I visited with my sister a couple of weeks ago and she gave me four 35mm film cameras. You know, the ones we used to use before everything went digital. One was a point and shoot Minolta, another was a Chinese copy of a Minolta single lens reflex non-autofocus camera, another was my Dad’s old Honeywell Pentax ES (with four Takumar lenses that were known as some of the best glass available back in the 1960s and 1970s), and a fourth was my old Nikon N70, complete with a Tamron 28-105mm zoom lens. I had given the N70 to my sister when I bought a Nikon F5, which was a huge top-of-the-line film camera when film ruled the roost. The N70 made the full circle, coming back to me again after being gone for more than 20 years. The N70 is the focus (pardon the pun) of this blog.
The N70 was the second camera I ever purchased. The first was a 35mm Minolta X700 that I bought a week before my first daughter was born because my wife told me I needed a camera to record the occasion. I bought the Minolta because it was what the store (a large Fedco, which is no more) sold and everything was automatic (except for focusing, which no one offered at the time). And, it was what my brother-in-law shot (he was a photography enthusiast, so I figured it had to be good). The Minolta was a far better camera than I was a photographer, but I really wasn’t getting the eye-popping photos I saw in the photography magazines (and I did a lot of my learning through magazines; there was no internet in those days).
Nope, in those days, my Minolta was a manual focus camera, and I figured what I really needed was autofocus. The ticket in for me was the Nikon N70 (the very one you see here) sold to me by a very competent young salesman at our local Ritz camera store. It used to be that every major shopping mall had a Ritz camera store; with the advent of the internet, they’ve all disappeared, too.
I didn’t know very much about photography back then, but autofocus really made things better. My pictures (all print, of course) were turning out great. I liked the reaction my little 4×6 prints were getting at family dinners, and I started reading more and more about the art of photography. You know, all the stuff the camera did automatically. Apertures. Shutter speeds. Different ISOs. How to use the flash, even in daylight. And then I learned more. Composition. The rule of thirds. Lighting. The more I learned, the more I shot, and the more I shot, the better my photos became. Then a funny thing happened. I went back to my old Minolta (without autofocus) and my photos with it were way better, too. Who would have thought?
The world continued to change. Ebay became a thing, and so did digital photography. I resisted digital photography, partly because I am a cheap SOB and partly because I thought I was a purist. Until I tried digital. The difference was incredible. I sold all of my film cameras and the lenses that went with them.
With my sister’s generosity and my newly-rehomed collection of four film cameras, though, I am regressing and I hope to soon be rediscovering the wonders of film photography. Or going back to my roots. Or becoming more traditional. You can choose the words you like.
Anyway, the topic du jour is my N70. I just ordered a few rolls of Fuji ISO 200 film for it from Amazon, and I’ll put the old Nikon through its paces when the film gets here. When I picked up the N70 from my sister, I thought she had spilled something gooey on the back cover because it was all sticky. But it wasn’t her doing. I did a Google search and it was a common complaint. Apparently Nikon had applied a rubber-like material on the cover, which degraded over time. I had that happen on a Bell motorcycle helmet one time (a shame, really; I loved the artwork on that helmet). One of the guys who wrote about the Nikon N70’s gooification issue said that the rubber goo came off with alcohol, so I’ll try that on mine.
The Nikon feels good in my hands (the gooey cover notwithstanding). I packed it on a lot of motorcycle rides, including the Three Flags Classic nearly 20 years ago. Handling it is like coming home to an old friend. Watch for my photos with the N70; I’ll post them in a future blog (if I can find a place that still develops 35mm film).
This is another one of those blogs that almost had another title. I considered simply calling it The P11. Hey, if you know, you know. And I know. So does Andrew.
Sue and I were on the East Coast last week (as in literally on the East Coast when we stopped for lunch in Point Pleasant, New Jersey) when I gave my buddy Andrew a call. Andrew is the guy who runs British Motorcycle Gear, a company whose ads grace these pages. You’ve also read reviews by Joe Gresh on some of the top quality gear Andrew offers, including Rapido gloves, the Mercury jacket, and the BMG Adventure motorcycle pants.
Andrew is a true Anglophile (a lover of all things British), although like me, he grew up in the Garden State. We had a nice visit in Andrew’s beautiful home, and then he took us into his garage to see the toys. I was blown away, not just by the motorcycles Andrew parks in his garage, but at how closely they tracked with my list of highly desireable motorcycles.
One that caught my eye instantly was a Norton P11. That was the ultimate hot rod motorcycle in the 1960s. Norton shoehorned their 750cc engine into a 500cc Matchless desert sled frame. When I was a teenager, the word on the street was that nothing was faster than a Norton P11. Norton only made a very few of these motorcycles (I think the production total was less than 2500). Truth be told, Andrew’s P11 is the first one I’ve ever seen in person, but I knew what it was as soon as I saw it. It’s parked on the other side of the garage, and my eye skimmed over a bunch of motoexotica when I saw the P11. Man, I would love to own that motorcycle. I don’t necessarily need to ride it; I would just look at it and keep it immaculate. Which, incidentally, is the condition in which I found all of Andrew’s motorcycles.
There was a silver and burgundy 1968 Triumph Bonneville that looks like it rolled out of the Coventry plant yesterday morning. Andrew told me that the Bonneville is sold. Not to me, unfortunately. It’s another I’ve love to own.
Andrew has a Triumph Daytona, and it’s the rare one…the 900cc triple with a bunch of goodies (think triple caliper disks up front, carbon fiber front fender, and other similar go fast and stop fast bits). It is bright yellow (Triumph called it Daytona yellow), just like the Daytona 1200 I owned about a decade ago. But my Daytona was but a mere commoner’s motorcycle. Andrew’s Daytona is the limited-edition version. Like the P11 Norton mentioned above, it’s the first one I’ve ever seen. I live in southern California; I’ve been to a bunch of moto hangouts (like the Rock Store in Malibu) and numerous Britbike events (for example, the Hansen Dam Norton get-togethers). I’ve seen Jay Leno, I’ve seen pristine vintage Indians (real ones, not the current production stuff), I’ve seen four-cylinder Hendersons, and I’ve laid these eyeballs on other similar exotics. But I’ve never seen a limited-edition Daytona Super III or a P11 in person until I visited Andrew.
