Milwaukee’s Pabst Mansion

By Joe Berk

Last year, Susie and I took a trip to Georgia, Wisconsin, and Michigan.  It was fun.  We met with my former battery commander (with whom I served in Korea), we went to the Harley Museum in Milwaukee, we visited Green Bay and their fabulous Auto Museum, we stopped in at the Green Bay Rail Museum, we rode up to the Pictured Rocks National Lakeshore, we toured the Miller Brewery, and we hit a few other places (I’ll provide links for all these at the end of this blog).  We do trips like this to have fun and as ExNotes and Motorcycle Classics content safaris.  It’s fun.  I like to travel, I like to write, and I like taking pictures.  Yep, life is good, and what we do sure beats working for a living.

Susie is super good at finding places (usually ones I’d never heard of) wherever we wander, and one of them was the Pabst Mansion in Milwaukee.  This is an interesting story.  You probably know from the Miller Brewery blog we wrote last year that Milwaukee is America’s beer capital.  One of the early beer companies in America was Pabst.  The story goes like this:  Frederick Pabst came to this country from Germany as a 12-year-old boy (with his family) in 1848.  He started his working life as a cabin boy on the ships plying Lake Michigan and eventually worked his way up to captain.   He married Maria Best in 1857, which brought him into the beer business.  Maria’s father owned Best and Company, which at the time was the largest beer company in the country.   The Captain (as Frederick Pabst was known by that time) joined the beer biz in 1864, and through hard work (and an obviously smart choice in the matrimonial department) he soon became the top dog.  The Captain changed the company’s name to the Pabst Brewing Company in 1874.

The Captain commissioned construction of the Pabst Mansion in 1890.  It took a couple of years to build, but I think the wait was worth it.  This place is as grand as anything I’ve seen anywhere in the world.  Apparently, I’m not the only who felt that way; in 1908 the Catholic church’s Archdiocese of Milwaukee purchased the place.   Over the next seven decades, five Archbishops and more than a few priests and nuns lived there, too.   By 1975, the Archdiocese wanted out, and sold the property to Wisconsin Heritage, and outfit that offers tours and sells tickets.   That’s a good thing; the Pabst Mansion (prior to the sale) was going to be demolished and turned into a parking lot.  Just prior to the sale to Wisconsin Heritage, the Pabst Mansion was added to the National Register of Historic Places.

Once inside the mansion, we were blown away by its ornateness, the beautiful wood paneling, and the sheer luxuriousness of it.  As we went through the different rooms, I wondered what it must have been like for the Captain, and then all those archbishops, priests, and nuns to live here.  It must have been grand.

Living there must have been grand.  We had a fun time at the Pabst Mansion.  If you ever find yourself in Milwaukee, the Pabst Mansion is worth a stop.


The other blogs and magazine articles I mentioned that resulted from our visits to Georgia, Wisconsin, and Michigan?  Here they are:

Omer McCants (my battery commander in Korea)
The Harley Museum
The Harley Museum article
Green Bay and the Automobile Gallery article
Green Bay National Rail Museum
Pictured Rocks National Lakeshore
Miller Brewery


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It’s Miller Time

By Joe Berk

On our recent visit to Milwaukee, we visited the Miller brewery.  It’s in the center of the city, right on West State Street, nestled in the town’s hills.  Those hills will become significant in a moment when I tell you about the caves.

Our tour guide was a very energized guy.  I can’t remember his name, but I can tell you he made the tour come alive for us.  It was fun.

One of the first things our tour guide covered was the girl.  She was present in several stained glass windows and a few other places.

Our guide, that interesting guy a few photos up, explained her history to us.  The story goes like this:  A.C. Paul, Miller’s advertising guy, got lost in the Wisconsin woods (as in good and lost, at night, in freezing temperatures).  He had a vision of the Miller High Life girl you see above, perched on a crescent moon, pointing the way back to civilization.  That vision (in various forms) has been in Miller’s advertising and branding pretty much ever since.  Is it true?  Hey, it’s a good story and it’s got something to do with beer, so who cares?

The Miller company goes back a long way, and in the old days, they used to store newly-made beer in the caves adjacent to the plant in the hills on West State Street.  The advent of refrigeration made that unnecessary, but Miller still owns the caves.  They’re part of the tour, and if you have an event (a wedding, a party, a Bar Mitzvah, whatever) they make a hell of a venue.

The photos you see here didn’t use any flash.  I bumped the ISO up to 800.  That, along with my 24-120’s vibration reduction capabilities and a bit of post processing in PhotoShop created the images you see here.

