The Indianapolis Motor Speedway

Wow, this is cool:  The Indianapolis Motor Speedway!  That photo above?  I snapped it as the Indy car was entering Turn 3 at about 200 mph, panning the camera with the car to blur the background and get the car as sharp as possible (which is a bit of a challenge when your subject is doing 200).  There were a lot of photo ops at Indy, and I sized most of the photos at 900 pixels to show off a bit.  We were having a good time.

We didn’t see the race (it’s today, and it starts about three hours from when this blog was posted).  We were in Indianapolis a couple of weeks ago to visit with good buddy Jeff, whom you’ve seen in other recent blogs.  Jeff took us all over Indianapolis and the surrounding areas, and our itinerary included the legendary Indianapolis Motor Speedway.

We walked the huge infield area.  The track is a 2.5-mile oval and that gives it plenty of room on the infield (there’s even a golf course in the infield).  One of the best parts is the museum, which houses historic cars and winners of past Indy 500 races.

After spending some time in the museum, we went up into the stands to watch the cars practicing.  The Indy 500 is, as the name states, a 500-mile race, and with the cars running over 200 mph, it takes about 2 hours.  I can see it producing more than a few headaches, sitting out in the sun and listening to the high-pitched and loud whine of the cars whizzing by.   Our day was perfect…we took in what we wanted to see and I shot a lot of photos.

There is a very cool photo of Mario Andretti in the Indy 500 Museum.  The story behind it is that the photographer asked Mario Andretti if he could grab of photo of his rings, and Mr. Andretti posed as you him in the photo above.

There was also an Indy 500 simulator in the museum.  It let you “race” for about a minute, but I didn’t last that long.  The simulator included motion in the steering wheel and in the seat, I felt woozy as soon as I started, and I  had to stop shortly after I started.  I guess that makes me an official Indy 500 DNF (did not finish).

My favorite photo of the day is this selfie I grabbed of yours truly and good buddy Jeff reflected in the radiator cover of a vintage Miller race car.

So there you have it…our day at the Indianapolis Motor Speedway.  I’ll be watching the race today.


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Baja’s Los Naranjos

I have several favorite restaurants in Baja, and Los Naranjos in northern Baja’s Guadalupe Valley is certainly one of them.  It’s address is México 3 22850 Ensenada, Baja, and what that means is the restaurant is about 80 kilometers south of Tecate along Mexico Highway 3 (the Ruta del Vino). It’s on your right as you head south, and if you blink you’ll probably miss it.

The Los Naranjos location on Mexico Highway 3.

If you’re coming north from Ensenada, Los Naranjos will be on your left.  It always seems to me I’m on top of the place before I realize it when I’m riding north.  You have to watch for it.

After you park, head in through the arch and you’ll enter another world.  The grounds are immaculate (like the restaurant).  You can poke around and explore a bit before you go into the restaurant, or you can do so after you’ve had a fine meal (which is the only kind of meal I’ve ever had there).

Entering the Los Naranjos grounds.

The food is exquisite and Los Naranjos is popular.  You might see a Mexican riding club parked when you enter; the place is a well-known spot for an excellent dining experience.   You can have breakfast or any other meal, and I’ve never had a bad meal there.   Los Naranjos pies are exceptional, and their orange juice is off the charts.  It’s fresh squeezed, and if there’s better OJ elsewhere, I haven’t found it.

A superb breakfast at Los Naranjos. I’m getting hungry writing this blog and seeing this photo. I need to ride south soon.

The Los Naranjos grounds are interesting.  There are sculptures in the exterior walls and various poultry species wandering the grounds.  I don’t know if the chickens are committed or simply involved in the breakfasts and other selections (“involved” means they only provide eggs; “committed” means, well, you know), but a walk around is always interesting and full of photo ops.

Wall sculptures abound at Los Naranjos.
A turkey fanning its tail when I approached with my camera.
Indeed, the photo ops are plentiful.
More wall sculpture, in this case the Virgin de Guadalupe. This is a common sculpture in Mexico; the figure beneath the Virgin is an angel with the wings of an eagle holding her aloft.

There is a high end, small hotel directly behind Los Naranjos.  I’ve never stayed there, which is a character defect I intend to correct on my next trip south.  You’ll read about it here on the ExhaustNotes blog.


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Gettysburg National Military Park

It was an epic battle, fought over just three days, with monstrous casualties incurred by both sides due to a deadly combination of improved weaponry and Napoleonic tactics.  Muskets transitioned from smoothbores to rifled barrels (greatly enhancing accuracy); military formations (not yet adopted to the quantum leap forward in accuracy) fought in shoulder-to-shoulder advancing columns.  Both sides held their fire until the Union and Confederate armies were at can’t-miss distances.  It was brutal.  Gettysburg suffered 51,000 casualties.  Eleven general officers were killed.  It was the bloodiest battle of the Civil War, but it was turning point.  General Robert E. Lee, the previously invincible and charismatic hero of the South, had been soundly defeated.  General George Meade, appointed to command the Union troops just days before the battle, achieved a tactical victory regarded by his superiors as a strategic failure (Lincoln later said Meade held the Confederate Army in the palm of his hand but refused to close his fist).