Another one of Andrew’s bikes that caught my eye was a near-new-old-stock Honda GB500. It has to be one of the most beautiful motorcycles ever made. Honda offered these 500cc singles in the mid 1980s. It was a modern nod to (and refined version of) the British Velocette. They flopped from a sales perspective back then, but that’s only because of our unrefined palate and our then-fascination with conchos, wide whitewalls , and beer bellies (think potato-potato-potato exhaust notes and you’ll catch my drift). Like a lot of things, I should have bought a GB500 back then. Andrew’s GB500 is literally in like new condition. It has 535 original miles on the odometer.
There was more…a modern Triumph Thruxton, another modern Triumph, even a Lotus Elise sports car. My eye, though, kept returning to the Norton P11. It really is a visually arresting motorcycle.
At the conclusion of our visit, I asked Andrew if he would consider adopting me. Everyone enjoyed a good laugh about that. They all thought I was kidding. But I wasn’t.
I’ve always been afraid of (and morbidly curious about) spiders, so when Bobbie Surber posted the photo you see above of a spider in her Ecuadorean hotel room’s bathroom, it had my attention. I don’t think I could stay in a hotel room where a spider like that put in an appearance. I know I’m a big tough guy who rides motorcycles and made it through jump school in a prior life, but spiders creep me out. I’m deathly afraid of the things.
Which doesn’t mean I’m going to pass up an opportunity to get a photo of one. Baja John and I were rolling through Baja a decade and a half ago on our KLRs (I loved that motorcycle; it was one of the best I ever owned). We were doing maybe doing 60 mph when I somehow spotted a tarantula creeping along the pavement’s edge. I had to turn around and get a photo (it’s the one that sometimes graces the scrolling photo collection you see at the top of every ExNotes blog). Baja John, being a curious sort, did a U-turn and parked his KLR by the side of the road, too. I had my old D200 Nikon with its first-gen 24-120 Nikon lens (not a good choice for a spider macro shot, but it did the job).
Before you knew it, I was snapping away while Baja John and I were crouched down in front of the hairy thing. The tarantula’s ostrich-like behavior was kind of funny. It hunkered down with a weed over its six or eight (or whatever the number is) eyes, thinking because the weed covered its eyes it was concealed. At least for a while. Then it realized we were still there and it charged. I’m not kidding. The thing charged at us with startling speed. Both of us did our best impersonation of Looney Tunes cartoon characters, our feet moving faster than we were, trying to run backwards from the crouched position, screaming like little girls. We made it, and the spider scurried off to wherever it thought was a better spot. Baja John and I, thoroughly adrenalized, laughed so hard I thought I was going to pee my pants.
I’m an old fart who really doesn’t give a rat’s ass about what anybody thinks of me anymore, so I’ll tell you that I am scared of spiders on some basic, fundamental, hardwired-into-my-psyche level. That said, I know that some of you younger guys who read ExNotes probably still worry about being perceived as tough macho men (you guys who haven’t achieved my level of self-awareness and acceptance yet). Because of that, I’ll share with you a technique I’ve used for decades. You know the deal…your significant other spots a spider, usually in the bathtub, and the job of sending it to the promised land naturally falls to you, the man. You’re as scared as she is, but your ego won’t let you admit it. There’s a spider there, and militant feminism be damned, it’s your job (as the man) to “get it.”
Here’s where the story turns to my other favorite topic: Guns. I’m helping you out here, guys. Here’s an excuse to pick up another firearm. You can thank me later.
What you need is a pellet pistol. Preferably a manually-cocked model that doesn’t require a CO2 cartridge. My weapon of choice is the Daisy 777 air pistol. It’s a fantastic gun and it is quite accurate (I used to compete with one in bullseye air pistol competition, but I digress…back to the story at hand).
When your lovely significant other comes to you announcing a spider in the bathtub, choke down those feelings of fear, revulsion, and inadequacy. Here’s what you do: Grab your air pistol. Cock it, but (and this part is very important) do not put a pellet in the chamber. While maintaining a firm grip on the weapon, point it at the offending arachnid with the muzzle approximately one inch away from your target. Do not stand directly under the spider (for reasons that will become clear momentarily, this is also very important). Take a deep breath, let it halfway out, and while maintaining focus on the front sight and proper sight alignment, gently squeeze (do not jerk) the trigger. A high-speed jet of compressed air will exit the muzzle, strike the spider, and break it up into legs, thorax, abdomen, and other body parts. They will float to the ground and in most cases, the separate parts will continue twitching (adding to the excitement, the thrill of the hunt, and proof of your masculinity). Mission accomplished, as old George W liked to say. Your job (which was to “get it”) is done. You can now turn to your sweetheart, smile, and ask her to clean it up.
The .45-70 Government cartridge was destined for obsolescence in the middle of the last century and then a curious thing happened: Ruger chambered their No. 1 single shot rifle for it and Marlin did the same with an adaptation of their lever action rifle a short while later.
When Marlin and Ruger came on board with their .45 70 rifles, there was suddenly significant interest in the cartridge. I fell in love with the .45 70 when I bought a Ruger No. 1 in 1976 (a rifle I still have), and I’ve been reloading the cartridge ever since. I’ve owned several No. 1 Rugers, a few Ruger No. 3 rifles, a bunch of Marlin .45 70s, and a replica 1886 Winchester (by Chiappa, with wood that is way nicer than anything from Winchester).
