around a half mile dirt track (which I actually saw many times at East Windsor Speedway when I was a teenager), and it made me want to be that guy.

On a whim, I typed “XR1000 for sale” on Google, and this popped up. Wow, talk about a barn find!

The ad text says it all:

2,486 ORIGINAL MILE INCREDIBLY ORIGINAL BARN FIND!!! Untouched “barn find” condition very original XR1000 in absolutely amazing condition! Although I am using the term “barn find,” this bike was properly stored in an attached climate controlled garage after being completely serviced and prepared for long term storage, including cylinder fogging, fuel draining, oil change, battery removal, and a full check over and service including: head and valve spring check by the Harley-Davidson dealer race program lead technician (back in the day), fork seals, brake fluid, chain lube, etc. We have tested all non-running systems including front and rear brakes, turned over the engine, lights, starter operation, horn, tires holding air, suspension compliance, etc. and confirmed all to be in proper working order. If the new owner would like us to fill the fuel tank and get the bike running, we would be happy to do that as well, or we will leave it as it is in “barn find” condition. It is up to the buyer’s preference. The condition of all the paint, chrome, and metal is excellent with only dirt and dust covering, no corrosion. The only slight surface corrosion I see is limited to the exhaust heat shields only and could easily be remedied. The rest of any “rust colored” things you may see is simply dirt that I have confirmed in a couple small spots will clean off. Of course, I can’t say the bike will look like brand new with a simple wash after sitting for 20 years, but I am saying the chrome and trim IS NOT corroded. The bike does come complete with 2 keys (one ORIGINAL Harley key), books and manuals, and some records from the Harley Dealership when it was gone through and fully serviced and readied for storage in 2005. The bike also comes with the original longer black mufflers, while the optional accessory shorter less baffled mufflers are currently installed on the bike. We purchased the bike directly from the previous older collector owner as part of a seven Harley-Davidson collection and rolled it out of his garage into our enclosed trailer and brought it here for inspection. I have described everything to the best of my ability and provided lots of detailed photos and information for your consideration. Please feel free to contact Jason for any intelligent unanswered questions if you are interested in purchasing the bike. Without a doubt an incredibly rare opportunity to own a piece of Harley-Davidson history, and the only one like it for sale nationwide.

Wow! Somebody buy this before my “Want” overcomes my “Need.” Will it get away? Man, $27K sure is a lot of money. But how much is $27K these days of $4/gallon gasoline and runaway inflation, anyway?

Like I said: Wow! Will there ever be another opportunity like this?

Check out these photos of this incredible find:

A special thanks to Jason for allowing us to use these photos and the description above. You can reach Jason at The Auto Livery (telephone 513-738-1115).

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Zed’s Not Dead: We Get It Right The Tenth Time

By Joe Gresh

I like to think of myself as handy with a wrench. I try to fix most things even if I have no clue and oftentimes succeed. This Kawasaki 900 though, this Zed has been giving me fits. It almost makes me question my do-it-yourself mantra. Almost…

After initially getting Zed running a few years ago I enjoyed 4000 relatively trouble-ree miles. Zed had a slight hitch in its giddy-up right off idle but otherwise it ran fine. Then the bike started fouling spark plugs and missing. Occasionally gasoline would pour out the carb overflow tubes and a sharp rap with a screwdriver handle was needed to stop the flow.

So my first line of attack was the float needles because they were original and came out of corroded carbs. I went online and bought some cheap carb kits that included needles and seats.

Setting float height on carbs using plastic hose screwed into float bowl drain.

On a 1975 Z1 Kawasaki the carbs sit up high off the engine block so you can do a lot of tinkering without removing the carb bank. I changed all the needles and set the float height using the clear tube tool that screws into the carb bowl drain.

This didn’t really cure anything. Plugs were still fouling. I started to suspect an ignition problem. After messing with the points and several test runs I was getting nowhere so I purchased a new, aftermarket ignition system. They’re cheap, like $90 or so.

Carbs removed from Zed. A scene I got accustomed to. After the 4th round trip I decided to look elsewhere.

The new system came complete with new coils and wires. This was nice as the old coils were butchered by the previous owner. I installed the new ignition system and the bike still ran terrible and fouled plugs.