Perhaps best known for Lincoln’s Gettysburg address given months after the fighting (delivered at the dedication of a cemetery), Gettysburg is a town, a free National Military Park, and hallowed ground.  But first, read these 275 words…275 of the most elegant words ever assembled by anyone:

Four score and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.

Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived and dedicated, can long endure. We are met on a great battlefield of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this.

But, in a larger sense, we can not dedicate — we can not consecrate — we can not hallow — this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us — that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion — that we here highly resolve that these dead shall not have died in vain — that this nation, under God, shall have a new birth of freedom — and that government of the people, by the people, for the people, shall not perish from the earth.

Elegant, eloquent, and to the point:  Lincoln spoke for a short two minutes after a two-hour speech by a former Harvard College president.  Lincoln wrote the words himself (not, as rumor would have us believe, on the back of an envelope during the train ride to Gettysburg, but carefully crafted by Lincoln in the White House and then polished upon his arrival in Gettysburg).  No speechwriters, no opinion surveys, no communications experts as would be the case today.  I wish that in a nation of 330 million people we could find another Lincoln (rather than the continuing cascade of clowns we’ve had to choose from in the last several elections).

I first visited Gettysburg 60 years ago as a little kid and I was a little kid again on this visit.  Gettysburg was way more wonderful than I remembered but still the same.    The Visitor Center is new and better equipped.  There are more monuments (approximately 1,350 such monuments; you will see just a few in this blog).  The battlefield remains the same.  It is impressive.  You need to see it.

There are many exhibits in the Gettysburg Visitor Center, including two large displays of Union and Confederate sidearms.

You can take your car or motorcycle through Gettysburg National Military Park on a self-guided tour, you can take a bus tour, or you can hire a guide.  Any of these approaches are good.

Cannon line a typical road through the Gettysburg battlefield.

The Battle of Gettysburg occurred over three days (July 1 to July 3, 1863) that changed the calculus of the Civil War.  Lee took his Army of Northern Virginia north, hoping to continue an unbroken string of Confederate victories, so sure of his likely success that he ignored the tactical advice of his generals.   He prevailed on the first day, but flawed tactics and a combination of Union brilliance and resolve turned the tide and the War.  It culminated in what has become known as Pickett’s Charge, a Confederate uphill advance across a mile of open land into unrelenting Union cannon fire.  The Union artillery had the reach (two miles of direct fire; there were no forward observers adjusting fire as we have now).  The cannons were deadly, and then troops closed to small arms distance, and then finally to hand-to-hand combat.  More than 12,000 of Pickett’s men marched into the Union killing fields; nearly half were foolishly lost.  It was the turning point for everything: The South’s success, the Battle of Gettysburg, and the Civil War.

The views are magnificent. We were aided by an overcast day, with diffuse lighting that made for improved photography.

Numerous state militia fought at Gettysburg.  Each of the states and their militia erected monuments in the years following the Civil War.   The New York monuments were always the largest, at least until New York completed the last of its statues and structures.  Pennsylvania, waiting and watching patiently, then built a monument that dwarfed New York’s best efforts.  But all are impressive.

The 91st Pennsylvania Infantry monument on Little Round Top near Cemetery Ridge.  This area was the high ground held by the Union.

The two armies had been maneuvering near each other, and as is usually the case in such things, first contact was accidental.  The Confederate forces initially prevailed and their leader, General Robert E. Lee, assumed this success would continue.  Lee’s subordinate’s told him it would not, as they did not hold the high ground.  Lee pressed ahead anyway, suffering a defeat that marked a turning point (one of many) in the Civil War.

A view from Little Round Top, looking down into the killing fields of Pickett’s Charge.    12,000 men marched forward; more than half were lost in a single afternoon.

Gettysburg National Military Park is a photographer’s dream, and many battlefield areas present dramatic photo ops.  The monuments are impressive and more than a few offer several ways to frame a photo.

The 44th and 12th New York Infantry monument on Little Round Top at the south end of Cemetery Ridge, framing the field of battle. This is a massive and impressive monument.
Artillery lines in Gettysburg National Military Park. Many of the cannon are original items and saw actual use in the Battle of Gettysburg.
When the ammunition ran out, it was hand to hand fighting at Gettysburg.  This is the 72nd Pennsylvania Infantry monument on Cemetery Ridge.  The 72nd Pennsylvania Infantry played a key role in defeating the Confederate advance known as Pickett’s Charge.

I was up early the next morning before we left Gettysburg, and I returned to the battlefield to capture a better photo or two of the State of Pennsylvania monument.  It’s the largest in Gettysburg National Military Park. I was so impressed by it the day before I forgot to get a photo.

The State of Pennsylvania’s monument, at 110 feet tall, is the tallest of 1350 monuments on the Gettysburg battlefield. You can climb an interior spiral staircase to see the entire battlefield from this monument.
The beautiful 8th Pennsylvania Cavalry monument framing the State of Pennsylvania monument. The tree trunk beneath the horse was necessary to support the statue’s weight. Interestingly, the 8th Pennsylvania Cavalry did not take part in the fighting at Gettysburg, but instead guarded supply lines in Maryland.