All these manufacturers have offered special editions of their .45 70 rifles. One of the more recent offerings from Ruger was a 26-inch barreled No. 1 with a Circassian walnut stock. When it was first offered about 7 years ago by Lipsey’s (a Ruger distributor), it was a limited run of only 250 rifles. They sold out immediately and folks still wanted these, so Lipsey’s and Ruger offered a second run of 250 rifles. I wanted one with fancy wood, but none of the Circassian Rugers I saw online had wood nice enough to be interesting. Even though the rifles had Circassian walnut, all the ones I saw were plain and straight grained. Then one day I wandered into a local gun shop and I saw the rifle you see here. It caught my eye immediately and at first I couldn’t believe what I was seeing. These rifles were next to impossible to find and here was one right in front of me. It was pricey, but I Presbyterianed the guy down to $1050 (you fellow Members of the Tribe will get it) and I pulled the trigger (figuratively speaking).
Ruger’s more recent .45 70 No. 1 rifles have a short leade (the distance between the forward edge of the cartridge case and where the rifling starts). Mine won’t chamber cartridges with 400-grain and above bullets. In fact, I had some ammo I had loaded with an old batch of Hornady’s 300-grain jacketed hollow points, and this ammo wouldn’t chamber, either. I examined the profile of my old 300-grain Hornady bullets and compared it to pictures of the current Hornady 300-grain bullets, and it was obvious the older bullets had a more gradual ogive (the curved portion of the bullet’s profile). I ordered a box of the current Hornady 300-grain slugs, I loaded them, and the ammo chambered in this rifle easily. In researching this issue on the Internet, the issue of recent Ruger .45 70 rifles’ shorter leades is a complaint that’s popped up more than once. One guy even sent his rifle to Ruger, but he said Ruger measured the chamber and returned it to him with no work done (according to him, Ruger said the rifle met SAAMI chamber spec requirements). It’s not really an issue to me; if I want to shooter the heavier bullets I’ll use a different .45 70 rifle.
I had some Winchester factory .45 70 cartridges in my ammo locker, including the Winchester load with 300-grain hollow point bullets. I thought I would shoot those to see how they did in the Circassian No. 1.
My first shots were at 50 yards, and the Ruger grouped nicely. The shots were biased very slightly to the right. That’s okay, because the Ruger rear sight is adjustable for both windage and elevation. I didn’t bother making the adjustments on the range, as it was a fairly windy day. I’ll make the adjustments, if necessary, on the next trip.
I then set up a standard 100-yard target (at 100 yards). There were 20 rounds in the box of Winchester .45 70 ammo and I had already shot four 3-shot groups at 50 yards. That left eight rounds to play with at 100 yards, and play around I did.
The results surprised me. I was holding on the bullseye at 6:00, and those big 300-grain hollowpoints hit at about the right elevation. As was the case with the 50-yard targets, the point of impact was biased to the right. The first three made a tight group and then the shots climbed as I progressed through the eight. The vertically strung group was only about an inch in width. The stringing is almost certainly due to barrel heating and the barrel being deflected up by the forearm (it’s not free floated). I was pleased with the results. It told me that I could leave the elevation adjusted for 50 yards and it would still be spot on at 100. On my next range outing with this ammo, I’ll adjust the rear sight to the left a scosh and take my time between shots to preclude the stringing. Even with the stringing you see in the above target, it’s not too shabby for a 100-yard group with open sights.
More blogs on this and other .45 70 rifles? You bet!
I spent most of the morning in the garage, organizing my reloading bench and the tons of components I have stacked in, on, under, and around it. I rearranged a good chunk of my 9mm brass (I probably have something north of 4,000 empty 9mm cases, enough to keep me in Parabellum paradise for the rest of my natural life). I’m waiting on a part for my Lee turret press (Lee is sending it to me at no charge), and when it gets here I’ll start reloading 9mm again. It’s become a favorite cartridge, but more on that in a future blog.
As part of the garage cleanup and reorg effort, I pushed the Royal Enfield out so I could sweep the floor. A young lady who lives in the neighborhood was walking her dog when she spotted the Enfield. “It sure looks like a nice day for a ride,” she said. We chatted for a bit and then I thought about her comment. It really was a nice day for a ride. We’ve had rain big time for the last couple of weeks (don’t believe the lyrics…during the winter it rains a lot in California), and today we finally had a day that was bright and sunny. I did what anybody would do…I closed up shop and fired up the Enfield.
The nice thing about the winter rains here in So Cal is that when the clouds disappear we see the San Gabriel Mountains blanketed in snow. It really is quite beautiful. I started a ride into the mountains to get a good shot of the Enfield with the snow-capped mountains as a backdrop, and then I realized it was already 1:15 p.m. I had a 2:00 appointment with Doc Byrne, my chiropractor. I stopped for the quick shot you see above, and then it was over to the doctor’s office.
People who see a motorcycle parked in front of a chiropractor’s office should probably realize the doctor knows his business. My guy does, and another plus for me is that he is a rider. We’ve had some interesting conversations about motorcycles while he works his magic. I’m a big believer in chiropractic medicine.
After getting my back straightened, I pointed the Enfield north and wound my way into the San Gabriels. I was looking forward to a late lunch at the Mt. Baldy Lodge, and I was not disappointed.
I like the Mt. Baldy Lodge. It was busy (that was good), although like a lot of places their prices have climbed irrationally (that’s not so good). I ordered a turkey melt sandwich and paid the extra $2.00 for onion rings instead of French fries (not exactly a healthy option, but it was delicious).
As soon as I sat down at the bar, a younger guy (they’re all younger these days) who was shooting pool asked if I came in on the Enfield. “Guilty,” I answered.
“Cool,” he said. “I had an Enfield about 10 years ago, but I crashed and the insurance company totaled it.”
I didn’t have the heart to tell him that the Interceptor was only introduced about four years ago. I had no interest in a conversation with a guy who was obviously making it up as he went along. Better he should find a job with the news media or in politics, or maybe as an Ivy League university president. (Does that count as politics? We don’t do politics here on ExNotes, you know.)