I rechecked the aftermarket floats and upon examination I found the needle seats miss-punched with what looked like lettering for the needle size. This caused a wrinkle in the exact spot the needle needed to seat.

.030 tool for setting baseline carb slide height.

Next, I bought new Mikuni needles and seats. I put the Mikuni stuff in and re-set the float levels. The bike ran like crap and foiled the plugs. At least I knew the ignition system was ok.

I was at my limit of understanding, my attention went back to the carburetors. I pulled the carbs, dismantled them and cleaned everything.

Zeds carbs sat like this for 2 years. I was befuddled, vexed, stressed right the “F” out.

I bought another, more expensive carb kit and new Mikuni enrichener plungers. The carbs were in a million pieces on my bench and I lost interest. Other things were happening, concrete need pouring and the carbs gathered dust for two years.

A few months ago I decided to get Zed running for the Motorado vintage motorcycle show up in Santa Fe, New Mexico. Buckling down, I reassembled the carbs and using new rubber manifolds (the others had dry rotted in only a few years!) I slid the carbs back into Zed and the bike ran like crap, still fouling plugs.

I couldn’t get the bike running well enough to sync the carbs. A bad condenser was messing up two cylinders.

I took the carbs off the bike and went through them again making sure everything was spotless. And the bike ran like crap. Again, I took the carbs apart racking my brain over the flooding issue. And the bike ran like crap. I changed jets, I changed float heights, I swapped pilot air jets, I swapped emulsion tubes. The third time I took the carbs apart and triple checked everything the bike still ran terrible.

I was in the weeds bad-like and decided to think hard on the situation. I told myself that carbs aren’t all that complicated and that even if I didn’t get them perfect it should still run. And that the bike ran fine for 4000 miles with those carbs. That was when I decided to go back to the new ignition system.

One of the new points had a whitish coating. I thought maybe the bike sat so long the points corroded. Then inspiration hit me: the condensers! I checked the condensers with an ohm meter and found one of the two condensers bad.

I had started with one problem: fouling plugs and by using aftermarket needles I installed a worse set of needles. By removing the original ignition system I installed an entirely new problem with the bad condenser.

These two errors were compounded by my inability to believe that the new parts were bad out of the box so I kept rebuilding the carbs over and over.

The condensers on the old ignition system tested ok and I swapped them into the new plate. And the bike ran. Not perfectly because I had all the jets wrong in my attempts to make the bike run.

I walked the carbs back to their original settings. First the old slide needles and emulsion tubes went back in. Then the main jets, then the pilot jets until finally everything was back to where I started from two years ago.

Zed was running pretty good so I took a little 300 mile test loop. No fouled plugs. Stupid hurts and I was so damn stupid chasing gremlins that I was creating even as I was installing new gremlins.

Home built replica of the official Kawasaki carb sync tool.

Next up is a good carb sync and since parts are so crappy now I will try an electronic ignition system just for fun because I haven’t screwed things up enough yet. Stay tuned.

New electronic ignition. Only $68 on Amazon. Cheaper than points! What could go wrong?

Want to follow the initial resurrection of Zed? It’s right here!

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Shinya Kimura at the Harley Museum

By Joe Berk

Astute readers will remember our post on Shinya Kimura, an artist who works with metal and motorcycles to create motorcycle art. I was both pleased and surprised to see one of his creations at the Harley Museum during our recent Milwaukee content safari.

“Spike,” Mr. Kimura’s custom Knucklehead, was in a Harley museum hall that focused on custom motorcycles, and even before I saw his name, I knew whose work it was.

I believe “Spike” is the very same motorcycle featured in this video:

The Shinya Kimura shop, located in Azusa, California (not far from CSC Motorcycles) is one of the more interesting places I’ve ever visited. I think you would enjoy it, too, although it is not open to the public. I was there on business reasons, and I captured some great photos. If you have a chance, check out our earlier blog.

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Krabi, Thailand

By Mike Huber

After 5 weeks on Koh Tao it was time to move on to explore more of Thailand. I was becoming complacent and really had a lot more to experience in Thailand before my visa expired. Being comfortable in one place was a new feeling for me, and although it was a wonderful feeling it also meant that I wasn’t growing, which was a huge part of undertaking this journey. There was a lot of Thailand I hadn’t explored yet, but I wasn’t up for a flight. So, after talking with others the city of Krabi kept coming up as a place of beauty. So Krabi it was.