The country roads leading to Gettysburg, and the riding in Pennsylvania, are way beyond just being good.  Several rides to Gettysburg are memorable, and everything on the battlefield is accessible via an extensive network of narrow lanes.  Take your time when navigating the Park’s interior battlefield lanes; this is an area best taken in at lower speeds.

A 180-degree panoramic view from Little Round Top. Click on this image to see a larger version.

Getting to Gettysburg is straightforward.  From the south take Interstate 83 north and State Route 116 east.  From the east or west you can ride Interstate 76 and then pick up any of the numbered state routes heading south.  If you are coming from points southwest, Maryland is not too far away and the riding through Catoctin Mountain Park on Maryland’s State Route 77 is some of the best you’ll ever find.

The best kept secrets at Gettysburg?  On the battlefield, it’s Neill Avenue, also known as the Lost Avenue.  It’s the least visited area of Gettysburg National Military Park, and probably the most original with regard to how the battlefield looked on those three fateful days in July 1863.  As for good places to eat, my vote is for The Blue and Gray Bar and Grill in downtown Gettysburg (just off the square in the center of town; try their chili) and Mr. G’s Ice Cream just a block away.   Both are excellent.


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The Indiana War Memorial

Looking both large and deceptively small from the outside, the Indiana War Memorial is located in the center of Indianapolis.  Susie and I were there for a visit with good buddy Jeff, whom I’ve known since before kindergarten.  We both migrated west after college, both of us did so for work, and Jeff staked his claim as a Hoosier.  We spent a few days recently bopping around Indiana and Ohio and it was a hoot.  One of the first places we stopped was the center of downtown Indianapolis, and we wandered into the amazing and impressive Indiana War Memorial.  It wasn’t on our itinerary; it just looked interesting, it was open, and we entered.

The name is a bit misleading, as the Indiana War Memorial is both a memorial and a world class military museum, tracing the history of American combat from the Revolutionary War to our most recent conflicts in Vietnam and Afghanistan.   The building itself is impressive, with tall halls and huge lower level display areas.  The displays are impressive.  So is the architecture.

The Indiana War Memorial wasn’t crowded; in fact, we had the place to ourselves.

Peering up in the main tower, this hall focuses on The Great War.

Moving on to the lower floors, the displays focus on the Civil War, the Spanish American War, World War II, Vietnam, and the Persian Gulf and Afghanistan conflicts.

This is an interesting exhibit from Gettysburg, which we had visited just a few weeks ago.

I enjoyed the small arms displays.  That’s my buddy Jeff in the photo below.

One of the last halls we viewed focused on the Vietnam War.  This is a Huey Cobra helicopter with a three-barreled Gatling gun mounted in the nose.

Admission was free, and during our visit we had an extra treat.  When we first entered the Indiana War Memorial, we had a nice chat with a guy about our age.   Jeff mentioned that his father had served in World War II, and that I had served in the US Army.  Our new friend told us he had been in the Air Force.  As the conversation progressed, we learned that we were speaking with a retired general officer, who was now the Director of the Indiana War Memorial (General Stewart Goodwin).


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Two Bodacious Belly Guns

Not too long ago, I posted the Model 60 handjob blog, which was a story about fitting a new hand to the revolver to correct an out-of-time situation.  When I took the reworked Model 60 to the West End Gun Club to check its performance, I brought along my Rock Island Compact 1911.  Both guns are on my concealed carry permit and I thought it might be cool to rapid fire on the police qualification target at 7 yards.

As you can see from the photo above, the guns appear to be comparably sized, but that photo is a bit misleading.  I don’t feel like I’m printing with the Compact 1911 (you know, allowing the gun’s outline to standout against my shirt), but the 1911 does hang heavier and it presents a bigger shape under an untucked shirt.   I’ll get to the specs of both guns in a minute, but first let’s take a look at how they compare on target.  The first target is the Model 60; the second is the Rock Island Compact 1911.

50 rounds, rapid fire, at 7 yards from the Smith and Wesson Model 60 (all fired double action).
50 rounds, rapid fire, at 7 yards from the .45 ACP Rock Island Compact 1911.

I shot both targets using a two-hand hold from the standing position.  Both are accurate and close enough, as they say, for government work.

The loads were fairly stiff.  I used a cast 158-grain truncated cone bullet with 4.4 grains of Unique propellant for my .38 Special ammo, and a 185-grain cast semiwadcutter bullet with 5.0 grains of Bullseye for the .45 ACP.  Given the choice, I wouldn’t want to be hit by either one.  But I’m betting that the 1911 hits harder.

.38 Special and .45 ACP reloads. Both were fairly stout. The 158-grain truncated conical bullet .38 Special loads are potent.  The .45 ACP semiwadcutters come from Jim Gardner’s casting operation, and they are accurate and hard hitting.