I enjoyed my sandwich and the onion rings. I didn’t eat the whole thing, which somewhat eased my guilt pangs (I’m having a weight loss contest with Baja John, and he’s kicking my ass). I was having a good day. There’s something about a motorcycle ride into the mountains, sitting at the bar in the Mt. Baldy Lodge, having a good lunch, and listening to the pool table balls clicking and clacking that just feels like all is right with the world. I had a great ride and a great lunch, but it was getting late and the outside temperature was starting to drop. I knew I’d better head home. Even though it was cold, I enjoyed the ride down out of mountains as much as the ride up. The next time I see that young lady walking her dog, I’ll thank her for her suggestion. She was right; it was a nice day for a ride.
So, in case you are wondering why you received a notification email about the new Janus 450 Scrambler and the link didn’t work…well, that was a case of operator error. I hit publish before I should have, which triggered the email notification, and then I took the blog down so I could repost it on 23 February. But the email notification had already gone out. I reposted the blog on the 23rd (like I was supposed to do to first time), and you can view it here. My fellow blogistas have warned me that they are going to lop off yet another finger if I screw up again, so I have to be careful. I only have a few fingers left, and it’s getting hard to type. Mea culpa, and all that…
The thought came to me easily: The Patton Museum. We’d been housebound for weeks, sheltered in place against the virus, and like many others we were suffering from an advanced case of cabin fever. Where can we go that won’t require flying, is reasonably close, and won’t put us in contact with too many people? Hey, I write travel articles for the best motorcycle magazine on the planet (that’s Motorcycle Classics) and I know all the good destinations around here. The Patton Museum. That’s the ticket.
I called the Patton Museum and they were closed. An answering machine. The Pandemic. Please leave a message. So I did. And a day later I had a response from a pleasant-sounding woman. She would let me know when they opened again and she hoped we would visit. So I called and left another message. Big time motojournalist here. We’d like to do a piece on the Museum. You know the drill. The Press. Throwing the weight of the not-so-mainstream media around. Gresh and I do it all the time.
Margit and I finally connected after playing telephone tag. Yes, the Patton Museum was closed, but I could drive out to Chiriaco Summit to get a few photos (it’s on I-10 a cool 120 miles from where I live, and 70 miles from the Arizona border). Margit gave me her email address, and Chiriaco was part of it (you pronounce it “shuhRAYco”).
Wait a second, I thought, and I asked the question: “Is your name Chiriaco, as in Chiriaco Summit, where the Museum is located?”
“Yes, Joe Chiriaco was my father.”
This was going to be good, I instantly knew. And it was.
The story goes like this: Dial back the calendar nearly a century. In the late 1920s, the path across the Colorado, Sonoran, and Mojave Deserts from Arizona through California was just a little dirt road. It’s hard to imagine, but our mighty Interstate 10 was once a dirt road. A young Joe Chiriaco used it when he and a friend hitchhiked from Alabama to see a football game in California’s Rose Bowl in 1927.
Chiriaco stayed in California and joined a team in the late 1920s surveying a route for the aqueduct that would carry precious agua from the mighty Colorado River to Los Angeles. Chiriaco surveyed, he found natural springs in addition to a path for the aqueduct, and he recognized opportunity. That dirt road (Highways 60 and 70 in those early days) would soon be carrying more people from points east to the promised land (the Los Angeles basin). Shaver Summit (the high point along the road in the area he was surveying, now known as Chiriaco Summit) would be a good place to sell gasoline and food. He and his soon-to-be wife Ruth bought land, started a business and a family, and did well. It was a classic case of the right people, the right time, the right place, and the right work ethic. Read on, my friends. This gets even better.
Fast forward a decade into the late 1930s, and we were a nation preparing for war. A visionary US Army leader, General George S. Patton, Jr., knew from his World War I combat experience that armored vehicle warfare would define the future. It would start in North Africa, General Patton needed a place to train his newly-formed tank units, and the desert regions Chiriaco had surveyed were just what the doctor ordered.
Picture this: Two men who could see the future clearly. Joe Chiriaco and George S. Patton. Chiriaco was at the counter eating his lunch when someone tapped his shoulder to ask where he could find a guy named Joe Chiriaco. Imagine a response along the lines of “Who wants to know?” and when Chiriaco turned around to find out, there stood General Patton. Two legends, one local and one national, eyeball to eyeball, meeting for the first time.
Patton knew that Chiriaco knew the desert and he needed his help. The result? Camp Young (where Chiriaco Summit stands today), and the 18,000-square-mile Desert Training Center – California Arizona Maneuver Area (DTC-CAMA, where over one million men would learn armored warfare). It formed the foundation for Patton defeating Rommel in North Africa, our winning World War II, and more. It would be where thousands of Italian prisoners of war spent most of their time during the war. It would become the largest military area in America.
General Patton and Joe Chiriaco became friends and they enjoyed a mutually-beneficial relationship: Patton needed Chiriaco’s help and Chiriaco’s business provided a welcome respite for Patton’s troops. Patton kept Chiriaco’s gas station and lunch counter accessible to the troops, Chiriaco sold beer with Patton’s blessing, and as you can guess….well, you don’t have to guess: We won World War II.
World War II ended, the Desert Training Center closed, and then, during the Eisenhower administration, Interstate 10 followed the path of Highways 60 and 70. Patton’s troops and the POWs were gone and I-10 became the major east/west freeway across the US. We had become a nation on wheels and Chiriaco’s business continued to thrive as Americans took to the road with our newfound postwar prosperity.
Fast forward yet again: In the 1980s Margit (Joe and Ruth Chiriaco’s daughter) and Leslie Cone (the Bureau of Land Management director who oversaw the lands that had been Patton’s desert training area) had an idea: Create a museum honoring General Patton and the region’s contributions to World War II. Ronald Reagan heard about it and donated an M-47 Patton tank (the one you see in the large photo at the top of this blog), and things took off from there.