Krabi is a rather large city and after having recently spent two weeks in Bangkok, I was really done with large cities. As with most cities you really cannot absorb the full culture there. Yes, there are museums, temples, and other tourist attractions, but to fully feel the true heartbeat of a region you need to travel off the beaten path, which in most cases means meandering around the countryside.

Ao Nang is the “countryside” of Krabi, and although Ao Nang wasn’t that far off the beaten path, it was near the Andaman Sea. There is easy access to ferries that could bring you to any number of islands quickly. This would make for a perfect base for a week in order to partake in island hopping day trips and even an overnight trip to Railay Beach.

Railay Beach wasn’t an island, but a remote peninsula that was only accessible by long tail boat. Just a 15-minute boat ride and you were on what felt like on another planet. The beach was beautiful with crystal clear waters around limestone mountains that popped out of the ocean in every direction. There were monkeys running around and even parrots in the trees above me. The people here were on island time; there was no rush or hurry to do anything. Railay Beach was the perfect place to watch the sunset while drinking a cold Chang beer listening to a local play classic rock tunes in a smoky bar while people sat almost invisible in the far back on cushions enjoying their mushroom shakes with neon paintings glowing to guide the journeys they were on. It was really a unique place, and for me to be saying that means a lot.

The remainder of the time in Krabi I spent on the beaten path joining in tours of the many islands. The days were lazily spent snorkeling, sunning on the white sands, and embracing the emerald-green waters. Ao Nang is yet another location on this trip where I seemed to continually extend my hotel stay day by day until I realized a week had passed and it was now time to move on to the next adventure. My urge to leave was fueled by my new hobby of scuba diving. Once again it didn’t take too long to decide my next destination: The Phi Phi Islands.

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A Stag Film?

By Joe Berk

For a guy who doesn’t collect knives, I sure seem to have a lot of them laying around. The one you see above came to me as part of what is perhaps the greatest sales gimmick of all time: The “$100 Ships Free!” offer.

You know, the MidwayUSA.com come on…orders over $100 ship free. I ordered a Safariland 1¾-inch wide belt in a smaller size because I lost weight, I got down to the last belt buckle hole on my old Safariland belt, and my pants were still loose. The new belt was $71 (a lot, I know, but it works well when carrying concealed and Safariland makes a very high quality item). If I could kick the order over $100 the belt would ship free. Shipping if I didn’t make the $100 hurdle was $15. So this Uncle Henry knife popped up, and it was like getting the knife for half price, because it ordinarily cost just over $30.

Bam! Add to cart. A no brainer, if ever there was one.

The knife is a Schrade, part of their Uncle Henry line. I don’t know if that means it’s good or not so good. I couldn’t find anywhere on the knife that says it’s made in China, but I guessed that it was. A quick Google check confirmed it. That’s not a bad thing, though. The knife appears to be well made. A lot of things that are made in China are good.

The Uncle Henry knife came with a sheath and a tiny sharpening stone in another piggy-backed sheath (the idea being that you’ll always have a way to sharpen your knife), not that I’ll ever use the sharpening stone. The stone is small enough that I could see myself slicing my hand open trying to hold it.

The Stagalon grip material is some sort of plastic that is supposed to look like, you know, stag. That’s okay by me. For just over $30, I wasn’t expecting real stag. I wasn’t expecting the Stagalon to look as good as it does, either. That was a nice surprise. Stagalon. I guess I could make a video of the knife and call it a stag film. Maybe just saying stag film will result in a lot of hits. Do they still call them stag films these days, or is that no longer politically correct?. Isn’t that terminology kind of insulting to all the deer out there sweating out this hunting season? Anyway, to get back to Stagalon, the handle doesn’t quite match the look and feel of real stag, but it is kind of cool and it is nice.

I’m not sure what I’m going to do with my Uncle Henry Stagalon knife, other than look at it for awhile and write a blog about it. If I was a camper I suppose I could wear it in the woods, but I don’t camp much these days (in my golden years, I find I like motels a lot better). No, this knife will go on the shelf, along with a bunch of other “$100 Ships Free!” knives. It is kind of cool, though.