The Model 60 Smith and Wesson weighs 19 ounces empty and it carries 5 rounds (which adds another 1.8 ounces, for a total of just under 21 ounces).  The 1911 weighs 34.6 ounces empty and it carries 7 rounds in its 7-round mags (that adds another 3 ounces, for a total of 37.6 ounces).   The loaded 1911 weighs almost twice as much as the loaded Smith and Wesson revolver.  Anything you measure in ounces may not seem like a lot, but trust me, when you carry it all day, it is.  From a weight perspective, the Model 60 has an advantage.

I know all you keyboard commandos want to tell me I could carry 8 rounds in the 1911, but I won’t carry with a loaded chamber in a semi-auto.  Save your breath if you think I should.  The Israelis don’t carry with a round chambered and they seem to know what they’re doing, we didn’t carry with a round chambered when I was in the Army, and I’ve seen more than a few accidental discharges from folks who carried with a round chambered in a semi-auto handgun.  Nope, it’s an empty chamber for me.  Your mileage may vary.

From an accuracy perspective, you can see from the targets above that I shoot the 1911 better.  I don’t think the 1911 is inherently more accurate than the Model 60.  But in my hands, and with my old eyes, I can hold a tighter group with a 1911.  Most of that has to do with my 1911’s sights.  I have a red ramp/white outline set of Millet sights that good buddy TJ (of TJ’s Custom Guns) installed on my 1911, and those things are the best handgun sights I’ve ever used.  The Model 60’s sights…well, let’s just say it’s a game of hide and seek with them.  The 1911 gets the nod from an accuracy perspective.

You might think 7 versus 5 rounds is a tremendous advantage.  On paper, maybe.  In real life, the average number of rounds fired by a concealed carry permit holder in a confrontation is less than 2 rounds.  It’s kind of a draw from a capacity perspective, at least from my perspective.  If you’re a keyboard commando, you may feel differently.  Go post your opinions on Facebook; they need folks like you.

So what’s my preference?  Most of the time, it’s the 1911, but I love both of these handguns.


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ExNotes Review: Operation Mincemeat

Susie and I were channel surfing on Netflix the other night and a trailer for Operation Mincemeat appeared.  It looked like it might be interesting so we hit the play icon.  Wow, this movie is great.  The story is about the British military intelligence deception operation to convince the Nazis the 1943 Allied invasion of Europe would begin in Greece and not Sicily.  Everyone knew Sicily was the logical choice, including the Germans, but the Brits managed to pull off a miracle and the Germans diverted the bulk of their forces to Greece.  I won’t tell you much more about how MI5 did this (beyond what the trailer below shows) because I don’t want to spoil the movie for you.

Operation Mincemeat is a dark, foreboding movie, as it should be.   Literally tens of thousands of lives and indeed, the future of humanity, hung in the balance.

One of the interesting characters in this true Operation Mincemeat story is a mid-level British Intel officer named Ian Fleming.

Johnny Flynn playing Ian Fleming in Operation Mincemeat.  Here Fleming is intrigued by a Q Branch watch with a bezel that becomes a buzz saw. You have to pay attention or this and other scenes that inspired 007 will zip right by.

Yes, that Ian Fleming…the one who went on to create and write the James Bond stories.  He and several other MI5 officers were working on spy novels while the real Operation Mincemeat was unfolding.  At one point, the man in charge (played to perfection by Colin Firth) exclaimed, “My God, is there anyone here who isn’t writing a spy novel?”  There were other James Bond references, including the senior MI5 person everyone referred to as “M,” Q Branch, and more.

Trust me on this:  If you are a James Bond fan, you will love Operation Mincemeat.

Nah, that’s too restrictive.   Anyone who enjoys a good movie will enjoy Operation Mincemeat.  It’s on Netflix and it’s one of the best movies I’ve seen in a long time.  I enjoyed it so much I watched it again from start to finish the next day.  It was that good.  You can thank me later.


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Billville and the Collections

People collect for different reasons.  Some are completists…they collect to own every variation of an item ever made.  Others have a theme…something guides their collecting and they can’t rest until they have acquired items that show all aspects of that theme.  Still others are brand loyalists…they want everything associated with a particular marque.  Others collect to rekindle memories…items in their collections bring back better times.  And people collect different things.  All kinds of things.

As I surveyed the expansive and overwhelming contents of Bill’s Old Bike Barn, I wondered:  What made Bill tick?  What fueled his desire to collect?  I asked the question and Bill answered it, but I’ll wait until the end of this blog to share the answer.  Hold that thought and we’ll return to it.

When I knew we were going to Pennsylvania and my wife Susie Googled motorcycle museums…well, silly me.  I thought we would find a motorcycle museum if I was lucky and it might make a worthy topic for a blog or two.  Maybe an article in a motorcycle magazine.  Susie gets the credit for finding Bill’s Old Bike Barn.  I didn’t realize we had hit the Mother Lode.  We had stumbled into a more advanced collection than we had ever seen.

No, wait:  I need to restate that.  It would be unfair to call what I found in Bill’s Old Bike Barn a collection.   I realized when assembling this story that what Bill created is not a mere collection.  It is, instead, a collection of collections.   Bill’s Old Bike Barn might have started as a motorcycle collection, but it goes beyond that.