I first rode my motorcycle to the General Patton Memorial Museum in 2003 with my good buddy Marty. It was a small museum then, but it has grown substantially. When Sue and I visited a couple of weeks ago, I was shocked and surprised by what I saw. I can only partly convey some of it through the photos and narrative you see in this blog. We had a wonderful visit with Margit, who told us a bit about her family, the Museum, and Chiriaco Summit. On that topic of family, it was Joe and Ruth Chiriaco, Margit and her three siblings, their children, and their grandchildren. If you are keeping track, that’s four generations of Chiriacos.
The Chiriaco Summit story is an amazing one and learning about it can be reasonably compared to peeling an onion. There are many layers, and discovering each might bring a tear or two. Life hasn’t always been easy for the Chiriaco family out there in the desert, but they always saw the hard times as opportunities and they instinctively knew how to use each opportunity to add to their success. We can’t tell the entire story here, but we’ll give you a link to a book you might consider purchasing at the end of this blog. Our focus is on the General Patton Memorial Museum, and having said that, let’s get to the photos.
When I first visited the Patton Museum nearly 20 years ago, there were only three or four tanks on display. As you can see from the above photos, the armored vehicle display has grown dramatically.
Like the armored vehicle exhibits, the Museum interior has also expanded, and it has done so on a grand scale. In addition to the recently-built Matzner Tank Pavilion shown above, the exhibits inside are far more extensive than when I first visited. Sue and I had the run of the Museum, and I was able to get some great photos. The indoor exhibits are stunning, starting with the nearly 100-year-old topo map that dominates the entrance.
In addition to the General Patton Memorial Museum, there are several businesses the Chiriaco family operates at Chiriaco Summit, and the reach of this impressive family is four generations deep. As we mentioned earlier, it’s a story that can’t be told in a single article, but Margit was kind enough to give us a copy of Chiriaco Summit, a book that tells it better than I ever could. You should buy a copy. It’s a great read about a great family and a great place.
So there you have it: The General Patton Memorial Museum and Chiriaco Summit. It’s three hours east of Los Angeles on Interstate 10 and it’s a marvelous destination. Keep an eye on the Patton Museum website, and when the pandemic is finally in our rear view mirrors, you’ll want to visit this magnificent California desert jewel.
This is the fourth (and at least for now, the last) in a series of blogs on Browning bolt action rifles (the other three articles were on a .223 A-Bolt Micro Medallion, a maple-stocked 6.5 Creedmoor X-Bolt), and a .22 Long Rifle A-Bolt I used in metallic silhouette competition). The .223 A-Bolt and the 6.5 Creedmoor X-Bolt are very accurate. The .22 Long Rifle A-Bolt was pretty, but its accuracy was less than I thought it should be so after trying several different brands of .22 ammo I sold it.
This .308 Browning A-Bolt caught my eye for several reasons:
It is a stainless steel Gold Medallion A-Bolt in .308 Winchester with an octagonal barrel. At the time, stainless steel rifles were popular, and I always thought octagonal barrels were cool.
I like the .308 cartridge. It’s one of those cartridges that are inherently accurate, and I never owned a .308 that didn’t shoot well. I already had the dies and plenty of brass.
I like the Browning centerfire bolt action rifles. I knew from my experience with the .223 Micro Medallion that they are accurate.
My buddy Baja John and I spent a day at the range with his stainless steel octagonal .25 06 Browning. I liked it and I knew I wanted one.
The walnut is exceptional. The photos speak for themselves. I’m a sucker for pretty walnut.
The photos below are the ones that appeared in the Gunbroker.com ad.
As an aside, Browning rifles and shotguns are manufactured in Japan by Miroku. Miroku is an interesting firearms manufacturer for several reasons, one of which is that they did not make guns for the Japanese military during World War II (at least not that I could find any reference to). The other modern Japanese gun manufacturer is Howa; that company made rifles for the Japanese during the war (the Arisaka rifle). I own several modern Howas; they are excellent rifles (as are the Brownings made by Miroku). Miroku got its start making hunting guns in 1893, and then in 1934, they started manufacturing whaling harpoon guns. Today, Miroku manufactures rifles and shotguns under their own name and for other companies (including Winchester). Based on my experience and observation, the Miroku Brownings are high quality firearms.
I know, I’m getting off track with the above info on Miroku and Howa. Back to the Browning .308, the topic of this blog. Here’s the description of my .308 as it appeared in the Gunbroker.com auction:
You are bidding on a brand new Browning White Gold Octagon Medallion in 308 Winchester, this is absolutely New In The Box. These rifles were shot show specials from several years back. They feature octagon barrels, gold accents on the receiver, stunning wood and highly polished bolt handles. These are very stunning rifles and very rare. * I am thinning the herd, selling those items I just never get around to shooting. As I am again beginning to sell a lot of items I will take them to my gunsmith 1x per week for shipment, usually Saturday morning. My gunsmith is a farmer so it may then take a day or 2 to process and ship them. All guns are shipped to an FFL dealer only. It is your responsibility to send your funds and a copy of your dealer’s FFL (e-mailed legible copy is ok). I will NOT call, fax or spend time chasing down your dealer’s FFL. I will hold shipment until you send an FFL. If sending an FFL is a problem for your dealer either find another dealer or please don’t bid. * Any damage in shipping will be the responsibility of the shipping company. All products are shipped fully insured and will ship by FEDEX. Items paid for by Postal MO will ship right away. Those who pay with a bank check or personal check will wait up to 10 days to clear. I only ship to FFL dealers. I do not end auctions early so please don’t ask. I will also not take less than the minimum bid price!! * I am looking for one rifle for which I would consider working out a trade, it is a SAKO Mannlicher in .375 H&H. Otherwise I do not have an interest in trading. * All auctions need to be paid within 7 days of the end of the auction to avoid negative feedback. Once the firearm is received I would appreciate your feedback. I will always leave feedback for those who do the same. Thank you for looking at my auction, good luck!
[Information added 5/9/2012 6:59:47 AM] I want to comment on a couple pictures; First, there is NO scratch in the stock it is just the flash creating that impression. Secondly, there is a slight reddish cast in the finish but the flash distorts the look in the one picture. The gun looks like the more brownish pictures in real life. It is a very highly figured stock.