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A.J. Baime’s WSJ Enfield Piece

By Joe Berk

A.J. Baime writes a weekly “My Ride” column for the Wall Street Journal. It’s something I greatly enjoy. The stories are always interesting. Most of the time, the Baime columns are about cars. This week’s piece was about a motorcycle; to be specific, a 650 Royal Enfield twin. That’s a marvelous motorcycle. I know. I ride one. Mine is the orange one you see above.

Marc Forgione on his Royal Enfield 650 INT in New York City.

This week’s story was about a chef (Marc Forgione), a man who owns three restaurants in New York City. Mr. Forgione appropriately concluded that a motorcycle is a great way to navigate New York City’s traffic and parking challenges. I think that’s pretty cool. New York law does not allow splitting lanes, but my guess is that Forgione is a well-known guy and local police officers look the other way (Lord knows they have enough real crime on their beats). Lane splitting is legal here in California and I do it all the time. It really makes a difference in getting through congested areas; it was a way of life for us in Colombia and China.

Mr. Baime, our compliments on your Wall Street Journal column, and especially on the one you wrote for yesterday’s edition.

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The Sopranos: The Final Scene

By Joe Berk

Very few (if any) final scenes have sparked as much discussion and controversy as the final Sopranos scene. Tony Soprano and his family are meeting for dinner at Holsten’s in Bloomfield, New Jersey, the fictional mob wars between the New York and New Jersey families have ended, and we think all is well. Their favorite local restaurant is Holsten’s, which Tony mentions in the series. Is it a real place?

Absolutely. And it’s good. We found Holsten’s and had lunch there (it’s at 1063 Broad Street in Bloomfield, New Jersey), and I was surprised. The place has to be the most famous small local restaurant in the world, and you’d think with the kind of publicity they’ve had, they wouldn’t be very good. People from literally all over the world (more on that in a minute) find their way to Holsten’s. But it is good. Very good, in fact. More on that in a minute, too.

I was able to park directly in front of Holsten’s, and as I was getting out, I noticed a young couple scrambling to cross the street and get into the restaurant. I had an idea why, so I slowed down a bit.

Okay, to make what I’m going to show you make sense, I need to tell you a bit about that last scene up front. In the photo below, there are three Holsten’s locations you need to know about. The photo below shows them as you enter the restaurant.

As you enter Holsten’s, there’s a long lunch counter and booths at the back of the restaurant. Arrow B points to where the likely hitman initially sat. Arrow A points to the small hallway that leads to the restrooms, where the shot that took out Tony was fired from. Arrow C points to the booth where Tony sat, enjoying his onion rings, when he got whacked.

That young couple racing to get into the restaurant? I was right. They were hustling to grab the booth all the way in the back, where Tony, Carmela, and AJ sat. In the Sopranos scene, Tony was flipping through the mini-jukebox on the table. Today it’s the only table in the restaurant that has that little jukebox. They used to be at every table in any New Jersey diner. Notice the sign denoting the booth, too.

We sat one booth up from the Sopranos’ booth and we started talking to the young couple I mentioned above. They were doing the same thing we were: hitting locations that appear in different Sopranos episodes. Sue told them we were from California. They told us they were from (get this) Poland! Yep, they flew all the way from Poland to do what we were doing. These folks were serious Sopranos fans. Check out his tattoos:

This is beyond being a mere fan, I think.

Impressive. Christopher, Tony, Silvio, and Pauly. And before you ask: Yes, I know these are fictional characters.

You no doubt realize by now that I am a serious Sopranos fan. But I don’t have any tattoos denoting any of the characters in The Sopranos, and I have no plans to get any.

We had a lunch, and (as mentioned above), it was surprisingly good. I had a tuna melt. We ordered a plate of onion rings. Just minutes before he got whacked, Tony Soprano said they were the best onion rings in the state. I’ve sampled a lot of onion rings in New Jersey, and I think he was right.

The menu was simple. Our lunch selections were excellent. The people from Poland thought so, too.

We left feeling pretty good. I grabbed one more shot with my cell phone.

A parting shot: The Holsten’s storefront.

