By Joe Berk
About two years ago Sue and I visited Spain and Portugal. I posted more than a few blogs during that trip, but not enough on Antoni Gaudí. Gaudí was a Spanish architect who lived from 1852 to 1926. He was clearly a genius. I wish I had known more about him before we sent to Barcelona; I would have appreciated what I was seeing more. Better late than never, and after our trip I started reading and studying his life. This was an amazing man.

We visited three of Gaudí’s works in Barcelona: The Park Güell, the Casa Milà apartment building, and the Sagrada Familia.
Park Güell
One of our first stops in Barcelona was the Park Güell. Park Güell was commissioned by Eusebi Güell in 1900, a Catalonian businessman, when he enlisted Gaudí to incorporate several properties he already owned into the park. The photo ops were everywhere we turned, from the sculped tunnels to the paths to the buildings and the sculptures.
When wandering Park Güell, I noticed that we could overlook the city of Barcelona and see all the way to the Mediterranean. I snapped a photo or two, without realizing that my photo included the Sagrada Familia (it’s in a photo below, identified by a large red arrow). I’ll talk about that more in the next part of this blog.

If you look closely, you can see the Sagrada Familia from Park Güell.

Casa Milà
Casa Milà is another famous Gaudi work. Completed in 1912, it was initially an apartment building. Today it is a UNESCO World Heritage site. Like Park Güell, Casa Milà suggests a Dr. Suess-like whimsiness in its design. The structure is a giant loop, with an opening surrounding by the apartments. The roof contains many sculptures, with some that double as chimneys. When we visited Casa Milà, our guide asked if one reminded us of anything. It did. You’ll see it one of the photos below. George Lucas saw it, and it became the inspiration for Star Wars’ storm troopers. Another one of the photos below shows a model. Gaudi preferred to design with models, and use these as the basis for the larger work.



The Sagrada Familia
Talk about a long-running construction project: Barcelona’s Sagrada Familia temple has been under construction for 140 years, and it’s not finished yet. We heard that it would be finished in another 15 years, but who really knows?
The construction schedule notwithstanding, the Sagrada Familia is an active church, and if entering it does not make you a believer, nothing ever will. To say it’s impressive would be a massive understatement. You really have to see the Sagrada Familia to understand the excitement, the grandeur, and the genius of its design. The exterior has that same Dr. Suess/Harry Potter mystique. Once you are inside, the feeling is not one of being in a building. It’s more like being in a well-illuminated and immense living creature. The illumination comes from the buildin’s stunning stained glass, designed with colors tuned to the light from Barcelona’s sunrise and sunset.


Mere words don’t do justice to the Sagrada Familia. It is a place that has to be personally experienced to get a feel for its magnificence. I’ll return to Barcelona someday, and you can bet that I’ll visit the Sagrada Familia again.
Antoni Gaudí was a bit of a dandy in his younger days. In his later years, he stopped taking care of himself and basically dressed like a homeless person. He died as a result of being struck by a Barcelona streetcar, and when he was injured, people did not realize who he was (they thought he was a vagrant). Antoni Gaudí’s remains are entombed in the Sagrada Familia, perhaps his greatest and certainly his most widely-known work. The Park Güell, the Casa Milà apartment building, and the Sagrada Familia are not the only projects Antoni Gaudí created. I’d like to search for and visit more of Gaudí’s works when I return.
When Sue and I visited Spain and Portugal, I didn’t take my Nikon D810 and it’s 24-120mm lens (as I usually do). The weight of that camera and lens has become too much for me to carry around. I won’t bore you with the specifics of my age-related infirmities; I’ll simply share that I’m not what I used to be. But I’m still kicking and trying, and for this trip, it was my much smaller and lighter D3300 and its correspondingly-smaller 18-55mm lens. I also had a lightweight, non-zoom, non-metering Rokinon 8mm fisheye lens, which I used more than I expected to (it proved to be a very capable lens). The D3300 and these two lenses (along with a bit of post-production PhotoShop tweaking) are what I used to create the photos above. The interior photos were all shot at high ISO (in the range of 800 to 3200), which accounts for the graininess in a few of the photos. Mea culpa.
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A pod hotel is just that. It was a giant room filled with about 50 or so small containers like sleeping pods that are stacked two high. It is absolutely like sleeping in something you’d see in an 1980s sci-fi movie. This particular pod hotel had three floors of pods, and then on the top floor, an onsen (Japanese hot springs), a cold bath, showers, sauna, and a large dayroom for hanging out. For the price (approximately 40 USD) it was perfect for my 4-day stay in Tokyo.


I am usually comfortable with no planning, but before arriving in Tokyo (one of the largest cities on earth), I was feeling overwhelmed. Within 30 minutes of landing I learned there was no need for those feelings, though. Tokyo is one of the most organized, safest, cleanest, and well laid out cities I have ever visited. As I traveled through Japan for the next five weeks, I learned the people are some of the most beautiful in the world, and that is coming from someone who has seen quite a bit of the world.