Way beyond.

Anybody can collect and display motorcycles.  Well, not anybody, but you get the point.  In the course of curating a collection, advanced collectors, the guys who go exponential and become collectors of collections, amass collections of all kinds of things.  Then the question becomes:  How do you display your collections?  What’s the right format?

Bill had the answer to that, too.

Billville.

Hey, if your name is Bill, and you have a collection of collections, why not start your own town, and display each collection in different stores and businesses and government offices, all in a magical place called Billville.  You see, if you have your own town, you will also have streets on which these shops are located.  And you can park different cool motorcycles on the streets in front of the shops.  The Billville concept solves several challenges simultaneously.  The streets let you display the motorcycles and the shops.  People see the shops and what’s in them and they want to add to the collection, so they bring in and contribute more things you can exhibit.  The shops grow and the town of Billville thrives.  Sense a pattern here?

Bill, at home on the streets of Billville.
One of many streets in Billville. The streets in Billville are lined with something even better than gold: Vintage motorcycles and Bill’s collection of collections.  Bill’s collections are hypnotic in their appeal.

Being a world-renown blogger and motojournalist, I had the grand tour of Billville, led by Bill himself.  Bill led, I followed, and my jaw dropped with each turn and every stop in Billville.  Billville.  I get it.  It’s brilliant.

The Billville camera shop. Nothing is for sale, much is on display, and the inventory exceeds 6,000 pieces.

We started in front of the Billville camera shop.  I had my Nikon D810 along for the shots you see here.  I’ve been a photography enthusiast all my life. I asked Bill if he was into photography, too, when he mentioned the camera shop.  “Nah, I just had a few cameras on display.  Folks see that and they come back a week later with a bag of old cameras.  There’s more than 6,000 cameras in the collection now.”

There’s a very cool Norton parked in front of the Billville Camera Shop. The bike behind it is a Velocette. Per capita motorcycle ownership in Billville is off the charts.  Billville is huge, the streets are long, the shops are amazing, and the collections are dreamlike.  Pick a collectible item, and there’s a Billville shop housing a collection for it.  Into Coca-Cola memorabilia?

An Aermacchi Harley and Harley’s attempt to penetrate the scooter market, the Topper, parked in front of the Billville Coca-Cola shop.

You can’t have a town without a police department, and police paraphernalia are collectible.  Billville has its own PD, with a police stuff collection.

The Billville PD and its neighbor…a shop with walls constructed entirely of collectible beer cans.
Every police officer who wanders through the Billville PD probably leaves a department patch.
The Billville PD has, as you might imagine, its own contingent of motor officers.

Bill told a funny story about visiting firemen.  After seeing the collections, they asked Bill if Billville had a fire department.  When they asked the question, Billville did not.  So the visiting fireman  offered to donate their vintage fire engine if Bill would build the Billville Fire Department around it.

A vintage Mack fire engine. A local fire department donated it.

“Then I had to make a fire bike,” Bill said.  After all, this is a motorcycle museum.

Bill and his personally-crafted fire bike. This is cool stuff.

Bicycles?  You bet.  Billville has an interesting collection.  Check out the badging  on the one shown in these photos.

Want to guess who made this bicycle?
Check out the chainring. HD. Cool.
Harley-Davidson. I had never seen one of these before visiting Bill’s Old Bike Barn.
My Nikon was earning its keep during my visit to Bill’s Old Bike Barn. If you make the trip, don’t forget your camera.

Some people collect toys.  Bill is one of them.  What would a town be without a toy store?

Another place to display one of Bill’s collections. That’s a cool two-stroke Harley parked on the street in front of it.

Billville has a post office and a restaurant.  Take a look at the ornamental wrought iron surrounding the restaurant.  Bill told me he purchased huge quantities of wrought iron when he was buying up motorcycle dealer inventories in Europe.

The Billville post office is on the left; the restaurant is on the right.
A vintage bike in front of the finest dining in Billville.

Are you into Avon collectables?  Billville has you covered there, too.

A 1970s Harley two-stroke and a vintage CL Honda Scrambler. Bill’s collections are extensive and varied.

There are several spiral cases throughout Billville.  I thought they were purely decorative.  But there seemed to be more to see upstairs, so I climbed one.  My reward was more collections.  How about phones?  Yep, those, too.

Some of the phones in the Bill’s Old Bike Barn phone collection…
…and more phones.

Bill told me again about people bringing things to him.   Matchbox cars?  Why not?

Matchbox cars line a wall. There’s something for everyone here. Dads, moms, and kids.

Into horse collectibles?  You bet.

Horsepower. Lots of it.

As you might guess, there was an area for Elvisabilia (or should that be Presleyana?).

The King.

If you were wondering, Billville has a dentist’s office, too, complete with vintage dentistry equipment.

Vintage dental stuff. The photo ops in Bill’s Old Bike Barn were endless.

And, of course, Billville includes the motorcycles, motorcycle engines, and everything-associated-with-motorcycles collection.  Bill’s collection doesn’t stick to only one marque.  You’ll see Harley, Indian, Moto Guzzi, Triumph, Norton, Velocette, Honda, Yamaha, Zündapp, Peugeot, and many, many more motorcycles.

