Category: Adventure Motorcycle Books

I was going to do a Dream Bike bit about the Norton Commando, and then I realized that not only had I sort of done that in an earlier CSC blog, but I actually rode a vintage Norton for that piece.  Without further ado, here you go…

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For me, it started when I was 12 years old in the 7th grade, and it started with British bikes. Triumphs, to be specific. Oh, I’d seen other motorcycles before that, and my good buddy Pauly’s father Walt had owned a Knucklehead after the war. But everything changed when the motorcycle bug bit.  It bit hard, and it did so when I was 12 years old. I remember it like it happened last week.

I grew up in a town small enough that our junior high school and high school were all in the same building. It was 7th through 12th grade, which meant that some of the Juniors and Seniors had cars, and one guy had a motorcycle. That one guy was Walt Skok, and the motorcycle was a ‘64 Triumph Tiger (in those days the Tiger was a 500cc single-carbed twin). It was the most beautiful thing I had ever seen, with big downswept chrome exhaust headers, a cool tank with a dynamite chrome rack, chrome wire wheels, and the most perfect look I had ever seen on anything. I spent every spare moment I had sneaking out into the parking lot to stare at it. Some things in the world are perfect, a precise blend of style and function (things like Weatherby rifles, 1911 handguns, C4 Corvettes, Nikon DSLRs, and 1960s Triumph motorcycles).

Back to the Triumph: One day Walt started it (I had been drooling over it for a month before I ever heard it run), and its perfection, to me, was complete. In those days, a 500cc motorcycle was enormous. When Walt fired it up, it was unlike anything I had ever heard. It wasn’t lumpy and dumpy like a Harley, it wasn’t a whiny whinny like a Honda, and it wasn’t a tinny “wing-ding-ding-ding-ding” like a Suzuki or a Yamaha (they were all two-strokes back then). Nope, the Triumph was perfect. It was deep. It was visceral. It was tough. The front wheel and forks literally throbbed back and forth with each engine piston stroke. To my 12-year-old eyes and ears it was the absolute essence of a gotta-get-me-one-of-these. It looked and sounded like a machine with a heart and a soul. I knew that someday I would own a machine like this.

Fast forward a few years, and I was old enough own and ride my own Triumphs. I’ve had a bunch of mid-‘60s and ‘70s Triumphs…Bonnevilles, Tigers, and a Daytona (which was a 500cc twin-carbed twin back then, a bike known as the Baby Bonneville). I was a young guy and those British motorcycles were (here’s that word again) perfect. They were fast, they handled well, and they sounded the way God intended a motorcycle to sound. I had a candy-red-and-gold ’78 750 Bonneville (Triumph always had the coolest colors) that would hit an indicated 109 mph on Loop 820 around Fort Worth, and I did that regularly on those hot and humid Texas nights. Life was good.

Fast forward another 50 years (and another 40 or 50 motorcycles for me). We saw the death of the British motorcycle empire, the rise and fall and rise and impending fall of Harley-Davidson, this new thing called globalization, digital engine management systems, multi-cylinder ridiculously-porky motorcycles, and, well, me writing a blog extolling the virtues of whatever.

So here we are, today.

My good buddy Jerry, the CSC service manager at the time, owned this ultra-cool Norton Commando.  And good buddy Steve, the CSC CEO, bought the bike and put it on display in the CSC showroom. We had a lot of cool bikes on display there, including vintage Mustangs, Harleys, Beemers, RX3s, RC3s, and TT250s, and more. But my eye kept returning to that Norton. I’d never ridden a Norton, but I’d heard the stories when I was younger.

Back in the day (I’m jumping back to the ‘60s and ‘70s again) guys who wanted to be cool rode Triumphs. I know because I was one of them. We knew about Nortons, but we didn’t see them very often. They had bigger engines and they were more expensive than Triumphs, and their handling was reported to be far superior to anything on two wheels. Harleys had bigger engines and cost more than Triumphs, too, but they were porkers.  Nortons were faster than Triumphs (and Triumphs were plenty fast).

But guys who rode Triumphs really wanted to ride Nortons. Nortons were mythical bikes. Their handling and acceleration were legendary. In the ‘60s, the hardest accelerating bike on the planet was the Norton Scrambler. Norton stuffed a 750cc engine into a 500cc frame to create that model, like Carroll Shelby did with the AC Cobra. I remember guys talking about Norton Scramblers in hushed and reverential tones back in the LBJ years. You spoke about reverential things softly back then.