Based on the above, it appeared the seller was firm on his price (he used two exclamation points in his admonition regarding lower offers). I would have paid the $1399, but I come from a long line of people who believe you should never pay the asking price, at least not immediately. Disregarding his warning, I wrote to ask if he would consider a lower price, and the answer came back in seconds: No. Well, that was quick, I thought, impressed with his resolve. I was getting ready to respond with an “okay, I’ll pay the $1399” when a minute or two later another email floated in. He would take $1275. Done, I typed, and I hit the send button.
You might be wondering how this rifle shoots. That would be something you and I have in common. I’ve never fired it. I’m considering doing so, however, and that would require adding a scope, rings, and mounts. I may get around to doing that sometime in the near future.
What do you think? Should I mount a scope and shoot this beauty?
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This just came in a few minutes ago: Janus is announcing their new 450cc Gryffin Scrambler. I rode the street version when I visited Janus Motorcycles a couple of years ago and I thought it was great. At 330 pounds and with a 450cc engine, the new Gryffin sounds good to me. Here’s the Janus press release.
JANUS MOTORCYCLES ANNOUNCES DEVELOPMENT OF GRYFFIN 450 SCRAMBLER
Goshen, Indiana
Janus Motorcycles, maker of small-displacement motorcycles with hand-crafted components and highly-customizable color combinations announces the development of their Gryffin 450 Model.
The Gryffin 450 uses the same simple, reliable, and enduro-inspired SWM 445cc, 30hp power plant as their popular Halcyon 450. With a 21’’ front wheel and 17’’ rear, high exhaust, and adventure-minded details, the Gryffin 450 is designed to be an ultra-lightweight scrambler that is configurable for adventure riding, trails, and general on- and off-road riding. It draws inspiration from classic scramblers of the 50s and 60s.
Weighing in at 330 pounds, the Gryffin 450 is featherweight in the scrambler class, and the XR400-derived SWM engine provides impressive power-to-weight in its lightweight chassis.
Janus Senior Design Engineer, Charlie Hansen-Reed, led the design on the project. “The Gryffin 450 is a close sibling to our Halcyon 450, but with some key changes that really make it excel off-pavement. The longer suspension travel, wheel size, lower seat height, and larger fuel tank will be really welcomed by our off-road riders.” He adds, “and trimming another 30 pounds off our already featherweight 450 chassis will be a huge bonus for trailering, van-lifers, and for any adventuresome rider’s peace of mind and confidence.”
Still available to customers will be the whole range of color options, pinstripe options, and other various aesthetic and functional items that differentiates Janus’ manufacturing process. Additional new options on the Gryffin 450 roadmap include motocross footpegs, headlight cage, pannier racks, highway bars, skid plate, tire selections, and pillion seat.
All Gryffin 450s will include hand-formed and beaded fenders, hand-formed and welded stainless steel exhaust, hand-welded chassis and forks, Brembo brakes, hand-painted graphics and pinstripes, and hundreds of permutations of color, pinstripe color, graphics package, leather/canvas bag options, and other customizations.
Janus Motorcycles builds their highly-individualized motorcycles to order and documents much of their design and build process on their Youtube channel. “Our customers and riders love to be a part of the iterative process. We’ve invited them along as we developed our 250 line and our Halcyon 450, and we’re excited to invite them alongside us as we finalize the design of the Gryffin 450 and push it into production” Founder and CEO Richard Worsham shares: “We invite anyone to follow along with us this year as we test, develop, and build our exciting new model.”
Janus opened reservations of the first Gryffin 450s to the public today, February 23rd. All orders placed in the first 30 days of sale will be a part of the First Edition, with serial-numbered plates, limited edition race plates, unique engraved components, and commemorative packages. Bikes will be built in order of reservation, with the first expected to be finished in July of 2024.
Riders can place a reservation for an order fee of $2995.
I grew up in a town small enough that our junior high school and high school were all in the same building. It was 7th through 12th grade, which meant that some of the Juniors and Seniors had cars, and one guy had a motorcycle. That one guy was Walt Skok, and the motorcycle was a ‘64 Triumph Tiger (in those days the Tiger was a 500cc single-carbed twin). It was the most beautiful thing I had ever seen, with big downswept chrome exhaust headers, a cool tank with a dynamite chrome rack, chrome wire wheels, and the most perfect look I had ever seen on anything. I spent every spare moment I had sneaking out into the parking lot to stare at it. Some things in the world are perfect, a precise blend of style and function (things like Weatherby rifles, 1911 handguns, C4 Corvettes, Nikon DSLRs, and 1960s Triumph motorcycles).
Back to the Triumph: One day Walt started it (I had been drooling over it for a month before I ever heard it run), and its perfection, to me, was complete. In those days, a 500cc motorcycle was enormous. When Walt fired it up, it was unlike anything I had ever heard. It wasn’t lumpy and dumpy like a Harley, it wasn’t a whiny whinny like a Honda, and it wasn’t a tinny “wing-ding-ding-ding-ding” like a Suzuki or a Yamaha (they were all two-strokes back then). Nope, the Triumph was perfect. It was deep. It was visceral. It was tough. The front wheel and forks literally throbbed back and forth with each engine piston stroke. To my 12-year-old eyes and ears it was the absolute essence of a gotta-get-me-one-of-these. It looked and sounded like a machine with a heart and a soul. I knew that someday I would own a machine like this.
Fast forward a few years, and I was old enough own and ride my own Triumphs. I’ve had a bunch of mid-‘60s and ‘70s Triumphs…Bonnevilles, Tigers, and a Daytona (which was a 500cc twin-carbed twin back then, a bike known as the Baby Bonneville). I was a young guy and those British motorcycles were perfect. They were fast, they handled well, and they sounded the way God intended a motorcycle to sound. I had a candy-red-and-gold ’78 750 Bonneville (Triumph always had the coolest colors) that would hit an indicated 109 mph on Loop 820 around Fort Worth, and I did that regularly on those hot and humid Texas nights. Life was good.