An airbrush painting on one of Bill’s trailers. Check out the vintage Harley and sidecar.
Now, check out the actual vintage Harley and sidecar.
A vintage Knucklehead in the main hall. Note the spiral staircases on the right. There’s more up there, folks. Lots more.
Vintage Indians. Some are left unrestored; others are restored to better-than-new condition.

Bill’s collection is eclectic.  The collections themselves are eclectic, and within the collection, the pieces Bill has exhibited vary widely.  He’s not just a Harley guy or an Indian guy.   He likes anything that’s interesting.  You saw the prior blog about Bill’s favorite ride, a Zündapp.  Other bikes pepper his collection, including one I always wanted…an early SL350 Honda twin.  It’s the color I always wanted, too, and it’s in its 100% original, unrestored condition.  I stared at the SL so hard I might have worn away some of its paint.

A stunning and unrestored SL350 Honda.
Ah, the mileage on the SL350 Honda…the motorcycle is over half a century old, and it has but 4,000 miles on the clock. Wow.

So, back to that question I posed at the top of this blog:  What makes a collector collect?  Everyone has their reasons, and like I said at the beginning of this blog, I wanted to know Bill’s.  I asked the question.  Bill smiled, lowered his gaze, and answered softly.  “I like to see peoples’ reactions when they see the collections,” he said.  That being the case, I think Bill must have really enjoyed our visit.  We sure did.

A sparkadillo. There’s a lot of folk art in Bill’s Old Bike Barn.

Our first blog on Bill’s Old Bike Barn?  Hey, here it is:

Bill Morris:  The Man.   It’s a great story.

Military motorcycle half-tracks?  You bet!

With 200 motorcycles in his collection, Bill’s personal favorite might surprise you!


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Bill’s Favorite Motorcycle

Another day, another Bill’s Old Bike Barn story.  Wandering through the collection (I should say collections, but that’s a topic we’ll cover in the next Bill blog), I had to wonder:  With all the absolutely stunning vintage motorcycles in his collection, which is Bill’s favorite?  Which is the one he prefers above all others?

So I asked the question.  I expected to hear something along the bar-and-shield line, as many of the machines in the barn are drop-dead-gorgeous vintage Harleys.  Or maybe an Indian.  You know, the V-twin thing.  ‘Merica, and all that.  Bill served in the US Army and he’s a patriot.  Bill’s favorite motorcycle would most likely be a big V-twin from either Springfield or Milwaukee, I thought.

Nope.  I was wrong.  Think Nuremberg.  As in Germany.

Right about now, you’re probably thinking BMW.  But you’d be wrong, too.  Bill’s personal favorite ride is a 1952 KS601 Zündapp.  Take a look:

Bill and his 600cc KS601 1952 Zündapp.

Bill’s answer to my favorite moto question surprised me, both by his selection and his immediate ease in offering it up.  “It’s my Zündapp,” he said, leading me over to the bike you see in these photos.  “When I bought it, it only had 2,600 kilometers.  It’s in original condition and it is the smoothest motorcycle I’ve ever owned.”

Check out the odometer on Bill’s Zündapp!
A fuel tank that looks like a fuel tank. Bill’s Zündapp is a classy motorcycle.

A Zündapp!

So, who exactly is Zündapp and what’s their story?  Glad you asked.

Zündapp started in 1917 as a bomb company.  That’s right.  Bombs.  Munitions.  Things that solve big problems quickly.  The Zündapp name comes from combining the German words zünder and apparatebau (igniter and apparatus), which are the two things you need for a munition (the detonator and the secondary, or main, explosive).  The detonator gets the explosion started and the secondary explosive does the heavy lifting.  In 1919, after World War I ended, Germany was prohibited from things like making bombs (the Treaty of Versailles and all that).  Zündapp had a choice:  Go out of business or start making something other than bombs.  They went with Door No. 2, and Door No. 2 led to motorcycles.

Zündapp first made two-strokes with engines from another manufacturer; they started making their own two-stroke engines in 1924.  By the 1933 Berlin Motor Show, Zündapp was making four-stroke boxer twins along with their line of two-stroke machines.  The four-strokes were called K models in a nod to their shaft drive (kardan means shaft in German).  Just before World War II, Zündapp introduced the KS600 flathead boxer twin, with shaft drive, a pressed steel frame, and four-speed transmission.  1951 saw the introduction of the KS601 (the model you see in today’s blog).  It featured a tubular steel frame, telescopic front suspension, and Zündapp’s 592cc overhead valve boxer twin engine.  It looks a lot like a BMW motor (I supposed to the Germans, a Harley probably looks a lot like an Indian).

The Zündapp is a very interesting motorcycle.  One of the Zündapp’s more interesting features is its interchangeable front and rear wheels (they were designed to allow easy tire rotation).  When introduced, the KS601 was Germany’s fastest road bike.  The Zündapp KS601 also enjoyed a reputation for excellent reliability.  Zündapp built fewer than a thousand KS601 motorcycles through 1958, and what you see in this blog is one of them.  Production ended in 1958 when Bosch acquired Zündapp.