Fast forward again, and there I was, with Steve’s 1973 Norton Commando right in front of me (just a few feet away from where I wrote the CSC blog). Steve’s Norton is magnificent. It’s not been restored and it wears its patina proudly.

“Steve,” I said, “you need to let me ride that Norton.”

“Sure,” he said. “I’ll have Gerry get it ready for you.”

Wow, I thought. I’m going to ride a Norton. I felt like the little dog who finally caught the bus. I had a mouthful of bus. What do you do when that happens?

I sat on the Norton that afternoon. It felt big. The pegs were set far to the rear and my hips hurt immediately from the bike’s racing ergos (and maybe a little from the femur and spine fractures I suffered in a motorcycle accident a few years before that; I don’t bend as easily as I used to). Maybe I shouldn’t have asked to ride this beautiful beast. Maybe my mouth had written a check my body couldn’t cash.

But I was committed. The Norton went back to Gerry so he could get it ready for me to ride. There could be no backing out now.  I was nervous, I was excited, and I was a little giddy. The only bikes I had ridden for the last 7 or 8 years were 150cc Mustangs and the 250cc Zongs. Lightweight bikes. Singles. Under 25 horsepower. Electric starters and all the amenities. Modern stuff.  I thought about riding the 850 Norton. It dawned on me that I had not even heard it run yet. I realized I liked electric starters. I hadn’t kick started a bike in probably 35 years. The Norton is an 850, and it was kick start only. No electric starter. Hmmm.

When I arrived at the plant, Steve pushed the Norton outside for me. We both tried to figure out where the ignition key went (it’s on the left side of the bike). We tried to guess at the ignition key’s run spot (it has four or five positions). We picked the second one and I tried kicking the engine. It was a complicated affair. You had to fold the right footpeg in, and when you kick the starter, you had to try to not hit the gear shift lever on the right side of the bike. We kicked it a couple of times. Hmmm again. Lots of compression. Then Steve had to run back into the plant to take a phone call. I tried kick starting the Norton a couple of times again.   Not even a cough from the engine.

I played with the key and clicked it over one more notch. Another kick, and the mighty 850 fired right up. Ah, success!

The Norton settled into an easy idle.  It was wonderful. It sounded just like Walt Skok’s Triumph. I was in the 7th grade again. I looked around to see if Steve had seen me start it, but no one was there. It was just me and the Norton. Okay, I thought, I’ll just ride around in the parking lot to get the feel of the clutch, the throttle, and the brakes.

Whoa, I thought, as I let the clutch out gingerly. That puppy had power! The Norton was turning over lazily and it felt incredibly powerful as I eased the clutch out. I tried the rear brake and there was nothing (oh, that’s right, the rear brake is on the other side). I tried the front brake, and it was strong. Norton had already gone to disk brakes by 1973, and the disk on Steve’s Commando was just as good as a modern bike’s brakes are today.

I rode the Norton into the shop so Gerry could fill the fuel tank for me. The Norton has a sidestand and a centerstand, but you can’t get to either one while you are on the bike. You have to hold the bike up, dismount on the left, and then put it on the centerstand. The side stand was under there somewhere, but I didn’t want to mess around trying to catch it with my boot. It was plenty scary just getting off the Norton and holding it upright. It was more than a little scary, actually. I’m riding my boss’s vintage bike, it’s bigger than anything I’ve been on in years, and I don’t want to drop it.

Gerry gave me “the talk” about kick starting the Norton. “I don’t like to do it while I’m on the bike,” he said. “If it kicks back, it will drive your knee right into the handlebars and that hurts. I always do it standing on the right side of the bike.”

Hmmmm. As if I wasn’t nervous enough already.

I tried the kickstarter two or three times (with everybody in the service area watching me) and I couldn’t start the thing, even though I had started it outside (when no one was around to witness my success). Gerry kicked the Norton once for me (after my repeated feeble attempts) and it started immediately. Okay. I got it. You have to show it who’s boss.

I strapped my camera case to the Norton’s back seat (or pillion, as they used to say in Wolverhampton), and then I had a hard time getting back on the bike. I couldn’t swing my leg over the camera bag. Yeah, I was nervous. And everybody in the shop was still watching me.

With the Norton twerking to its British twin tango, I managed to turn it around and get out onto Route 66. A quick U-turn (all the while concentrating intensely so I would remember “shift on the right, brake on the left”) and I rode through the mean streets of north Azusa toward the San Gabriels. In just a few minutes, I was on Highway 39, about to experience riding Nirvana.