About that last scene: The audience never does find out exactly what happened. Tony looks up as Meadow (his daughter) is entering the restaurant, and the screen and the sound suddenly go to a silent black. Most people thought their TVs had gone out. I did. Then the credits start rolling by, and we realized that one of the best series ever, all six seasons of it, were over. It was brilliant.

Take a look, remembering the locations I pointed out in that photo above.

The Sopranos ExNotes Wrap Up (for now)

Well, sort of. I’m not entirely done with The Sopranos. This is the fourth (or maybe fifth) one of our blogs on The Sopranos, and I don’t have any more planned until the next trip back to the Garden State. About that “maybe fifth” business: One of The Sopranos episodes takes place in the New Jersey Pine Barrens. I rode the Pine Barrens when I did the piece on Jerry Dowgin’s Honda 305 Scrambler (rest in peace, Jerry). The Sopranos episode didn’t actually take place in the Pine Barrens, as anybody knows who’s ever been there (it was filmed in a forest somewhere in New York, and they didn’t even have pine trees). Parts of that episode were funny as hell, though, as you can see in this clip:

The other three Sopranos blogs we’ve done recently are:

Please let us know if you enjoyed our Sopranos sojourn. Leave a comment below and let us know what you think.

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The Harley-Davidson Museum

By Joe Berk

I’ve been a motorcycle guy nearly all my life and I’ve owned several motorcycles. Only two of them were Harleys; the first was beautiful but terrible in many ways (a ’79 Electra Glide Classic). The second was beautiful and it was a great machine (a ’92 Heritage Softail). I think Harley’s styling on past models has been awesome. Bottom line? I’m not a Harley fanatic and I’m not a hater. It’s not likely I’d ever buy another Harley, unless I came across a cheap XR-1000 (and that’s probably not in the cards). All that said, I can tell you that the Harley-Davidson Museum is the best motorcycle museum (and maybe the best anything museum) I’ve ever visited (and I’ve visited a lot of them).

First, a bit of logistics about the Museum and our upcoming blogs. We were in Milwaukee specifically to visit the Museum along with a few other Milwaukee highlights. The Harley Museum is too much to take in with just a single visit, and it is definitely too much to cover in a single blog. Our Milwaukee schedule allowed only one Harley Museum visit, but I’ll cover it in three or four blogs. This is the first.

Sticking to the logistics for a moment, the Museum is easy to get to. Plug it into Waze and you’ll drive right up to their front door. There’s plenty of parking, and we snagged a handicap parking spot right at their front door (my handicap tag is the silver lining to a 2009 motorcycle accident). We visited the Museum on a weekday, so it was not too crowded. I’m guessing that’s not the case on the weekends.

Admission is reasonable at $24 per person; for us it was a little less because we qualify for the geezer discount (that knocks it down to $20 per person). Knowing Harley’s customer base, I think a lot of folks get in for $20.

The interior lighting was subdued. Flash photography is allowed, but it’s hard to get decent photos with flash. Nearly everything you see here is with ambient lighting. I had to crank up the Nikon’s ISO, so you may see some graininess in my photos. Mea culpa.

The Museum has three floors, and the building is huge. There are several permanent exhibits and a few special exhibits (ones that change from time to time). The exhibits (both permanent and special) include:

- - Motorcycle Galleries.
  - Mama Tried.
  - Mi Papi.
  - The Engine Room.
  - The Archives.
  - Military Motorcycles.
  - Clubs and Competition.
  - The Tank Wall.
  - Art and Engineering.

Motorcycle Galleries

The Motorcycle Galleries are on the first and second floors, and they dominate the Museum. The Motorcycle Galleries is an appropriate name. The first part is a 180-foot, three-motorcycle-wide display of motorcycles from Harley’s first 50 years, starting with their very first model. The second part features later Harleys.

It was a well assembled exhibit and the motorcycles are beautiful. As I walked the line and took in the motorcycles, I realized I had seen more than a few of these bikes in books. Seeing them in person was special.

Mama Tried

Mama Tried was a custom bike exhibit, containing all sorts of custom Harleys (not the wigged-out choppers you see at the motorcycle shows). I’m not sure what the name (Mama Tried) is supposed to mean, but I thought the exhibit was good. I was liked seeing the Knucklehead customized by Shinya Kimura, whom we’ve written about before.