Miller has also has a cool party place (you can also rent this as a venue) in the main building.   You can see that in the photo below.

Those glasses you see above were samples provided to us during the tour.  The ones you see above were Miller’s Killian Red label.   Folks, there were a lot of beer samples on this tour, starting with the very beginning of the tour in the Miller Visitor Center (it’s where I snapped that photo of the custom chopper at the top of this blog).  The samples weren’t small, either.  If you weren’t watching what you consumed, I imagine you could get a pretty good buzz on this tour.  Me, I was watching what I drank, and I didn’t finish any of the samples.  They sure were good, though.  Miller beer is awesome.

After the stop above, we entered the actual beer factory.  Our guide explained that folks are usually amazed when they see this part of the operation.  There were hardly any people working in the plant.

I wasn’t surprised at the lack of people; in fact, I would have been surprised if there were people there.  Beer production is a process-based industry, and most process-based industries are automated.  The days of the LaVerne and Shirley show are long gone in the beer business (that show featured two women who worked in a Milwaukee beer factory).

Back in the LaVerne and Shirley days, they could have been employed by any of several beer companies in Milwaukee.  Automation and consolidation changed all that.  Today, pretty much all the Milwaukee beer companies are part of the Miller empire.  Miller has something like 11 breweries across the country.  There’s one not too far from me here in southern California.  The regions they cover are divided geographically.  Our tour guide told us that the plant we were in covers the Midwest.  It produces 10 million barrels of beer annually, and 40% of the beer manufactured in the Milwaukee plant goes to just one city (and that’s Chicago).  Those Chicago boys like their beer, I guess.


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The Harley-Davidson Museum

By Joe Berk

I’ve been a motorcycle guy nearly all my life and I’ve owned several motorcycles.  Only two of them were Harleys; the first was beautiful but terrible in many ways (a ’79 Electra Glide Classic).  The second was beautiful and it was a great machine (a ’92 Heritage Softail).  I think Harley’s styling on past models has been awesome.  Bottom line? I’m not a Harley fanatic and I’m not a hater.  It’s not likely I’d ever buy another Harley, unless I came across a cheap XR-1000 (and that’s probably not in the cards).  All that said, I can tell you that the Harley-Davidson Museum is the best motorcycle museum (and maybe the best anything museum) I’ve ever visited (and I’ve visited a lot of them).

First, a bit of logistics about the Museum and our upcoming blogs.   We were in Milwaukee specifically to visit the Museum along with a few other Milwaukee highlights.  The Harley Museum is too much to take in with just a single visit, and it is definitely too much to cover in a single blog.  Our Milwaukee schedule allowed only one Harley Museum visit, but I’ll cover it in three or four blogs.  This is the first.

Sticking to the logistics for a moment, the Museum is easy to get to.  Plug it into Waze and you’ll drive right up to their front door.  There’s plenty of parking, and we snagged a handicap parking spot right at their front door (my handicap tag is the silver lining to a 2009 motorcycle accident).  We visited the Museum on a weekday, so it was not too crowded.  I’m guessing that’s not the case on the weekends.

Admission is reasonable at $24 per person; for us it was a little less because we qualify for the geezer discount (that knocks it down to $20 per person).  Knowing Harley’s customer base, I think a lot of folks get in for $20.

The interior lighting was subdued.  Flash photography is allowed, but it’s hard to get decent photos with flash.  Nearly everything you see here is with ambient lighting.  I had to crank up the Nikon’s ISO, so you may see some graininess in my photos.  Mea culpa.

The Museum has three floors, and the building is huge.  There are several permanent exhibits and a few special exhibits (ones that change from time to time).   The exhibits (both permanent and special) include:

      • Motorcycle Galleries.
      • Mama Tried.
      • Mi Papi.
      • The Engine Room.
      • The Archives.
      • Military Motorcycles.
      • Clubs and Competition.
      • The Tank Wall.
      • Art and Engineering.

Motorcycle Galleries

The Motorcycle Galleries are on the first and second floors, and they dominate the Museum.  The Motorcycle Galleries is an appropriate name. The first part is a 180-foot, three-motorcycle-wide display of motorcycles from Harley’s first 50 years, starting with their very first model.  The second part features later Harleys.

It was a well assembled exhibit and the motorcycles are beautiful.  As I walked the line and took in the motorcycles, I realized I had seen more than a few of these bikes in books.  Seeing them in person was special.