I could have spent more time examining Bill’s Zündapp.  It has not been restored.  It is 100% original.  It is one year younger than I am.  It’s the first Zündapp KS601 I’ve ever seen.  It exudes a magnificent patina, and it does so elegantly.  I’m going to guess that wherever Bill rides it, he has the only one.  It’s easy to see why it is Bill’s favorite.


Catch up with our earlier Bill’s stories!  Bill Morris is the real deal, and Bill’s Old Bike Barn is one of the most interesting motorcycle museums I’ve ever visited.  We’re doing on a series on the man and the museum; this is our fourth installment.

Miss our first blog on Bill’s Old Bike Barn?  Hey, here it is:

The next blog in this series is on Bill Morris:  The Man.   It’s a great story.

Military motorcycle half-tracks?  You bet!


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A Uberti 44 Special SAA

Good buddy Paul is the guy who got me interested in the Uberti Single Action Army and blackpowder Colt replicas, and it’s an interest that I am thoroughly enjoying.  We visited recently and Paul showed me one I had seen before that he had recently added a set of custom grips to.  This is a  Uberti Single Action Army with the black powder frame chambered in .44 Special, and it is a stunning example of Uberti’s work.

Paul purchased a set of synthetic ivory grips that had a large decorative eagles molded into the grip material.  The original grips with the eagles didn’t quite make it for Paul, and the fit of the grips to the grip frame was poor.  Paul sanded the eagles into oblivion and very carefully recontoured the grips for what is now a perfect fit.  There are no gaps and no overhangs anywhere.  There’s something about the Colt SAA configuration that just feels right in the hand.

I like this gun.  I’m a big fan of the .44 Special cartridge. Paul tells me he shoots a 215-grain bullet he casts himself and it is quite accurate.  Like my .45 Colt Uberti, Paul’s gun shoots to point of aim at 50 feet, which is great for a fixed sight handgun.

Paul and I had a good conversation about our shared interest in these old western style sixguns.  We’re both about the same age and we grew up in an era when cowboy TV series and western movies dominated the entertainment industry, and that undoubtedly influenced our taste in firearms.  It was a good time to be a kid, I think.


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Bill’s Old Bike Barn: A Tale of Two Moto Half-Tracks

Today the ExNotes blog extends the tale of Bill’s Old Bike Barn and our continuing features on this magical mystery museum.  I knew as soon as I entered Bill’s that a single blog would be entirely inadequate.  Nope, this place is like peeling an onion; each layer reveals another story or three.  Today’s feature is on two of Bill’s more interesting vehicles, and it was a tough call…everything in this Pennsylvania pleasure palace is interesting.  But for today’s feature, the motorcycle half-tracks get the nod.

Bill with his Moto Guzzi Mulo Meccanico.  Bill said riding the Mulo is a bear…there are levers and pedals and other things that require constant attention.

Motorcycle half-tracks?  I mean, who’d a thought?  They come across as the illegitimate offspring of a motorcycle and a Viagra-fueled armored vehicle.  It’s a concept that just seems weird, like the designers were stoned when putting pencil to paper.  Maybe it is and maybe they were.

The first of these moto half-tracks is the Kettenkrad.  The Nazis created the Kettenkrad koncept at the beginning of World War II and it’s no secret the Übermenschen used a lot of what they called Pervitin (which was actually crystal meth) to stay, you know, amped up.  That might explain some of the Kettenkrad’s design.

A Kettenkrad parked under the awning behind Bill’s Old Bike Barn.  What were the engineers smoking?

I’d seen Kettenkrads in photos and World War II movies, but I’d never seen one in person until a very recent visit to the Lyon Air Museum (the topic of an ExNotes blog and a recent Motorcycle Classics Destinations piece).  And wow, just a few months later, here’s another one.

The other moto half-track, the Moto Guzzi Mulo Meccanico, was new to me (I had never heard of it before my visit to Bill’s).  It’s the machine you see in the cover photo above.

Bill has one of each:  A Kettenkrad and a Mulo Meccanico.  The Guzzi half-track holds a place of honor in Bill’s Guzziland display; the Kettenkrad rotates between museum display duties and residing among several military vehicles parked outside the Museum.

Although both are rare, of the two there are a lot more Kettenkrads. Both vehicles were designed specifically for military applications, but in different eras. The Kettenkrad was a 1939 Nazi project designed and built by NSU Werke AG at Neckarsulm, Germany.  Originally designed as a paratrooper support vehicle, NSU built 8345 Kettenkrads (10% were built under license by Stower, another German manufacturer). Production stopped at the end of World War II, and then NSU resumed Kettenkrad manufacturing for agricultural applications through 1948.

The Nazi war machine used Kettenkrads extensively on the Russian front for ferrying supplies and troops.  Some also saw duty in western Europe and North Africa.  Toward the end of the war (and because of fuel shortages) Kettenkrads became airfield tugs (the Nazis used them to pull their airplanes to the runway; the Luftwaffe pilots only started their aircraft engines when they were ready to take off).