Mi Papi Has A Motorcycle

You may remember that Joe Gresh wrote an ExNotes review a few years ago about the Spanish language kid’s book, Mi Papi Has A Motorcycle. The book impressed Gresh; apparently, it had the same effect on the Museum staff. There’s an entire hall with large storyboards taken from the book.

The Engine Room

The Engine Room was enlightening. I always found the history and names of Harley engines confusing. VL, UL, flatheads, you know…what do all those designations actually mean? I’m a mechanical engineer and I never could follow it all. The Engine Room made it all clear. We’ll have a future blog on it. This was one of the best parts of the Harley Museum.

The Archives

The Archives were something I’d read about before. An elevator takes you to the third floor. The archives are not open to the public, but you can peer in through a double wire fence. One of Elvis Presley’s motorcycles was near the fence.

Military Motorcycles

The Military Motorcycles exhibit features the Harleys used in World War II and it was the best exhibit of its type I’ve ever seen. This is a topic I’ve been interested in for a l0ng time, going back to before I wrote The Complete Book of Police and Military Motorcycles. There will be a separate blog on this exhibit. It was awesome.

Clubs and Competition

The Clubs and Competition exhibit features a board track with vintage race bikes and projected images of motorcycle racers (and accompanying engine sounds), vintage Harley hill climbers, and Joe Petrali’s land speed record Knucklehead. The Petrali streamliner was awesome.

The Tank Wall

The Tank Wall and the tank exhibits were intriguing. I’ve seen photos of it many times, but to see it in person had more of an impact. To me, the tanks and the engine are what make a Harley. It’s well done. I felt like a kid in a candy store more in this part of the Museum than anywhere else.

Art and Engineering

The Museum has a relatively new Art and Engineering exhibit, which is intended to show how art combines with engineering at Harley-Davidson. I was disappointed, especially because it was one of the main reasons I visited. I felt it was superficial and that it was basically a Harley-Davidson commercial, with almost nothing beyond a very light explanation of how Harley engineering is influenced by art. I get it; they go from sketches to clay mockups to metal, and they select colors along the way. Got it. They use CAD. Got it. Willie G is a wonderful human being, and so was an earlier designer/stylist named Brooks Stevens. Got it. I kind of knew all of that before I got on the airplane to go to Milwaukee (except for the part about Brooks Stevens; that was new to me).

When the motorcycling world discovered Willie G 50 years ago (in the days of the Super Glide, the XLCR Cafe Racer, the Electra Glide Classic, the Low Rider, etc.) there were lots of stories about how Harley went to motorcycle events and studied how riders customized their motorcycles. That was good stuff and those were good creativity inputs, but there was none of that in this exhibit. I was hoping to understand how Harley selected the style and the performance parameters for the new Sportster (a nice-looking motorcycle) and the Pan America (an ugly motorcycle, but all ADV bikes are), and maybe gain some insights into where Harley might go in the future. There was none of that.

I’m probably not a fair judge in this area. I taught engineering for 27 years at Cal Poly Pomona, I’ve had motorcycle engineering assignments related to Harley and other companies, and I wrote a book about engineering creativity. To be fair to Harley, they weren’t targeting retired engineering professors when they created the Art and Engineering exhibit. The exhibit had nice visuals, but for me it was devoid of any meaningful content. That said, we took in nine exhibits at the Harley Museum and only this one didn’t measure up to what I expected. The rest were all outstanding, and 8 out of 9 wins is a pretty good score in anybody’s book.

So there you have it: My Harley-Davidson Museum impressions. Sue and I had a good time. We were there for about three hours, but it would have been easy to spend the entire day. My disappointment in the Art and Engineering exhibit notwithstanding, I strongly recommend that anyone who rides or has even a passing interest in the American icon that is Harley-Davidson visit the Museum. It’s a bucket list destination. I’m glad I went.

At the tail end of our path through the Harley Museum, there’s an area with current model Harleys where you can sit on the bikes and take pictures. A nice guy from the Czech Republic offered to take a picture of Susie and me with my cell phone. It looks good. Our smiles are real.

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