Mama Tried

Mama Tried was a custom bike exhibit, containing all sorts of custom Harleys (not the wigged-out choppers you see at the motorcycle shows).  I’m not sure what the name (Mama Tried) is supposed to mean, but I thought the exhibit was good.  I was liked seeing the Knucklehead customized by Shinya Kimura, whom we’ve written about before.

Mi Papi Has A Motorcycle

You may remember that Joe Gresh wrote an ExNotes review a few years ago about the Spanish language kid’s book, Mi Papi Has A Motorcycle.  The book impressed Gresh; apparently, it had the same effect on the Museum staff.  There’s an entire hall with large storyboards taken from the book.

The Engine Room

The Engine Room was enlightening.  I always found the history and names of Harley engines confusing.  VL, UL, flatheads, you know…what do all those designations actually mean?  I’m a mechanical engineer and I never could follow it all.  The Engine Room made it all clear.  We’ll have a future blog on it.  This was one of the best parts of the Harley Museum.

The Archives

The Archives were something I’d read about before.  An elevator takes you to the third floor.  The archives are not open to the public, but you can peer in through a double wire fence.  One of Elvis Presley’s motorcycles was near the fence.

Military Motorcycles

The Military Motorcycles exhibit features the Harleys used in World War II and it was the best exhibit of its type I’ve ever seen.  This is a topic I’ve been interested in for a l0ng time, going back to before I wrote The Complete Book of Police and Military Motorcycles.  There will be a separate blog on this exhibit.  It was awesome.

Clubs and Competition

The Clubs and Competition exhibit features a board track with vintage race bikes and projected images of motorcycle racers (and accompanying engine sounds), vintage Harley hill climbers, and Joe Petrali’s land speed record Knucklehead.  The Petrali streamliner was awesome.

The Tank Wall

The Tank Wall and the tank exhibits were intriguing.  I’ve seen photos of it many times, but to see it in person had more of an impact.  To me, the tanks and the engine are what make a Harley.  It’s well done.  I felt like a kid in a candy store more in this part of the Museum than anywhere else.

Art and Engineering

The Museum has a relatively new Art and Engineering exhibit, which is intended to show how art combines with engineering at Harley-Davidson.  I was disappointed, especially because it was one of the main reasons I visited.   I felt it was superficial and that it was basically a Harley-Davidson commercial, with almost nothing beyond a very light explanation of how Harley engineering is influenced by art.  I get it; they go from sketches to clay mockups to metal, and they select colors along the way.  Got it.  They use CAD.  Got it.  Willie G is a wonderful human being, and so was an earlier designer/stylist named Brooks Stevens.  Got it.  I kind of knew all of that before I got on the airplane to go to Milwaukee (except for the part about Brooks Stevens; that was new to me).

When the motorcycling world discovered Willie G 50 years ago (in the days of the Super Glide, the XLCR Cafe Racer, the Electra Glide Classic, the Low Rider, etc.) there were lots of stories about how Harley went to motorcycle events and studied how riders customized their motorcycles.  That was good stuff and those were good creativity inputs, but there was none of that in this exhibit.  I was hoping to understand how Harley selected the style and the performance parameters for the new Sportster (a nice-looking motorcycle) and the Pan America (an ugly motorcycle, but all ADV bikes are), and maybe gain some insights into where Harley might go in the future.  There was none of that.

I’m probably not a fair judge in this area.  I taught engineering for 27 years at Cal Poly Pomona, I’ve had motorcycle engineering assignments related to Harley and other companies, and I wrote a book about engineering creativity.   To be fair to Harley, they weren’t targeting retired engineering professors when they created the Art and Engineering exhibit.  The exhibit had nice visuals, but for me it was devoid of any meaningful content.  That said, we took in nine exhibits at the Harley Museum and only this one didn’t measure up to what I expected.  The rest were all outstanding, and 8 out of 9 wins is a pretty good score in anybody’s book.


So there you have it:  My Harley-Davidson Museum impressions.  Sue and I had a good time.  We were there for about three hours, but it would have been easy to spend the entire day.  My disappointment in the Art and Engineering exhibit notwithstanding, I strongly recommend that anyone who rides or has even a passing interest in the American icon that is Harley-Davidson visit the Museum.  It’s a bucket list destination.  I’m glad I went.

At the tail end of our path through the Harley Museum, there’s an area with current model Harleys where you can sit on the bikes and take pictures.  A nice guy from the Czech Republic offered to take a picture of Susie and me with my cell phone. It looks good.  Our smiles are real.


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