As a mechanical engineer, I always wondered if the Kettenkrad’s motorcycle front end actually steered the thing, or if the vehicle steered by driving the tracks at different speeds (as other tracked vehicles do).  Talk about mechanical complexity…the Kettenkrad does both. Up to a point, the steering is via the handlebars and front wheel. Once the handlebars go beyond a certain angle, differential track speed steering kicks in. In really rough terrain, the Nazis removed the front wheel entirely and traveled only on the tracks.  The Kettenkrad tops out at 44 mph, it has a 36-horsepower, inline, four-cylinder, water-cooled Opel engine, and it weighs 3,440 pounds (a little more than my Corvette).

Next up:  The Moto Guzzi.

Wow, talk about mechanical complexity. Check out the front end: A brake, front-wheel drive gears, shafts, u-joints, single-sided fork, and more.  The fender offers enough clearance to allow use of snow chains.  I wonder what shop rates were back in the 1960s.

The Moto Guzzi Mulo Meccanico is a real oddity.  Not only had I never seen one; I never knew such a thing even existed.  There were only 200 ever made, and it all happened in the early 1960s.  Built for the Italian Army (its official designation was the Autoveicolo Da Montagna, or mountain vehicle), Bill explained to me it was designed for hauling supplies over Alpine peaks.  The Italians wanted something more modern to replace the donkeys they had been using (hence the unofficial name, the Mulo Meccanico).

The Italians have a thing for gated shifters. Before going to paddleshifters, Ferrari used the same approach.

The tracked Goose had a gated hand shifter on the right side of the thing that allowed the rider to select any of six forward speeds or reverse. A speedo is the only instrument; it was the Mulo’s single nod toward simplicity.  Everything else was hopelessly complex.

You could run the Mulo Meccanico with or without treads.  You could adjust the track (distance between the rear wheels) on the fly.  You know, sometimes those Alpine goat trails get narrow.

The mechanical details and specs on the Guzzi half-track are both unusual and impressive, but ultimately, the all-too-common engineering mistake of injecting complexity where none was required doomed the Mulos.  And wow, the Italian military had a complex set of requirements.  The Mulo had to do everything a real donkey could do and then some.  The Italian Army wanted to be able to adjust the rear track on the fly to suit narrow trail conditions, so Moto Guzzi designed that into these bikes.  The Army wanted all wheels to be driven.  Atsa no problem, the Guzzi guys said.  The customer wants tracks, like Il Duce’s buddy had on the Kettenkrad?   Si, Guzzi said; tracks could be added to the two rear drive wheels (as you see on Bill’s).  A steering wheel will do nicely, they thought.  And check out the front fork.  It was way ahead of its time:  Single-sided, a driven front wheel (the thing can actually climb a vertical surface, as you’ll see in the YouTube video below). It’s not hydraulic drive, either; there are shafts and gears and u-joints buried in all that mechanical complexity.

Moto Guzzi originally planned to use their 500cc single for these vehicles, but it wasn’t powerful enough. So Guzzi engineered a V-twin-powered half-ton half-track that could tow and haul a combined 1,100 pounds.  The Mulo weighed about 2,200 pounds and had a top speed of 50 mph.  Yee haw!

Patina raised to an exponent. Hey, it’s only original once!  The future of Moto Guzzi motorcycles, the transverse V-twin engine, lies buried in amongst all that complexity.

What you see here is a camel designed by a committee (the Italian military-industrial complex tried to mechanically create a donkey).  The only lasting things to come out of the effort were the famed Moto Guzzi transverse V-twin engine and a good story (that would be this one).  The resulting mechanical camel intended to replace the mule died a quick and merciful death, but the engine went on in several iterations to power all subsequent Moto Guzzi motorcycles.  Modern versions of the Mandello Del Lario motor power Moto Guzzis today, and the guys who ride Moto Guzzis (like my good buddy Dan) absolutely love them.  I always wanted a Guzzi, but it’s an itch I haven’t scratched.  Yet.

The Italian Army originally ordered 500 Mulos with deliveries starting in 1961.   But the Guzzi’s complexity ran smack into that age-old engineering axiom (KISS, or Keep It Simple, Signore).  The Moto Guzzi Mulo Meccanico was just too complicated, too difficult to operate, and too dangerous.  The real donkeys could get through those mountain passes just fine and the Mulos could not.  In 1963 production stopped after only 200 units.  The Army literally went back to donkeys.  The real ones.

Hee haw.


One more thing I thought you might enjoy:  I found a couple of YouTube videos showing both moto half-tracks, the Kettenkrad and the Mulo Meccanico, in action.  The folks in the videos seem to be having fun.


Bill Morris is the real deal, and Bill’s Old Bike Barn is one of the most interesting motorcycle museums I’ve ever visited.  We’re doing on a series on the man and the museum, and this is our third installment in that series.  You can see the first two below.

Miss our first installment on Bill’s Old Bike Barn?  Hey, here it is:

The next blog in this series is on Bill Morris:  The Man.   It’s a great story.


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