Wow, this is sweet, I thought as I climbed into the San Gabriels. I had no idea what gear I was in, but gear selection is a somewhat abstract concept on a Norton.  Which gear didn’t seem to make any difference.  The Commando had power and torque that just wouldn’t quit.  More throttle, go faster, shifting optional. It didn’t matter what gear I was in (which was good, because all I knew was that I was somewhere north of 1st).

I looked down at the tach. It had a 7000-rpm redline and I was bouncing around somewhere in the 2500 zip code. And when I say bouncing around, I mean that literally. The tach needle oscillated ±800 rpm at anything below 3000 rpm (it settled down above 3000 rpm, a neighborhood I would visit only once that day). The Norton’s low end torque was incredible. I realized I didn’t even know how many gears the bike had, so I slowed, rowed through the gears and counted (the number was four).

The Norton was amazing in every regard. The sound was soothing, symphonic, and sensuous (how’s that for alliteration?). It’s what God intended motorcycles to be. Highway 39 is gloriously twisty and the big Norton (which suddenly didn’t feel so big) gobbled it up. The Norton never felt cumbersome or heavy (it’s only about 20 lbs heavier than my 250cc RX3). It was extremely powerful. I was carving through the corners moderately aggressively at very tiny throttle openings. Just a little touch of my right hand and it felt like I was a cannon-launched kinetic energy weapon. Full disclosure: I’ve never been launched from a cannon, but I’m pretty sure what I experienced that day on the Norton is what it would feel like. Everything about the Norton felt (and here’s that word again) perfect.
I was having so much fun that I missed the spot where I normally would stop for the CSC glamour shots. There’s a particular place on Highway 39 where I could position a bike and get some curves in the photo (and it looked great in the CSC ads).  But I sailed right past it. I was enjoying the ride.

When I realized I missed the spot where I wanted to stop for photos, it made me think about my camera.  I reached behind to make sure it was still on the seat behind me, but my camera wasn’t there! Oh, no, I thought, I lost my camera, and God only knows where it might have fallen off. I looked down, and the camera was hanging off the left side of the bike, captured in the bungee net. Wow, I dodged a bullet there.

I pulled off and then I realized: I don’t want to kill the engine because then I’ll have to start it, and if I can’t, I’m going to feel mighty stupid calling Gerry to come rescue me.

Okay, I thought, here’s the drill.   Pull off to the side of the road, find a flat spot, keep the engine running, put all my weight on my bad left leg, swing my right leg over the seat, hold the Norton upright, get the bike on the centerstand, unhook the bungee net, sling the camera case over my shoulder, get back on the bike, and all the while, keep the engine running.  Oh, yeah.  No problem.

Actually, though, it wasn’t that bad. And I was having a lot of fun.

I arrived at the East Fork bridge sooner than I thought I would (time does indeed fly when you’re having fun). I made the right turn. I would have done the complete Glendora Ridge Road loop, but the CalTrans sign told me that Glendora Ridge Road was closed. I looked for a spot to stop and grab a few photos of this magnificent beast.

That’s when I noticed that the left footpeg rubber had fallen off the bike. It’s the rubber piece that fits over the foot peg. Oh, no, I thought once again. I didn’t want to lose pieces of Steve’s bike, although I knew no ride on any vintage British vertical twin would be complete without something falling off.   I made a U-turn and rode back and forth several times along a half-mile stretch where I thought I lost the rubber footpeg cover, but I couldn’t find it. When I pulled off to turn around yet again, I stalled the bike.

Hmmm. No doubt about it now. I knew I was going to have to start the Norton on my own.

We (me and my good buddy Norton, that is) had picked a good spot to stop. I dismounted using the procedure described earlier, I pulled the black beauty onto its centerstand, and I grabbed several photos. I could tell they were going to be good. Sometimes you just know when you’re behind the camera that things are going well. And on the plus side of the ledger, all of the U-turns I had just made (along with the magnificent canyon carving on Highway 39) had built up my confidence enormously. The Norton was going to start for me because I would will it to.

And you know what? That’s exactly what happened. One kick and all was well with the world. I felt like Marlon Brando, Steve McQueen, and Peter Fonda, all rolled up into one 66-year-old teenager.  At that moment I was a 12-year-old kid staring at Walt Skok’s Triumph again. Yeah, I’m bad. A Norton will do that to you. I stared at the bike as it idled. It was a living, breathing, snorting, shaking, powerful thing. Seeing it alive like that was perfect. I suddenly remembered my Nikon camera had video. Check this out…

So there you have it. A dream bike, but this time the dream was real.  Good times, that day was.

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