Fast forward another 50 years (and another 40 or 50 motorcycles for me). We saw the death of the British motorcycle empire, the rise and fall and rise and impending fall of Harley-Davidson, this new thing called globalization, digital engine management systems, and multi-cylinder ridiculously-porky motorcycles.
So here we are, today. My good buddy Gerry, then the CSC service manager, owned this ultra-cool Norton Commando. And good buddy Steve, the CSC CEO, bought the bike and put it on display in the CSC showroom. We had a lot of cool bikes on display there, including vintage Mustangs, Harleys, Beemers, RX3s, RC3s, TT250s, and more. But my eye kept returning to that Norton. I’d never ridden a Norton, but I’d heard the stories when I was younger.
Back in the day (I’m jumping back to the ‘60s and ‘70s again) guys who wanted to be cool rode Triumphs. I know because I was one of them. We knew about Nortons, but we didn’t see them very often. They had bigger engines, they were more expensive than Triumphs, and their handling was reported to be far superior to anything on two wheels. Harleys had bigger engines and cost more than Triumphs, but they were porkers. Nortons were faster than Triumphs (and Triumphs were plenty fast).
A lot of guys who rode Triumphs really wanted to ride Nortons. Nortons were mythical bikes. Their handling and acceleration were legendary. In the ‘60s, the hardest accelerating bike on the planet was the Norton Scrambler. Norton stuffed a 750cc engine into a 500cc frame to create that model, like Carroll Shelby did with the AC Cobra. I remember guys talking about Norton Scramblers in hushed and reverential tones back in the LBJ and Nixon years. You spoke about reverential things softly back then.
Fast forward again, and here I was with Steve’s 1973 Norton Commando right in front of me (just a few feet away from where I used to write the CSC blog). Steve’s Norton was magnificent. It had not been restored and it wore its patina proudly.
“Steve,” I said, “you need to let me ride that Norton.”
“Sure,” he said. “I’ll have Gerry get it ready for you.”
Wow, I thought. I’m going to ride a Norton. I felt like the little dog who finally caught the bus and found himself with a mouthful of bus. What do you do when that happens?
I sat on the Norton that afternoon. It felt big. The pegs were set far to the rear and my hips hurt immediately from the bike’s racing ergos (and maybe a little from the femur and spine fractures I suffered in a motorcycle accident a few years before that; I don’t bend as easily as I used to). Maybe I shouldn’t have asked to ride this beautiful beast. Maybe my mouth had written a check my body couldn’t cash.
But I was committed. The Norton went back to Gerry so he could get it ready for me to ride. There could be no backing out now. I was nervous, I was excited, and I was a little giddy. The only bikes I had ridden for the last 7 or 8 years were 150cc Mustangs and the 250cc Zongs. Lightweight bikes. Singles. Under 25 horsepower. Electric starters and all the amenities. Modern stuff. I thought about riding the 850 Norton. It dawned on me that I had not even heard it run yet. I realized I liked electric starters. I hadn’t kick started a bike in probably 35 years. The Norton was an 850, and it was kick start only. No electric starter. Hmmm.
When I arrived at the plant, Steve pushed the Norton outside for me. We both tried to figure out where the ignition key went (it’s on the left side of the bike). We tried to guess at the ignition key’s run spot (it has four or five positions). We picked the second one and I tried kicking the engine. It was a complicated affair. You had to fold the right footpeg in, and when you kick the starter, you had to try to not hit the gear shift lever on the right side of the bike. We kicked it a couple of times. Hmmm again. Lots of compression. Then Steve had to run back into the plant to take a phone call. I tried kick starting the Norton a couple of times again. Not even a cough from the engine.
I played with the key and clicked it over one more notch. Another kick, and the mighty 850 fired right up. Ah, success!
The Norton settled into an easy idle. It was wonderful. It sounded just like Walt Skok’s Triumph. I was in the 7th grade again. I looked around to see if Steve had seen me start it, but no one was there. It was just me and the Norton. Okay, I thought, I’ll just ride around in the parking lot to get the feel of the clutch, the throttle, and the brakes.
Whoa, I thought, as I let the clutch out gingerly. That puppy had power! The Norton was turning over lazily and it felt incredibly powerful as I eased the clutch out. I tried the rear brake and there was nothing (oh, that’s right, the rear brake is on the other side). I tried the front brake, and it was strong. Norton had already gone to disk brakes by 1973, and the disk on Steve’s Commando was just as good as a modern bike’s brakes are today.
I rode the Norton into the shop so Gerry could fill the fuel tank for me. The Norton has a sidestand and a centerstand, but you can’t get to either one while you are on the bike. You have to hold the bike up, dismount on the left, and then put it on the centerstand. The side stand was under there somewhere, but I didn’t want to mess around trying to catch it with my boot. It was plenty scary just getting off the Norton and holding it upright. It was more than a little scary, actually. I’m riding my boss’s vintage bike, it’s bigger than anything I’ve been on in years, and I don’t want to drop it.
Gerry gave me “the talk” about kick starting the Norton. “I don’t like to do it while I’m on the bike,” he said. “If it kicks back, it will drive your knee right into the handlebars and that hurts. I always do it standing on the right side of the bike.”
Hmmmm. As if I wasn’t nervous enough already.
I tried the kickstarter two or three times (with everybody in the service area watching me) and I couldn’t start the thing, even though I had started it outside (when no one was around to witness my success). Gerry kicked the Norton once for me (after my repeated feeble attempts) and it started immediately. Okay. I got it. You have to show it who’s boss.
I strapped my camera case to the Norton’s back seat (or pillion, as they used to say in Wolverhampton), and then I had a hard time getting back on the bike. I couldn’t swing my leg over the camera bag. Yeah, I was nervous. And everybody in the shop was still watching me.
With the Norton twerking to its British twin tango, I managed to turn it around and get out onto Route 66. A quick U-turn (all the while concentrating intensely so I would remember “shift on the right, brake on the left”) and I rode through the mean streets of north Azusa toward the San Gabriels. In just a few minutes, I was on Highway 39, about to experience riding Nirvana.
Wow, this is sweet, I thought as I climbed into the San Gabriels. I had no idea what gear I was in, but gear selection is a somewhat abstract concept on a Norton. Which gear didn’t seem to make any difference. The Commando had power and torque that just wouldn’t quit. More throttle, go faster, shifting optional. It didn’t matter what gear I was in (which was good, because all I knew was that I was somewhere north of 1st).
I looked down at the tach. It had a 7000-rpm redline and I was bouncing around somewhere in the 2500 zip code. And when I say bouncing around, I mean that literally. The tach needle oscillated ±800 rpm at anything below 3000 rpm (it settled down above 3000 rpm, a neighborhood I would visit only once that day). The Norton’s low end torque was incredible. I realized I didn’t even know how many gears the bike had, so I slowed, rowed through the gears and counted (the number was four).
The Norton was amazing in every regard. The sound was soothing, symphonic, and sensuous (how’s that for alliteration?). It’s what God intended motorcycles to be. Highway 39 is gloriously twisty and the big Norton (which suddenly didn’t feel so big) gobbled it up. The Norton never felt cumbersome or heavy (it’s only about 20 lbs heavier than my 250cc RX3). It was extremely powerful. I was carving through the corners moderately aggressively at very tiny throttle openings. Just a little touch of my right hand and it felt like I was a cannon-launched kinetic energy weapon. Full disclosure: I’ve never been launched from a cannon, but I’m pretty sure what I experienced that day on the Norton is what it would feel like. Everything about the Norton felt (and here’s that word again) perfect.
I was having so much fun that I missed the spot where I normally would stop for the CSC glamour shots. There’s a particular place on Highway 39 where I could position a bike and get some curves in the photo (and it looked great in the CSC ads). But I sailed right past it. I was enjoying the ride.
When I realized I missed the spot where I wanted to stop for photos, it made me think about my camera. I reached behind to make sure it was still on the seat behind me, but my camera wasn’t there! Oh, no, I thought, I lost my camera, and God only knows where it might have fallen off. I looked down, and the camera was hanging off the left side of the bike, captured in the bungee net. Wow, I dodged a bullet there.
I pulled off and then I realized: I don’t want to kill the engine because then I’ll have to start it, and if I can’t, I’m going to feel mighty stupid calling Gerry to come rescue me.
Okay, I thought, here’s the drill. Pull off to the side of the road, find a flat spot, keep the engine running, put all my weight on my bad left leg, swing my right leg over the seat, hold the Norton upright, get the bike on the centerstand, unhook the bungee net, sling the camera case over my shoulder, get back on the bike, and all the while, keep the engine running. Oh, yeah. No problem.
Actually, though, it wasn’t that bad. And I was having a lot of fun.
I arrived at the East Fork bridge sooner than I thought I would (time does indeed fly when you’re having fun). I made the right turn. I would have done the complete Glendora Ridge Road loop, but the CalTrans sign told me that Glendora Ridge Road was closed. I looked for a spot to stop and grab a few photos of this magnificent beast.
That’s when I noticed that the left footpeg rubber had fallen off the bike. It’s the rubber piece that fits over the foot peg. Oh, no, I thought once again. I didn’t want to lose pieces of Steve’s bike, although I knew no ride on any vintage British vertical twin would be complete without something falling off. I made a U-turn and rode back and forth several times along a half-mile stretch where I thought I lost the rubber footpeg cover, but I couldn’t find it. When I pulled off to turn around yet again, I stalled the bike.
Hmmm. No doubt about it now. I knew I was going to have to start the Norton on my own.
We (me and my good buddy Norton, that is) had picked a good spot to stop. I dismounted using the procedure described earlier, I pulled the black beauty onto its centerstand, and I grabbed several photos. I could tell they were going to be good. Sometimes you just know when you’re behind the camera that things are going well. And on the plus side of the ledger, all of the U-turns I had just made (along with the magnificent canyon carving on Highway 39) had built up my confidence enormously. The Norton was going to start for me because I would will it to.
And you know what? That’s exactly what happened. One kick and all was well with the world. I felt like Marlon Brando, Steve McQueen, and Peter Fonda, all rolled up into one 66-year-old teenager. At that moment I was a 12-year-old kid staring at Walt Skok’s Triumph again. Yeah, I’m bad. A Norton will do that to you. I stared at the bike as it idled. It was a living, breathing, snorting, shaking, powerful thing. Seeing it alive like that was perfect. I suddenly remembered my Nikon camera had video. Check this out…
So there you have it. A dream bike, but this time the dream was real. Good times, that day was.
If you like reading about vintage iron, check out our Dream Bikes page!
One of my gifts this past holiday season was a great read: Killers of the Summer Moon by David Grann. I didn’t pick up on the author’s name initially, but Grann was already known to me by an earlier nonfiction work of his, The Lost City of Z.
Killers of the Flower Moon is about the Osage Native American murders that occurred in Oklahoma in the early part of the last century. The story basically goes like this: The Osage tribe lost their land but retained the mineral rights. Oil lay under the Osage land, which made the Osage tribe members wealthy. Through corrupt local government white people could get themselves appointed as “guardians” (which essentially allowed them to control the Osage tribe member funds), and if the person whose funds they controlled died, the money went to the white person controlling those funds. You can imagine what this led to: The Osage members started dying in large numbers under mysterious circumstances. The local and state governments had little interest in addressing the issue and the murders continued. It was a young J. Edgar Hoover’s newly-minted FBI that solved the case. That, all by itself, made for a fascinating story, made all the more interesting by it being true.
At the end of the book, Grann found a way to make the story even more interesting. The scale and scope of the murders were significantly greater than even the FBI realized, with Osage murders both preceding and following the years covered by the FBI investigation. Grann’s personal research brought this latest revelation to light.